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They examine historic structures ranging from the Essex County courthouse (1729) and the King William County courthouse, built ca. 1725 and one of the oldest public buildings in continuous use in the nation, to the newer historic courthouses such as Richmond's massive Supreme Court/State Library Building, dedicated in 1941.
This is a fresh look at the American Civil War from the standpoint of the natural resources necessary to keep the armies in the field. This story of the links between minerals, topography, and the war in western Virginia now comes to light in a way that enhances our understanding of America’s greatest trial. Five mineral products – niter, lead, salt, iron, and coal – were absolutely essential to wage war in the 1860s. For the armies of the South, those resources were concentrated in the remote Appalachian highlands of southwestern Virginia. From the beginning of the war, the Union knew that the key to victory was the destruction or occupation of the mines, furnaces, and forges located there, as well as the railroad that moved the resources to where they were desperately needed. To achieve this, Federal forces repeatedly advanced into the treacherous mountainous terrain to fight some of the most savage battles of the War.
In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanization that they faced. In response, proslavery southerners attempted to counter these messages either through idealization or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture, Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealized and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker’s confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history.
A History of Virginia Literature chronicles a story that has been more than four hundred years in the making. It looks at the development of literary culture in Virginia from the founding of Jamestown in 1607 to the twenty-first century. Divided into four main parts, this History examines the literature of colonial Virginia, Jeffersonian Virginia, Civil War Virginia, and modern Virginia. Individual chapters survey such literary genres as diaries, histories, letters, novels, poetry, political writings, promotion literature, science fiction, and slave narratives. Leading scholars also devote special attention to several major authors, including William Byrd of Westover, Thomas Jefferson, Ellen Glasgow, Edgar Allan Poe, and William Styron. This book is of pivotal importance to the development of American literature and of American studies more generally.
"The Stronghold" by Miriam Haynie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Defending the Old Dominion describes historical events in Virginia during the War of 1812, examining how Virginia's militia was organized, supplied, and financed by the Commonwealth. The book discusses the militia's unpreparedness in training, its lack of adequate ordnance and arms, and how that affected its ability to defend the state against British incursions during the war. Political activities of the Virginia legislature and the U.S. Congress are examined with special reference to how the state financed the war and its relationship with the U.S. government. The book includes the fascinating story of nearly two thousand former slaves who fled to British ships to fight in Virginia with British forces.
"Once all the world was Virginia"--an exaggerated truism to be sure, but in the early eighteenth century, there seemed no limit on the Old Dominion's possibility for growth, particularly in the eyes of the state's Tidewater elite. Wealthy tobacco barons monopolized thousands of acres along Virginia's frontier, and early leadership, including William Byrd, Thomas Jefferson, and George Washington, saw the generous possibilities in the expanse of lands to their west. In 1705 Virginia planter and historian Robert Beverly confidently foresaw the day when Virginia's settlements would reach "the California Sea." In Virginia's Western Visions, L. Scott Philyaw examines the often tumultuous history of Virginia's westward expansion. Land, the foundation to tobacco cultivation and slavery, obsessed early Virginians. Land acquisition was also a necessary step in dispossessing Virginia's native inhabitants, replacing them with Europeans and Africans. The relationship between Virginia's Tidewater elite and the hinterland was never simple, however. The backcountry's economic potential was undeniable, as was the possibility for colonization; but elites feared the threat of Native American nations, and the western border was consistently a source of unrest. For many English colonists, the inland wilderness was terrifying, and Philyaw argues that attitudes toward the different peoples of the frontier--Native Americans, French Catholic villagers, and German and Ulster-Scot immigrants--shed light on the cultural and ethnic assumptions of the architects of the American republic. By the early nineteenth century, the optimism of the Revolutionary generation had faded. New western states competed with Virginia for markets, settlers, and investments, and wealthy planters began abandoning the Old Dominion, taking their portable slave wealth with them. As the War of Independence came to an end, an independent Virginia actually began losing territory; the war-weary and impoverished state could no longer control the western lands its leadership had worked so tirelessly to acquire. Leaders now turned to the new national government to accomplish their aims of creating a series of western states that would share Virginia's interests. They failed, and in the antebellum era Virginia's elite more often allied with states to the south rather than those that were once part of the Old Dominion. From the earliest settlement of the area, Virginians wrestled with both the political and cultural meaning of "Virginia." By examining the changing attitudes toward the early West, Virginia's Western Visions offers a fascinating glimpse into the dreams of the Old Dominion's early leaders, the challenges that faced them, and their vision for Virginia's future. L. Scott Philyaw is associate professor of history at Western Carolina University. He is a contributor to After the Backcountry: Rural Life in the Great Valley of Virginia, 1800-1900, and his articles and reviews have appeared in the Virginia Magazine of History and Biography, the Journal of the Early Republic, and others.
One of My Names Was Pocahontas By Katie Letcher Lyle Prize-winning author Katie Letcher Lyle has long been fascinated by Pocahontas. At eleven, the Pamunkey girl was sent to negotiate with the English invaders for the return of several of her father's captured braves. She was successful. The question is, how? After thirty years of teaching a course in Pocahontas and her people, Lyle decided to channel information from Pocahontas herself. The answer came clear and Lyle decided that the true story must be told.
Born of clashing visions of empire in England and the colonies, the American Revolution saw men and women grappling with power— and its absence—in dynamic ways. On both sides of the revolutionary divide, Americans viewed themselves as an imperial people. This perspective conditioned how they understood the exercise of power, how they believed governments had to function, and how they situated themselves in a world dominated by other imperial players. Eighteenth-century Americans experienced what can be called an "imperial-revolutionary moment." Over the course of the eighteenth century, the colonies were integrated into a broader Atlantic world, a process that forced common men and women to reexamine the meanings and influences of empire in their own lives. The tensions inherent in this process led to revolution. After the Revolution, the idea of empire provided order—albeit at a cost to many—during a chaotic period. Viewing the early republic from an imperial-revolutionary perspective, the essays in this collection consider subjects as far-ranging as merchants, winemaking, slavery, sex, and chronology to nostalgia, fort construction, and urban unrest. They move from the very center of the empire in London to the far western frontier near St. Louis, offering a new way to consider America’s most formative period.