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In 1756 Calcutta is a city on the brink of Empire. The grandiose buildings of White Town, settled about Fort William, stand in stark contrast to the bustle of Black Town across the Maratha Ditch. In White Town Chief Magistrate Holwell and his arch-rival Governor Drake must unite to outwit the dangerous schemes of the nawab of Murshidabad. In Black Town the half-cast girl Sati, believed possessed by the Goddess Kali, finds herself the centre of a religious cult. But in Murshidabad the nawab wishes only to rid India of the British - an obsession that will lead to the notorious incident of 'The Black Hole of Calcutta.' 'Chand tells the story in a direct and compelling manner. The prose sweeps forward, and she evokes the period beautifully.' Telegraph 'Gripping... This rich and powerful novel is a wonderful historical epic and a poignant account of human suffering.' Good Book Guide
Eddie Robbert shares his journeys into the worlds of myth and the lands of dreams.
From the Booker Prize-winning author of Possession comes a wonderfully erudite novel in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably. "Large, complex, ambitious, humming with energy and ideas ... a remarkable achievement." —Iris Murdoch In Yorkshire, the Potter family are preparing to celebrate Elizabeth II’s arrival on the throne. Its three youngest members, however, are preoccupied with other matters. Stephanie has grown tired of their overbearing father and resolves to marry the local curate. Anxious teenager Marcus gains a new teacher and suffers increasingly disturbing visions. Then there is Frederica. On the brink of adulthood, a love affair with a young playwright may offer the freedom she desperately desires.
An absorbing account of the descendants of the ancient Aztecs and of the survival of their culture into the twentieth century in the Valley of Mexico is presented in this fascinating volume. Focusing on San Francisco Tecospa—a village of some eight hundred Indians who still spoke Nahuatl, whose lives were dominated by supernaturalism, and who observed with only slight modification much of their Aztec heritage—this story bears out the anthropological principle that innovations are most likely to be accepted when they are useful, communicable, and compatible with established tradition. Nowhere is the Indian genius for combining the old and the new better exemplified than in the story of how the Virgin of Guadalupe came to fulfill the role formerly played by the pagan goddess Tonantzin and of how Christian saints replaced the Aztec gods. At the time of this study, the Tecospans still called the Catholic Virgin Tonantzin, but their concept of the mother goddess had changed profoundly since Aztec times. Tonantzin the Pagan, a hideous goddess with claws on her hands and feet and with snakes entwining her face, wore a necklace of hearts, hands, and skulls to represent her insatiable appetite for corpses. Tonantzin the Catholic—also called Guadalupe—is a beautiful and benevolent mother deity who repeatedly stays God’s anger against her Mexican children and answers the prayers of the poorest Indian, with no thought of return. In Tecospa the road to social recognition lay in the performance of religious works, and the neglect of ritual obligation subjected both the individual and the community to the anger of supernaturals who punished with illness or other misfortune. Religion was inextricably a part of every phase of life, and it is the whole life of the Aztecan that is recorded here: fiesta, clothing, food, agricultural practices, courtship, marriage, pregnancy and childbirth, death, witchcraft and its cures, medical practices and attitudes, houses and home life, ethics, and the hot-cold complex that classifies everything in the Tecospan universe from God to Bromo-Seltzer. With a marked simplicity of style and language William Madsen has produced a profoundly significant anthropological study that is delightful reading from the first sentence to the last. The drawings, the work of a ten-year-old Tecospan lad, are remarkable for their penetrating insight into the culture.
War films have existed since the birth of cinema, typically gung-ho tales of macho derring-do. But war films are not always about bravado and bravery, they also detail the horrors of war, the sadness, the brotherhood of soldiers and comedy that can be found in the bleakest of situations, as well as the excitement of the battlefield. War Films explores defining movies of the genre in sections covering different wars as well as wars with other worlds. The book also offers links between the different films, historical and cinematic worth and profiles of key actors and directors. Among the films included are Saving Private Ryan, Dr Strangelove,Welcome to Sarajevo, The Dam Busters, Gallipoli, The Deer Hunter and Ran.
She's a smooth blonde with enough real glamour not to need makeup—especially when she's in tight white satin. She's honest and sort of naïve, but she knows how to get a man or get rid of a wolf. She's a cigarette girl in a spot just off Chicago's loop, but she's about to start really going places. As she goes, she collects an Indian raja, an amorous sheikh and a mysterious gentleman reputed to be the Rockefeller of Burma. These gents are after something, chasing the gal around the world to get it, and it ain't hay. That's where her butterflies come in—they flutter hard, warning her when she's scared or propositioned, and they're working overtime. Effectively?—read the book and find out.