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"A series of texts in Classical Civilisation, encompassing literary, historical and philosophical subjects. Virgil is to Latin literature what Homer is to Greek and Shakespeare to English. He is both the supreme poet of Rome's greatness and its most profound exponent of the suffering involved in human experience. This book enables students to explore the issues at the heart of his work. It is built around substantial excerpts from his three great poems: the Eclogues, his highly original pastoral collection; the Georgics, his work about farming described by Dryden as 'the best Poem of the best poet'; and the Aeneid, the supreme Roman epic." http://www.loc.gov/catdir/enhancements/fy0834/2008273760-d.html.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.
This book is an examination of the ideological reception of Virgil at specific moments in the last two millennia. The author focuses on the emperor Augustus in the poetry of Virgil, detects in the poets and grammarians of antiquity alternately a collaborative oppositional reading and an attempt to suppress such reading, studies creative translation (particularly Dryden's), which reasserts the 'Augustan' Virgil, and examines naive translation which can be truer to the spirit of Virgil. Scrutiny of 'textual cleansing', philology's rewriting or excision of troubling readings, leads to readings by both supporters and opponents of fascism and National Socialism to support or subvert the latter-day Augustus. The book ends with a diachronic examination of the ways successive ages have tried to make the Aeneid conform to their upbeat expectations of this poet.
This title features a collection of 14 papers in which contributors use diverging critical methods on a selection of extracts from Vergil's epic, with the examination of political references in the work being prominent, as well as the question of the Aeneid's central meaning. Contents include: Vergil announcing the Aeneid. On Geo. 3.1-48 (Egil Kraggerud); The Peopling of the Underworld (Anton Powell); Vergil as a Republican (Eckard Lefevre); The Sword-Belt of Pallas: Moral Symbolism and Political Ideology (Stephen Harrison); The Isolation of Turnus (Richard F. Thomas) and The End and the Meaning (David West)
This is the first comprehensive English langage reference volume on Virgil, a poet whose works and thoughts have been at the center of Western literary, cultural, artistic, and pedagogical traditions for more than two millennia. Complements existing Virgil works by providing readers of all levels an approachable point of entry intry into further Virgil studies Offers in-depth treatment of all aspects of Virgil’s poetry, including the Greek and Roman literary traditions that inform his three great collections, the Eclogues, Georgics and Aeneid, and the reception of Virgil's oeuvre in literature, art, and music down through the ages Brings together over 350 contributors who are leading scholars in various periods of literary and cultural studies Comprises over 2,200 entries organized in A-Z format Winner of the 2017 Alexander G. McKay Book Prize for the best book in Vergilian studies bestowed by The Vergilian Society. Also available on Wiley Online Library. For sample content and information on online access, visit www.wileyonlinelibrary.com/ref/virgil.
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Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry. Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, Virgil's Eclogues also features an introduction by scholar Gregson Davis that situates the epic in the time in which it was created.