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Nearly two years on, the experiences and trajectories of the pandemic across the world have confirmed that it has been in the grasp of a systemic malaise, ‘le mal’. Everywhere evil is as a viral condition: in the etymological sense of a poison and in the media-theoretical sense, in its uncontrollable spread, of a contagion. It is time to revaluate the concept of evil, raising it as perhaps the only term through which philosophy can reflect on the pandemic. This collection contains responses from moral and political philosophy, epistemology, and ontology, literary studies, theology and psychoanalysis. It is a collective meditation which takes a plural approach to the sufferings of different parts of the world, deploying a stance dedicated to place and specificity.Their distinct contributions arise from multiple traditions, with voices from within and beyond the “western” canon. The eighteen mediations decline the temptation to isolate the pandemic as a simple great event, equal across the globe that it continues to devastate. Instead, like the witches of Macbeth, they come together as a gathering to speak of this state of evil, for it is our own condition. They explore the hesitating question, which yet confesses a terrifying suspicion: is it possible to speak of evil in the time of the pandemic?
In this thought-provoking work, Tony D. Sampson presents a contagion theory fit for the age of networks. Unlike memes and microbial contagions, Virality does not restrict itself to biological analogies and medical metaphors. It instead points toward a theory of contagious assemblages, events, and affects. For Sampson, contagion is not necessarily a positive or negative force of encounter; it is how society comes together and relates. Sampson argues that a biological knowledge of contagion has been universally distributed by way of the rhetoric of fear used in the antivirus industry and other popular discourses surrounding network culture. This awareness is also detectable in concerns over too much connectivity, such as problems of global financial crisis and terrorism. Sampson's "virality" is as established as that of the biological meme and microbe but is not understood through representational thinking expressed in metaphors and analogies. Rather, Sampson interprets contagion theory through the social relationalities first established in Gabriel Tarde's microsociology and subsequently recognized in Gilles Deleuze's ontological worldview. According to Sampson, the reliance on representational thinking to explain the social behavior of networking--including that engaged in by nonhumans such as computers--allows language to overcategorize and limit analysis by imposing identities, oppositions, and resemblances on contagious phenomena. It is the power of these categories that impinges on social and cultural domains. Assemblage theory, on the other hand, is all about relationality and encounter, helping us to understand the viral as a positively sociological event, building from the molecular outward, long before it becomes biological.
"What I love, and those whom I love, you, that is to say us in so far as we are capable of forming a we, all this I love, and I love them, and I love you infinitely" (Bernard Steigler April 1952- August 2020). When Bernard Stiegler writes "I love you" in the quote above, he openly provokes us to question or experience the meaning or contact of these words. He also invites us to question the relationship between a thinker's life and their thought. For Stiegler, they were inextricable. His life was one that focused on friendship but not friendships at a purely social level but ones that produced philosophy, politics, and existential truths. Bringing together scholars who knew Stiegler, including Shaj Mohan, Achille Mbembe, Divya Dwivedi, Peter Szendy, and Emily Apter, this volume provides an original - and personal - insight into his life and philosophy. Each piece gives a sense of the wide range of Stiegler's work and how it affected the praxis of the philosopher in different parts of the world.
Why is public debate increasingly polarised – and what can we do about it? Is our democracy corroding? In this original, eloquent essay, Waleed Aly and Scott Stephens explore the ethics and politics of public debate - and the threat it now faces. In a healthy society we need the capacity to disagree. Yet Aly and Stephens note a growing tendency to disdain and dismiss opponents, to treat them with contempt. This toxic partisanship has been imported from the United States, where it has been a temptation for both left and right. Aly and Stephens discuss some telling examples, analyse the role of the media, and look back to heroes of democracy who found a better way forward. Arguing that democracy cannot survive contempt, they draw on philosophy, literature and history to make an urgent case about the present. 'So what do we owe those with whom we might profoundly, even radically, disagree? In our time, the answer increasingly seems to be: Nothing. Absolutely nothing. We've come to regard our opponents as not much more than obstructions in the road, impediments standing between us and our desired end. We have grown disinclined to consider what it might mean to go on together meaningfully as partners within a shared democratic project. To put it bluntly, we see no future with our political opponents because we feel we have nothing to learn from them.' Waleed Aly & Scott Stephens, Uncivil Wars  This issue also contains correspondence discussing Quarterly Essay 86, Sleepwalk to War, from Malcolm Turnbull, Kevin Rudd, Michael J. Green, Kishore Mahbubani, Sam Roggeveen, Peter Varghese, Rory Medcalf, Emma Shortis, Dennis Altman, Hugh White
A revolutionary alternative to the misleading spiritualised image of India, through anti-caste political thought.
Imagining Far-right Terrorism explores far-right terrorism as an object of the narrative imagination in contemporary Western Europe. Western European societies are generally reluctant to think of far-right and racist violence as terrorism, but the reasons for this remain little understood. This book focuses on the extraordinarily complex case of the National Socialist Underground (NSU) in Germany, and high-profile instances of racist violence in Sweden and Norway. The author analyses the narratives surrounding far-right and racist violence, drawing on a broad range of empirical sources. Her account attributes the limits of imagining violence as far-right terrorism to elite practices of narrative control that maintain positive images of the liberal-democratic order in counterpoint to its two constitutive "others" – the far-right and racialised minorities. Situated broadly within the scholarly tradition of critical terrorism studies, the book breaks new ground in research on far-right terrorism by following its narrative traces across time, public spaces of contestation, and national borders. It also draws on material and findings originally written in German, Swedish, and Norwegian, which were previously not available in English. This much-needed volume will be of particular interest to students and researchers of terrorism and political violence, right-wing extremism, European politics, and communication studies.
Figures of Chance II: Chance in Theory and Practice proposes a multidisciplinary analysis of cultural phenomena related to notions of chance and contingency. Alongside its transhistorical companion volume (Figures of Chance I), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, by varying degrees, to be contingent, unpredictable, or chaotic. This volume reevaluates the role played by figurative representations of chance in contemporary discourses about chance and contingency. Written by seven interdisciplinary teams, and encompassing philosophy, literature, history of science, sociology, mathematics, cognitive science, information science, and art history, this text puts scientific conceptions of chance into dialogue with their contemporary literary and artistic representations. It thus brings out the central role played by art in the human perception of chance, and in our methods for projecting the future, in order to better understand contemporary human attitudes in the face of risk.
How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
From the “startlingly talented” (New York Times) author of Everything Matters!—a bold and timely novel about a grieving man dedicated to unmasking the role that lies and delusions play in our reactionary times "Nobody writing today walks the knife edge of cynicism and sentiment more bravely, intelligently and confidently than Ron Currie. By turns hilarious and heartfelt, The One-Eyed Man is a revelation, a wonder." --Richard Russo “Dark, tender, and oh-so-timely.” – USA Today Ron Currie’s three previous works of fiction have dazzled readers and critics alike with their originality, audacity, and psychological insight. A writer of unique vision and huge imagination, Currie excels at creating complex, troubled, yet endearing characters, and his work has won comparison to everyone from Kurt Vonnegut to George Saunders. K., the narrator of Currie’s new novel, joins the ranks of other great American literary creations who show us something new about ourselves. Like Jack Gladney from White Noise, K. is possessed of a hyper-articulate exasperation with the world, and like Ignatius J. Reilly in A Confederacy of Dunces, he is a doomed truth teller whom everyone misunderstands. After his wife Sarah dies, K.becomes so wedded to the notion of clarity that he infuriates friends and strangers alike. When he intervenes in an armed robbery, K. finds himself both an inadvertent hero and the star of a new reality television program. Together with Claire, a grocery store clerk with a sharp tongue and a yen for celebrity, he travels the country, ruffling feathers and gaining fame at the intersection of American politics and entertainment. But soon he discovers that the world will fight viciously to preserve its delusions about itself. How Currie's unconventional hero comes to find peace, to reenter the world, and to be touched again by emotion and empathy makes for a dramatic, utterly memorable story.
Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains. Winner of the LA Times Book Prize. For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play around with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who knows something about what it’s like to live without the feed-and about resisting its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut, Jr., M. T. Anderson has created a brave new world - and a hilarious new lingo - sure to appeal to anyone who appreciates smart satire, futuristic fiction laced with humor, or any story featuring skin lesions as a fashion statement.