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This book presents a unique view of the work of the great Italian violin-makers from the 17th to the 19th centuries, based on the collection of The Royal Academy of Music in London. The Academy, founded in 1822, is Britain's senior conservatory and one of the oldest institutions in the world for advanced musical training. Included here are masterpieces by Amati, Cappa, Celoniato, Ceruti, Dalla Costa, Deconet, Gagliano, Grancino, Guadagnini, Guarneri, Landolfi, Pressenda, Rota, Rugeri, Seraphin, Sorsana, Stradivari, Tecchler, and Testore. This revised edition has an updated descriptive text, features 15 extra entries, devotes at least two full-color spreads to each instrument, and is supplemented with a new dendrochronological study. Specially-commissioned photographs display each violin, viola, or cello with large, high-quality illustrations, revealing details of these instruments as never before. The Academy's collection of stringed instruments consists of around 100 violins and a similar combined number of violas and celli, the majority of which were received as gifts over the last century, beginning with the Rutson Bequest in 1906. These working instruments are maintained in fine playing condition and generally are in the hands of young musicians during their time as students or at the outset of their careers. The fine selection presented here underlines the collection's core of masterpiece Italian violins, and for the most part this book includes only those instruments in the purest state of conservation.
On 14th April 1912 the Titanic struck an iceberg on her maiden voyage and sank. Fifteen hundred passengers and crew lost their lives. As the order to abandon ship was given, the orchestra took their instruments on deck and continued to play. They were still playing when the ship went down. The violinist, 21 year-old Jock Hume, knew that his fiancée, Mary, was expecting their first child, the author's mother. One hundred years later, Christopher Ward reveals a dramatic story of love, loss and betrayal, and the catastrophic impact of Jock's death on two very different Scottish families. He paints a vivid portrait of an age in which class determined the way you lived - and died. An outstanding piece of historical detective work, AND THE BAND PLAYED ON is also a moving account of how the author's quest to learn more about his grandfather revealed the shocking truth about a family he thought he knew, a truth that had been hidden for nearly a hundred years.
The movies, the documentaries, the museum exhibits. They often tell the same story about the "unsinkable" Titanic, her wealthy passengers, the families torn apart, and the unthinkable end. But never before has "that glorious band," the group of eight musicians who played on as the Titanic slipped deeper and deeper into the Atlantic Ocean, been explored in such depth--until now. Join renowned biographer Steve Turner as he shares an extraordinary portrait of eight men who were thrown together on a maiden voyage, never having played together as a band, and whose names will be forever linked because of an extraordinary act of courage in the face of death. In The Band that Played On, Turner asks and answers key questions, including: How did the faith of the band members allow them to react with grace under pressure? Why does the story of the Titanic continue to fascinate? How does the legacy of that glorious band live on today? Praise for The Band that Played On: "The Band that Played On is, surprisingly, the first book since the great ship went down to examine the lives of the eight musicians who were employed by the Titanic. What these men did--standing calmly on deck playing throughout the disaster--achieved global recognition. But their individual stories, until now, have been largely unknown. What Turner has uncovered is a narrow but unique slice of history--one more chapter of compelling Titanic lore." --Marjorie Kehe, Book Editor, Christian Science Monitor
What happened to the Highland bagpipe in the two centuries following Cullden? This study presents much new contemporary evidence and uses a range of methods to recreate the changing world of the pipers as they influenced and were influenced by the transformations in Scottish society.
“’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.” –George Eliot Antonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being. Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius? In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s. Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.