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"Idols" by William John Locke is a classic novel about love, loyalty, and the complexities of human relationships. Set in early 20th century England, it tells the story of Irene Merriam, a woman who is devoted to her husband, Gerard Merriam, and his best friend Hugh Colman, and the intricate dynamics that unfold between them. As Irene navigates her feelings for the two men, the reader is drawn into a world of passion, jealousy, and sacrifice.
Despite frequent declarations of the sanctity of love and marriage, British Protestant culture nurtured the fear that human affection might easily slip into idolatry. Throughout the nineteenth-century, theological essays, sermons, hymns, and didactic fiction and poetry urged the faithful to maintain a constant watch over their hearts, lest they become engrossed by human love, guilty of worshipping the creature rather than the Creator. Strange Gods: Love and Idolatry in the Victorian Novel traces the concerns produced in Protestant culture by this broad interpretation of idolatry. In chapters focusing on Charles Kingsley and Charlotte Brontë, Mary Elizabeth Braddon, George Eliot, Oscar Wilde, and Thomas Hardy, this volume shows that even supposedly secular novels obsessively reenact an ideological clash between Protestant faith and human love. Anxiety about adoring humans more than God frequently overshadows and sometimes derails the progress of romance in Victorian novels. By probing this anxiety and its narrative effects, Strange Gods uncovers how a central Protestant belief exerts its influence over stories about love and marriage.