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The Lincoln County (New Mexico) War began over a dispute for the insurance money of Emil Fritz. It flared when the killing of John H. Tunstall became an international incident and started a chain reaction of murders. Long out of print, the work is available with a new Foreword by Marc Simmons and Preface by Michael L. Keleher, the author's son.
Lincoln County, New Mexico was once one of the largest counties in the United States and was the setting for a famous feud which lit up the horizon of history. Here between 1869 and 1881 were all the explosive ingredients for violence. On one side of the county was the Mescalero Apache reservation. A day away was an Army fort to keep the Indians "subdued." Along the Pecos River were hundreds of thousands of acres of public land, much of it claimed by settlers with deeds of "Squatters' Rights." Conflicts over land, politics, cattle and money, sparked by the tempers of young men fueled with six-shooters and cheap whiskey, set fire to the whole tinderbox. What became known as The Lincoln County War began over a dispute for the insurance money of Emil Fritz. It flared when the killing of John H. Tunstall became an international incident and started a chain reaction of murders. The Battle of Blazer's Mill presaged the four sultry days in July when Colonel N. A. M. Dudley marched U.S. troops into Lincoln and sided with the Dolan-Riley contingent against the McSween faction. This, along with the crack of Pat Garrett's pistol which ended the life of Billy the Kid, signaled the end of the outlaw heyday. Lew Wallace, governor of New Mexico (and author of Ben Hur), then wrote to Washington: "It gives me pleasure to report New Mexico in a state of quiet," thus bringing to a close a conflagration without parallel in the American West. Long out of print, the book is available once again with a new foreword by Marc Simmons and preface by Michael L. Keleher, William A. Keleher's son.
"A lively, lucid, compelling account of complex and confusing events about which scholars are still puzzling".--WASHINGTON TIMES. This story of greed, violence, and death has entered American folklore through the mythologizing of the career of Billy the Kid and also through a tendency to see the Lincoln County War as emblematic of frontier lawlessness. Illustrations.
Examines the career of the young outlaw whose life and death were an expression of the violence prevalent on the American frontier.
Includes biographical information on 4,500 individuals associated with the frontier
For decades the Horrell brothers of Lampasas, Texas, have been portrayed as ruthless killers and outlaws, but author David Johnson paints a different picture of these controversial men. The Horrells were ranchers, and while folklore has encouraged the belief that they built their herds by rustling, contemporary records indicate a far different picture. The family patriarch, Sam Horrell, was slain at forty-eight during a fight with Apaches in New Mexico. One Horrell son died in Confederate service; of the remaining six brothers, five were shot to death. Only Sam, Jr., lived to old age and died of natural causes. Johnson covers the Horrells and their wars from cradle to grave. Their initial confrontation with the State Police at Lampasas in 1873 marked the most disastrous shootout in Reconstruction history and in the history of the State Police. The brothers and loyal friends then fled to New Mexico, where they became entangled in what would later evolve into the violent Lincoln County War. Their contribution, known to history as the Horrell War, has racial overtones in addition to the violence that took place in Lincoln County. The brothers returned to Texas where in time they became involved in the Horrell-Higgins War. The family was nearly wiped out following the feud when two of the brothers were killed by a mob in Bosque County. Johnson presents an up-to-date account of these wars and incidents while maintaining a neutral stance necessary for historical books dealing with feuds. He also includes previously unpublished photographs of the Horrell family and others.
Even before he was shot and killed in 1881, Billy the Kid’s charisma and murderous career were generating stories that belied his brief life—and that only multiplied, growing to legendary proportions after his death at age twenty-one. In Thunder in the West, Richard W. Etulain takes the true measure of Billy, the man and the legend, and presents the clearest picture yet of his life and his ever-shifting place and presence in the cultural landscape of the Old West. Billy the Kid—born Henry McCarty in 1859, and also known as William H. Bonney—emerges from these pages in all his complexity, at once a gentleman and gregarious companion, and a thief and violent murderer. Tapping new depths of research, Etulain traces Billy’s short life from his mysterious origins in the East through his wanderings in New Mexico, Arizona, and Texas. As we move from his peripatetic early years through the wild West to his fatal involvement in the Lincoln County Wars, we see the impressionable boy give way to the conflicted young man and, finally, to the opportunistic and often amoral outlaw who was out for himself, for revenge, and for whatever he could steal along the way. Against this deftly drawn portrait, Etulain considers the stories and myths spawned by Billy’s life and death. Beginning with the dime novels featuring Billy the Kid, even during his lifetime, and ranging across the myriad newspaper accounts, novels, and movies that alternately celebrated his outlaw life and condemned his exploits, Etulain offers a uniquely informed view of the changing interpretations that have shaped and reshaped the reputation of this enduring icon of the Old West. In his portrayal, Billy the Kid lives on, not as a cut-throat desperado or a young charmer but as both—hero and villain, myth and man, fully realized in this twenty-first-century interpretation.