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(Re)Constructing Cultures of Violence and Peace brings together eleven original essays that were presented at the Third Global Conference on Cultures of Violence held in August 2002 in Prague. Covering an array of violence-related subjects, and a range of methodologies—textual, historical, theoretical, quantitative—the resulting volume is a multifaceted exploration of how cultures of violence are constructed, and how they can be deconstructed and replaced with cultures of peace. In part one, the authors aim to map and describe some of the important cultures of violence in our modern world—interstate war, civil war, criminal punishment, religious conflict, hooliganism—as an initial step towards understanding violence as a cultural construction. Part two explores aspects of the (re)construction of culture of peace. Specifically, the challenges encountered in attempting to conceptualise, study, or transform cultures of violence are examined. A common theme throughout the book is that violence is a fluid social and cultural construct—it is made by individuals, groups, and social forces. The implications of this are more than simply ontological: if violence is made, it can also be unmade; if cultures of violence are socially and politically constructed, they can also be de-constructed.
With its unique blend of political history and political theory, this book is a welcome addition to the series on Politics, Culture and Society in the New Europe. Nick Hewlett begins his fascinating study with a discussion of the various ways in which the concept of democracy has been interpreted. He continues by tracing the effect of France's revolutionary tradition on the theory and practice of democracy since the Enlightenment, looking in particular at both republican democracy and direct democracy. Hewlett examines the implications for democracy of profound social and political conflict in France and offers an unusual critique of the institutions and structures of formal politics, suggesting that their relationship with democracy is more tenuous than is often assumed. The political philosophy of `new liberals' such as Luc Ferry and Marcel Gauchet is also discussed in detail. Thought-provoking, original and closely-argued, this book explores some key aspects of politics in France whilst making a strong case for greater direct participation of ordinary people in politics. Nick Hewlett is Professor of French Studies and Director of the Centre for European Research at Oxford Brookes University. He is author of Modern French Politics. Conflict and Consensus since 1945 (1998), co-author of Contemporary France (with Jill Forbes and François Nectoux, 1994 and 2001), and co-editor of Currents in Contemporary French intellectual Life (with Christopher Flood, 2000) and Unity and Diversity in the New Europe (with Barrie Axford and Daniela Berghahn, 2000).
The rise of civilized conduct and behaviour has long been seen as one of the major factors in the transformation from medieval to modern society. Thinkers and historians alike argue that violence progressively declined as men learned to control their emotions. The feud is a phenomenon associated with backward societies, and in the West duelling codified behaviour and channelled aggression into ritualised combats that satisfied honour without the shedding of blood. French manners and codes of civility laid the foundations of civilized Western values. But as this original work of archival research shows we continue to romanticize violence in the era of the swashbuckling swordsman. In France, thousands of men died in duels in which the rules of the game were regularly flouted. Many duels were in fact mini-battles and must be seen not as a replacement of the blood feud, but as a continuation of vengeance-taking in a much bloodier form. This book outlines the nature of feuding in France and its intensification in the wake of the Protestant Reformation, civil war and dynastic weakness, and considers the solutions proposed by thinkers from Montaigne to Hobbes. The creation of the largest standing army in Europe since the Romans was one such solution, but the militarization of society, a model adopted throughout Europe, reveals the darker side of the civilizing process.
These essays, three of them previously unpublished, explore the competing claims of innovation and tradition among the lower orders in sixteenth-century France. The result is a wide-ranging view of the lives and values of men and women (artisans, tradesmen, the poor) who, because they left little or nothing in writing, have hitherto had little attention from scholars. The first three essays consider the social, vocational, and sexual context of the Protestant Reformation, its consequences for urban women, and the new attitudes toward poverty shared by Catholic humanists and Protestants alike in sixteenth-century Lyon. The next three essays describe the links between festive play and youth groups, domestic dissent, and political criticism in town and country, the festive reversal of sex roles and political order, and the ritualistic and dramatic structure of religious riots. The final two essays discuss the impact of printing on the quasi-literate, and the collecting of common proverbs and medical folklore by learned students of the "people" during the Ancien Régime. The book includes eight pages of illustrations.
Faith, War, and Violence analyzes the age-old links between religion and violence perpetrated in the name of God, and the role religion performs in politically infusing the state with romantic spiritualism. The volume examines instances of this phenomenon from ancient Rome to the modern day; it finds that religion-inspired violence is not restricted to Abrahamic faiths or to one geographic region. The fact that symbolically charged religious violence has destructive consequences is not lost on contributors to Faith, War, and Violence. Among the subjects tackled are: the ideological and religious foundations that inspired the founders of Al-Qaeda and its role in the Arab Spring; the long history of religious conflict in Ireland known as the Troubles; Sikh extremism; and the evolution of the Christian approach to war. As the contributors demonstrate, in Western societies, the unity of religious fervor and warmongering stretches from Constantine's incorporation of Christian symbols into Roman army flags to slogans like Gott mit uns (God is with us), which appeared on the belt buckles of German soldiers in World War I. In recent years, George W. Bush declared the war on terror a "crusade," and his speechwriter, David Frum, coined the religiously inspired term "Axis of Evil," to describe Iraq and other countries opposing the United States.
This unique book examines the relationship between wounding and sexuality, bringing together issues around sexuality, gender, power, violence and representations. Drawing on a range of disciplines including cultural and media studies, sociology and psychology, it explores social practices such as S&M, cosmetic surgery and 'extreme' sports.
This edited volume examines theoretical and empirical issues relating to violence and war and its implications for media, culture and society. Over the last two decades there has been a proliferation of books, films and art on the subject of violence and war. However, this is the first volume that offers a varied analysis which has wider implications for several disciplines, thus providing the reader with a text that is both multi-faceted and accessible. This book introduces the current debates surrounding this topic through five particular lenses: the historical involves an examination of historical patterns of the communication of violence and war through a variety sources the cultural utilises the cultural studies perspective to engage with issues of violence, visibility and spectatorship the sociological focuses on how terrorism, violence and war are remembered and negotiated in the public sphere the political offers an exploration into the politics of assigning blame for war, the influence of psychology on media actors, and new media political communication issues in relation to the state and the media the gender-studies perspective provides an analysis of violence and war from a gender studies viewpoint. Violence and War in Culture and the Media will be of much interest to students of war and conflict studies, media and communications studies, sociology, security studies and political science.
The notion of French exceptionalism is deeply embedded in the nation's self-image and in a range of political and academic discourses. Recently, the debate about whether France really is "exceptional" has acquired a critical edge. Against the background of introspection about the nature of "national identity," some proclaim "normalisation" and the end of French exceptionalism, while others point out to the continuing evidence that France remains distinctive at a number of levels, from popular culture to public policy. This book explores the notion of French exceptionalism, places it in its European context, examines its history and evaluate its continuing relevance in a range of fields from politics and public policy to popular culture and sport.