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Expertly arranged Viola and Piano Duet by Franz Anton Hoffmeister from the Kalmus Edition series. This is from the Classical era.
Franz Anton Hoffmeister's Viola Concerto in D Major (written prior to 1799) has become among the standard repertoire of viola concertos, due to the rise of viola virtuosos since the beginning of the twentieth century and the rarity of virtuosic viola concertos with stylistic forms from the Classical period. This piece has been included in several major orchestra auditions and competitions. While violists often lack hands-on experiences of the Classical repertoire, this document is to provide violists ways to perform this piece and pieces from the same period. Hoffmeister's Viola Concerto in D Major has been published by G. Henle Verlag, Kunzelmann, Peters, Kalmus, International Music Company (New York), H.L. Grahl, and Max Eschig. Kunzelmann is in full score and piano reduction, and the other six are in piano reduction. Seven cadenzas have been published, five of them were written by Franz Beyer, Herbert Blendinger, Maurice Vieux, Robert D. Levin, and Paul Doktor. Each of them presents different technical difficulties. These editions will be discussed and compared. The form of each movement will also be analyzed. Issues of performance practice will be provided along with the information above. I will examine Leopold Mozart's A Treatise on the Fundamental Principles of Violin Playing, published at Ausburg in 1756, because this treatise not only deals with the techniques of violin playing, but also provides guidance on playing of ornamentations, which is informative for Hoffmeister's Viola Concerto in D Major.
Klaverakkompagnement til violahæfte 4
Teach violin with the popular Suzuki Violin School. The Suzuki Method(R) of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Revised editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, Spanish, and German. * Musical notation guide * Fingerboard position * CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. The International editions include an updated title page that designates the book as the International Edition.
Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.
Learn viola with the popular Suzuki Viola School, Volume 8. Titles: * Three-Octave Exercises * Concerto in B-flat Minor (A. Vivaldi/D. Preuci) * Song without Words, Op. 109 (F. Mendelssohn/D. Preuci) * Advanced Shifting Exercises * Sonata in D Major (for Violin and Piano) * Sarabande (Leclair/D. Preucil) * Sonata in D Major (for Violin and Piano) * Tambourin (Leclair/D. Preucil) * Fantasia VII (G. P. Telemann/D. Preucil) * Fantasie for Viola and Orchestra (J. N. Hummel/D. Preucill) * Romanze, Op. 85 (M. Bruch/D. Preucil) * Toccata (G. Frescobaldi/G. Cassado/D. Preucil)