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The original version of this guide has sold over 30,000 copies. This new edition has been expanded by 25% and promises to become an invaluable resource. For collectors, dealers and players, this completely updated "field guide" provides specifications, serial numbers, and more for determining the originality of vintage American acoustic and electric fretted instruments. Detailing thousands of models by every major manufacturer, the book now includes expanded coverage of Martin, Guild, Mosrite, Dobro, Gibson banjos, Fender amps, Gibson amps, plus updates on the latest models from Fender, Gibson, Rickenbacker, and others since 1990.
Following the rating system generally established among car collectors, this comprehensive value guide provides the values, in five degrees of condition, of antique American farm tractors and crawlers built from the turn of the century through the 1950s. Each chapter is devoted to one of the period's major manufacturers -- John Deere, Farmall, Caterpillar, Oliver, Minneapolis-Moline, Ford, and more -- and the values listed are based on prices actually realized at auction. In addition, two expert collectors compare their notes on each model, while the expert photography of Randy Leffingwell depicts the tractors and crawlers discussed.
An enthusiast’s guide to motoring and transport museums in Britain and beyond. Written by experienced automotive expert Lance Cole, this companion guide for car and motorcycle enthusiast covers ninety British motoring and transport museums in depth and over 350 museums worldwide. Included are: Descriptions and photographs A comprehensive global museum listing Outtakes on visits to selected overseas museums A glossary of old car and motorcycle terms and types A discussion of motoring museum culture and the history these museums portray
(Book). Finally, the long-awaited English edition of this historic Japanese book is here! The Beauty of the 'Burst pays tribute to Gibson's magnificent Sunburst Les Pauls made between 1958 and 1960, the most highly prized solidbody electric guitars ever. The magnitude of their value is directly related to their look (outrageous wood patterns, or "figured" timber), since non-players are paying top dollar for them. The book features lavish full-color photos of these beautiful instruments throughout; the guitars of famous players; a foreword by Ted McCarty; a bio of the author, world renowned collector Yasuhiko Iwanade; and the "Science of the Burst" section with over 30 pages of detailed reference facts on every facet of the guitar, including colors, wood figure, pick-ups, hardware and qualities of "voice." This may be the closest guitarists will ever be able to get to these incredibly collectible beauties! 216 pages, 8-1/2 x 11 Softcover
The preservation of our transport heritage is something that the British excel at. The Buses magazine Museum & Rally Guide 2020-21 lists forty museums in the United Kingdom plus one in the Republic of Ireland with collections of buses (and sometimes trams or trolleybuses) amongst their exhibits. The rally calendar section lists hundreds of events taking part every year. This has all developed since the 1950s. Prior to this a few far-sighted companies such as The London General Omnibus Company (later London Transport) had put aside some old vehicles but they were not on regular display. Private preservation started in the 1950s and the first clubs for preservationists were established such as the Historic Commercial Vehicle Club in 1958. A few early events were held, but the first regular event was the HCVC (now HCVS) London to Brighton Run which began in 1962 and has continued ever since. Museum sites were established in the 1960s – The Museum of British Transport opened in stages between 1961 and 1963 and would lead eventually to the London Transport Museum. The East Anglian Transport Museum at Carlton Colville and the Sandtoft Transport Centre both opened in the 1960s. But it would be the 1970s when the rallies and ‘Open Days’ we know today really began to take off. This book looks back at the formative years to 1980 when the seeds of the preservation and rally movement of today were being sown.
A major collection of short stories by one of America’s most important writers—informed by the knowledge the wounds racism leaves in both its victims and its perpetrators. • “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje, Booker Prize-winner of The English Patient In this modern classic, "there's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying, Going to Meet the Man is a major work by one of our most important writers.
“Ellison sought no less than to create a Book of Blackness, a literary composition of the tradition at its most sublime and fundamental." —Henry Louis Gates, Jr., TIME From the renowned author of the classic novel Invisible Man, Ralph Ellison’s Juneteenth is brilliantly crafted, moving, and wise. With a new introduction by National Book Award-winning author and scholar Charles R. Johnson. Here is Ellison, the master of American vernacular—the preacher’s hyperbole and the politician’s rhetoric, the rhythms of jazz and gospel and ordinary speech—at the height of his powers, telling a powerful, evocative tale of a prodigal of the twentieth century. “Tell me what happened while there’s still time,” demands the dying senator Adam Sunraider to the Reverend A. Z. Hickman, the itinerant Negro preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. His history encompasses camp meetings where he became the risen Lazarus to inspire the faithful; the more ordinary joys of Southern boyhood; bucolic days as a filmmaker; lovemaking with a young woman in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?
“Ellison sought no less than to create a Book of Blackness, a literary composition of the tradition at its most sublime and fundamental." —Henry Louis Gates, Jr., TIME From the renowned author of the classic novel Invisible Man, Ralph Ellison’s Juneteenth is brilliantly crafted, moving, and wise. With a new introduction by National Book Award-winning author and scholar Charles Johnson. Here is Ellison, the master of American vernacular—the preacher’s hyperbole and the politician’s rhetoric, the rhythms of jazz and gospel and ordinary speech—at the height of his powers, telling a powerful, evocative tale of a prodigal of the twentieth century. “Tell me what happened while there’s still time,” demands the dying senator Adam Sunraider to the Reverend A. Z. Hickman, the itinerant Negro preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. His history encompasses camp meetings where he became the risen Lazarus to inspire the faithful; the more ordinary joys of Southern boyhood; bucolic days as a filmmaker; lovemaking with a young woman in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?
Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you re wearing out, But human creatures lives! Stitch stitch stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. --from The Song of the Shirt by Thomas Hood (1843) Labour in Bangladesh flows like its rivers -- in excess of what is required. Often, both take a huge toll. Labour that costs $1.66 an hour in China and 52 cents in India can be had for a song in Bangladesh -- 18 cents. It is mostly women and children working in fragile, flammable buildings who bring in 70 per cent of the country s foreign exchange. Bangladesh today does not clothe the nakedness of the world, but provides it with limitless cheap garments -- through Primark, Walmart, Benetton, Gap. In elegiac prose, Jeremy Seabrook dwells upon the disproportionate sacrifices demanded by the manufacture of such throwaway items as baseball caps. He shows us how Bengal and Lancashire offer mirror images of impoverishment and affluence. In the eighteenth century, the people of Bengal were dispossessed of ancient skills and the workers of Lancashire forced into labour settlements.In a ghostly replay of traffic in the other direction, the decline of the British textile industry coincided with Bangladesh becoming one of the world s major clothing exporters. With capital becoming more protean than ever, it wouldn t be long before the global imperium readies to shift its sites of exploitation in its nomadic cultivation of profit.