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The Vintage Journal Statue of Liberty Head, New York pocket journal features an illustration of Statue of Liberty head. This journal has full color decorative vintage art on the cover, and is the perfect companion for your next trip, writing project, to-do list, or any occasion where a handy notebook is needed. Found Image Press Vintage Journals feature vintage art that celebrates your favorite places, hobbies and interests. The front cover design features a classic piece of art from the Found Image Press collection of over 60,000 pictures. - 4 x 6 inches - 100 lined opaque pages - Soft matte finish
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In parallel stories, a Ukrainian Jewish family prepares to emigrate to the United States in the late 1800s, and Frédéric Auguste Bartholdi designs, raises funds for, and builds the Statue of Liberty in honor of the U.S. centennial.
“Turns out that what you thought you knew about Lady Liberty is dead wrong. Learn the truth in this fascinating account.” —O, The Oprah Magazine The Statue of Liberty is one of the most recognizable monuments in the world, a powerful symbol of freedom and the American dream. For decades, the myth has persisted that the statue was a grand gift from France, but now Liberty’s Torch reveals how she was in fact the pet project of one quixotic and visionary French sculptor, Frédéric Auguste Bartholdi. Bartholdi not only forged this 151-foot-tall colossus in a workshop in Paris and transported her across the ocean, but battled to raise money for the statue and make her a reality. A young sculptor inspired by a trip to Egypt where he saw the pyramids and Sphinx, he traveled to America, carrying with him the idea of a colossal statue of a woman. There he enlisted the help of notable people of the age—including Ulysses S. Grant, Joseph Pulitzer, Victor Hugo, Gustave Eiffel, and Thomas Edison—to help his scheme. He also came up with inventive ideas to raise money, including exhibiting the torch at the Philadelphia world’s fair and charging people to climb up inside. While the French and American governments dithered, Bartholdi made the statue a reality by his own entrepreneurship, vision, and determination. “By explaining Liberty’s tortured history and resurrecting Bartholdi’s indomitable spirit, Mitchell has done a great service. This is narrative history, well told. It is history that connects us to our past and—hopefully—to our future.” —Los Angeles Times
Here is the story of how the Statue of Liberty got its pedestal when Joseph Pulitzer, a Jewish immigrant and famous newsman, created one of the first American crowdfunding campaigns to raise money for it. When Joseph Pulitzer first saw the Statue of Liberty's head in Paris, he shared sculptor Auguste Bartholdi's dream of seeing France's gift of friendship stand in the New York harbor. Pulitzer loved words, and the word he loved best was liberty. Frustrated that many, especially wealthy New Yorkers, were not interested in paying for the statue's needed pedestal, Pulitzer used his newspaper, the New York World, to call on all Americans to contribute. Claudia Friddell's text and Stacy Innerst's illustrations capture this inspiring story of how one immigrant brought together young and old, rich and poor, to raise funds for the completion of a treasured national monument.
“If you think you know all there is to know about the Statue of Liberty, you’ll be pleasantly surprised.”—The New York Times When the crated monument first arrived in New York Harbor, few could have foreseen the central place the Statue of Liberty would come to occupy in the American imagination. In this book, cultural historian and scholar of French history Edward Berenson tells the little-known stories of the statue’s improbable beginnings, transatlantic connections, and the changing meanings it has held for each successive generation. He tells of the French intellectuals who decided for their own domestic political reasons to pay tribute to American liberty; the initial, less-than-enthusiastic American response; and the countless difficulties before the statue was at last unveiled to the public in 1886. The trials of its inception and construction, however, are only half of the story. Berenson also shows how the statue’s symbolically indistinct, neoclassical form has allowed Americans to interpret its meaning in diverse ways—as representing the emancipation of the slaves, Tocqueville’s idea of orderly liberty, opportunity for “huddled masses,” and, in the years since 9/11, the freedom and resilience of New York City and the United States in the face of terror. Includes photos and illustrations “Endlessly fascinating.”—Louisville Courier-Journal
Reprint of the original, first published in 1882.
Includes: College directory [giving the name, locality, course of study, faculty, and number of students, of 175 or more of the Principal collegiate institutions of the United States]. [Boston, Robert Bros. 1872-74]