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Originally intended as reference for his work as architect, sculptor, and teacher, Blossfeldt's exquisite sharp-focus photo studies of plant form — leaves, buds, stems, seed pods, tendrils and twigs — won acclaim with publication of the 1928 edition of this book. 120 full-page black-and-white plates. Original introduction. Publisher's Note. Captions.
Vintage Art: 20 Botanical Photography Prints features a collection of curated macrophotography by Karl Blossfeldt, a self taught German photographer (1865-1932). This book highlights some of the beautiful photography from Blossfeldt's book Urformen der Kunst (Archetypes of Art) (1928). He photographed an array of plants, flowers, leaves, and seeds in close detail, by magnifying them several times thus producing images that captured the realism of nature. The prints are one sided and can be removed from the book by either using a box cutter or scissors, the illustrations are ideal for either framing or art and craft projects.
Unique, dramatic images of seed pods, buds, stems, and other botanical items appear in this remarkable collection. Excellent source of royalty-free pictures and design ideas for artists, craftspeople. 120 full-page black-and-white plates.
Vintage Art: 20 Botanical Photography Prints features a collection of curated macrophotography by Karl Blossfeldt, a self-taught German photographer (1865-1932). This book highlights some of the beautiful photography from Blossfeldt's book Urformen der Kunst (Archetypes of Art) (1928). He photographed an array of plants, flowers, leaves, and seeds in close detail, by magnifying them several times thus producing images that captured the realism of nature. The prints are one-sided and can be removed from the book by either using a box cutter or scissors, the illustrations are ideal for either framing or art and craft projects.
A stunning collection of portraits of vegetables, fruits, and flowers by a turn-of-the-twentieth-century visionary In 1981, at Bermondsey Market in London, Sean Sexton, the Irish-born photographic collector, chanced upon the gelatin silver prints of photographer Charles Jones. Dating from the turn of the century, these beguiling studio “portraits” of tulips and sunflowers, onions and turnips, plums and pears are skillfully executed and startling in their originality. Shot as close-ups, with long exposure and spare composition, the works anticipate by decades the later achievements of modernist masters. This volume presents Jones’s photography in sections devoted to vegetables, flowers, and fruit, with captions taken from Jones’s own identifications, written by hand on the back of the prints. Renowned writer and restaurateur Alice Waters describes the simple beauty of the photographs in the preface. Robert Flynn Johnson contextualizes the work in the still life tradition and pieces together the fragmentary evidence about the life of this mysterious figure, who trained as a gardener and worked on a number of private estates, but who left no notes or diaries to explain why he photographed the plants he saw every day. The perfect antidote to appetites jaded by processed foods and late twentieth-century consumerism, the legacy of Charles Jones is a reminder of the bountiful riches of nature.
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Karl Blossfeldt (1865-1932) photographed thousands of plants; these are almost never seen from above, but rather from the side, and against a neutral background. This book featuers these images of plants.
A lifetime of style / Anna Wintour -- Introduction / Susanna Brown -- I. Paris style: 1930s Paris - fashion, art, elegance and imagination / Philippe Garner. Electric beauty / Susanna Brown -- II. Couture fashion in the 1930s: The aura of glamour : couture fashion / Claire Wilcox. Mainbocher corset / Susanna Brown -- III. Stage and screen: From limelight to starlight : portraits of stage and screen stars / Terence Pepper. Marlene Dietrich / Susanna Brown -- IV. Horst and Britain: An English interlude / Robin Muir. Royal still lifes / Susanna Brown -- V. Fashion in colour: Horst's world in colour / Shawn Waldron -- Vogue covers -- VI. Nature: Patterns from nature / Martin Barnes. Kodak negative album / Susanna Brown -- VII. Travel: Middle-Eastern diaries / Horst P. Horst and Valentine Lawford. Persepolis Bull / Susanna Brown -- VIII. The male nude: Hard bodies : male nudes / Oliver Winchester. The classical torso / Susanna Brown -- IX. Living in style: Conversation pieces : interiors of Horst and Lawford / Glenn Adamson. The house that Horst grew / Susanna Brown -- X. Carmen : an interview / Susanna Brown.
Originally published in sets of 10 between 1899 and 1904, Kunstformen der Natur, known in English as Art Forms in Nature by Ernst Haeckel, consists of 100 masterfully executed prints of microorganisms, animals, insects and more. This body of work has since become widely acclaimed for its beauty and biological accuracy. It was highly influential throughout 20th-century art, design and architecture and has inspired many artists, particularly throughout the Art Nouveau period, including Karl Blossfeldt and Émile Gallé. The plates within this publication reflect Haeckel's interest in symmetry, levels of organisation and the evolution of biological complexity. The subjects featured were carefully selected by Haeckel to highlight and illustrate this. From the complex geometric patterns and forms of Amphoridea to the ornamental symmetry of jellyfish and microorganisms, the composition of each plate is carefully considered and arranged for maximum visual impact. Featured prominently throughout the set of 100 plates are sea anemones, radiolarians, Aspidonia and a stunning collection Siphonophorae. Features: Each publication comes with a unique download code providing you with instant access to high-resolution files of all 100 plates featured within. Print them out and create beautiful decorative artworks for your home and office, or get creative and make stunning collages and mixed-media artworks. You can even incorporate them into your graphic design projects and take your work to the next level. When accessing your files, you will get access to the Vault Editions Skulls and Anatomy sample pack completely free. This rare and unique collection that can be used commercially is sure to set your work apart from your peers, so download your files now and get creative.
A broad historical study of the provocative innovations of European and American photography between the World Wars. Presents more than 160 images from the Ford Motor Company Collection of photographs.