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The play examines gender and power relationships through the lens of 17th-century witchcraft trials in England.
This revised and updated edition of The Drama Sampler offers a rich anthology of substantial extracts from Shakespeare to the present. This texts complements Starting with Scripts and The GCSE Drama Coursebook. The Script Sampler also provides excellent activities to challenge and motivate students.
How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht
The first scholarly collection to discuss the intersection of feminism and dramatic theory
Cloud nine: Relationshiops-- between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and sex.
Stephen Varley is back – but so are the witches! Novelist Stephen Varley receives a letter out-of-the-blue from his Great Aunt Amelia, who lives in the atmospheric south-east Essex village of Cannow’s End. Amelia tells Stephen that she has been left a dilapidated old farmhouse in the village in the will of her old friend Winifred Weston. Amelia is too old and frail to clear out and patch up the building on her own, so she asks Stephen and his wife Sophie to help her with the task. Stephen, who is currently living in Northumberland, is reluctant to return to Cannow’s End after a previous encounter with witchcraft there, but Sophie comes from the nearby town of Thamesmouth and she persuades him to go back, so that she can also visit her parents. Unbeknownst to any of them, the old farmhouse holds many secrets and what begins as a job of clearing out the building and carrying out routine repairs soon evolves into a magical adventure involving family history, feuds, witches, smugglers and a few frights and scares along the way!
“Identity would seem to be the garment with which one covers the nakedness of the self, in which case, it is best that the garment be loose, a little like the robes of the desert, through which one's nakedness can always be felt, and, sometimes, discerned.” James Arthur Baldwin Cross cultural encounter between first and second generation Asian-American woman and their dilemma of cultural choice between assimilation into main body or safeguarding self culture as an outsider immigrant have always lured a large numbers of Asian-American writers. Although such literary work is still face the debate of whether it is a part of American literature or of outsiders. Maxine Hong Kingston a well known Chinese-American author who has written about the experiences of the Chinese immigrants living in America has shielded her American inheritance as a writer like, “Actually I think that my books are much more American than they are Chinese. I felt that I was building, creating myself and these people as American people… Even though they have strange Chinese memories, they are American people. Also, I am creating part of American literature, and I was aware of doing that, of adding to American literature.” (Paula Rabinowitz, 1987)
This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.