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What is milk? Who is it for, and what work does it do? This collection of articles bring together an exciting group of the world's leading scholars from different disciplines to provide commentaries on multiple facets of the production, consumption, understanding and impact of milk on society. The book frames the emerging global discussion around philosophical and critical theoretical engagements with milk. In so doing, various chapters bring into consideration an awareness of animals, an aspect which has not yet been incorporated in these debates within these disciplines so far. This brand new research from scholars includes writing from an array of perspectives, including jurisprudence, food law, history, geography, art theory, and gender studies. It will be of use to professionals and researchers in such disciplines as anthropology, visual culture, cultural studies, development studies, food studies, environment studies, critical animal studies, and gender studies.
Every-day by Vincent Ferrané (b. 1974, French) is a series of photographs of transgender or non-binary people, without classification or mention. It focuses on ways of experiencing one?s gender which, within the framework of social and cultural norms and conventions, trouble or escape the binary system of feminine and masculine. The images document, through the portraits of Ava, Jackie, Leo, Mathieu, Matthias, Maty and Raya, seized in their privacy, a simple but key event, both symbolic and physical; that of getting ready, in front of your mirror, to leave your home. In an apparent harmless everyday life, through a repetition of actions, representations, strategies, histories and convictions specific to each person, the ever fragile project of being oneself is revealed.00The book contains an essay written by exhibition curator Joël Riff (b. 1984, French).
Katrien De Blauwer (b. 1969, Belgian) does not care much for the colour yellow?therefore, the tone is the basis for her latest work. Yellow; a colour equally representing clarity and honor, as well as cowardice and deceit.00Initially, while observing the new works, we couldn?t resist to draw a loose parable to Vilgot Sjöman?s 1967 erotic motion picture 'I Am Curious (Yellow)'; an original comedy about politics, the sexual liberation of a young woman, and psychological analysis. The film immediately attracted a ban during its release in the U.S., leading to a proceeding in the Supreme Court. Taking inflation into account, the film remained record-breaking among foreign releases in the United States for several decades. An American critic described the film as ?about as good for you as drinking furniture polish.? Furniture polish, is in majority, yellowish?as well as its packaging labels.00The following day led to a coincidence when De Blauwer, while in an antique store, found the film?s book, published in 1968, which illustrates the film?s complete scenario. Meanwhile, De Blauwer, unaware of the film up until that point, is awaiting to see the actual film, and is consistently pretending to like yellow.00The book contains the verso of each work, which rarely has been shown before, and is as unique as its recto. All works are printed in their actual and individual size.
Between 2008 and 2010 Mauro D'Agati visited Masonic lodges in Havana to take photos of this secret and largely unseen world. Through D'Agati's images of Masonic meetings, temples, symbols, documents, as well as portraits of the Masons themselves, we gain access to the intricate rituals of Masonic life, which are a blend of the earnest, mysterious traditions of an elite fraternity and everyday Cuban existence. The Grand Lodge of Cuba holds a special position in Freemasonry circles as Cuba is one of the few Communist nations where Masonry still thrives: today there are 316 lodges and more than 29,000 members on the island. The precise details of the workings within a temple may not be revealed to the public, yet D'Agati's photos take us as far as permissible into this fascinating subculture. Mauro D'Agati, born 1968 in Palermo, began working as a professional photographer in 1996, initially covering many Sicilian jazz festivals, as well as art and theatrical events. He has contributed to international publications including Le Monde, Stern, and Italian Vanity Fair. Steidl has published D'Agati's Palermo Unsung (2009), and Alamar and Napule Shot, both in 2010.
Nearly sixty years after the Dani of the West Papuan highlands were first discovered by the West, Susan Meiselas presents this photographic record of their interactions with different groups. These range from Dutch colonialists right through to 1990s tourists.
Beautiful black-and-white portraits of Papua New Guinea's most fearsome gangsters, brigands, thieves, and carjackers posing with their arsenal of homemade guns and knives. Papua New Guinea: A land of striking beauty, mountain ranges, lush rainforests, and some of the most spectacular coastlines on earth. A land with over eight hundred unique tribes and languages. A land where crime has gotten so out of control, personal security services are the country's largest growth industry. Papua New Guinea's capital, Port Moresby, is regularly ranked among the world's five worst cities to live in by The Economist magazine. In 2004, when the photographs in Raskols were taken, the same survey ranked Port Moresby the worst city in the world. This fenced-up, razor-wired, lawless metropolis is infamous for its criminal gangs known as raskols (the indigenous Tok Pisin word for criminals). Throughout Port Moresby, dense urban settlements and a general lack of law and order have led to intertribal warfare and a seemingly endless stream of kidnappings, gang rape, carjackings, and vicious murders. That's all in addition to soaring HIV rates and massive unemployment. However, photographer Stephen Dupont is of a rare breed. He infiltrated a raskol community and documented the rough and ruthless individuals involved in Papua New Guinea's gang life. Raskols presents formal portraits of the Kips Kaboni (Scar Devils), Papua New Guinea's longest established criminal gang. Dupont set up a makeshift studio inside the Kips Kaboni safe house where he photographed his subjects and their unique handmade weapons and firearms. These mostly young, unemployed adults and teenagers orchestrate raids, carjackings, and robberies as a means of survival. The gangs control the streets. Despite the crime and violence they have unleashed on their city, some view them as modern-day Robin Hoods. With a corrupt government and police force, every day in Port Moresby is survival of the fittest. Many of these raskols initially turned to crime, violence, and anarchy in a bid to protect and provide for themselves and their communities.
This career-spanning artist's book presents an alternate history of the photography of New York-based photographer Lucas Blalock (born 1978), featuring new images and previously unseen versions of existing artworks. Employing his signature style of unconcealed digital alterations, including erasures and drawings, and working in both color and black and white, Blalock emphasizes what is absent or obliterated in his manipulated portraits, scenes and still lives, often with a deadpan humor. In A Grocer's Orgy, the artist's layout of such images brings to the forefront the underlying themes, formal connections and art-historical reference points that are often overlooked in the context of his exhibitions.
Andres Serrano is one of the most celebrated representatives of international contemporary photography and art. This title presents a look at his images of a new look Israel.
* A unique collaboration between two photographers, which resulted in color (Robert Huber) and black and white (Stephan Vanfleteren) photos inspired by Elvis Presley * Huber and Vanfleteren traveled trough the US looking for interesting places to shoot, using themselves as costumed protagonists for their photo series In 1999, photographers Robert Huber and Stephan Vanfleteren travelled through the US in the wake of their hero, Elvis Presley. Elvis (Huber) and Presley (Vanfleteren) invite you to share their journey across the American landscape, from Times Square to Death Valley. Decked out in glittering jumpsuits and big hair, this is the story of two European photojournalists who travelled across eleven states taking pictures of each other, Stephan Vanfleteren using black and white film, Robert Huber, color. This is the ultimate pop idol on a tour of America, interacting with the people, the places, the history, the cool glances, the warm embraces, the hot coffee and the cheap motels that define modern life.