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Warring Indian gods and demons overrun England, transforming the country to suit their battle. Already, Parliament has been humiliated, cities are destroyed and riots rock the streets. Only an ancient god can save the day--the same princely being who's fallen in love with Ali's bride-to-be, Sofia!
Ali is dead and Prince Rama lies powerless as the fossil devils bent on destroying the world prepare to sink the Continent of America! Can Sofia save the day, or will eternal night fall? Witness the clash of ancient empires, voyage beyond death, and watch the world as it ends in Vimanarama!
Ali is a young man with problems. Stuck working in his father's grocery shop in Bradford, he's hours away from meeting his arranged wife-to-be, Sofia, when his cousin falls down a hole in the shop's floor.., and it's Ali to the rescue. Little does Ali know that his cousin's piece of bad luck is going to lead to the near-total destruction of Earth, as an ancient and never-ending battle between the forces of light and darkness begins anew. And what about Ali's battle for Sofia?
"Frederick Aldama has done it again with another timely and valuable book about comics. Picking up from his pioneering book Your Brain on Latino Comics, he has gathered an insightful group of authors in Multicultural Comics that deftly engage, the intersectionality of race and identity, image and idea, theory and methods, and comics and politics. The impressive range of critical essays covers steep theoretical and cultural ground yet sure-footedly demonstrates that the grand fantasyscapes illustrated across various comic book configurations are a site of real and imagined racial differentiation intensely dialoguing with the self, the nation, and the world."
KILL YOUR BOYFRIEND is an over-the-top black comedy of rebellion and teen romance topped with a heady mix of random violence and dark humor. A British schoolgirl yearning for excitement joins up with an angry rebel boy intent on tearing down middle-class England.
One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres-superhero, science fiction, and fantasy-that dominate the American and British comics industries. His comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. His comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.
Following his first book of hilarious essays in My Custom Van, Michael Ian Black expands his commentary to the subject that has made him one of the most-followed celebrities on Twitter: his irreverent take on the joys of suburban family life. In the tradition of Christian Lander’s hipster/yuppie-friendly bestselling catalog of observations in Stuff White People Like, Michael Ian Black delivers his unique brand of quirky, deadpan humor in this new collection of comedic essays. Now that Black has become the guy he swore he’d never be—a Yuppie A-Hole—he has a lot to say about his family life in suburbia, and he shares his incisive yet absurd observations with readers in Clappy as a Ham. Chronicling his adventures from cruising the neighborhood for his inevitable future “divorce house” (despite being happily married) to listening to Lite FM and realizing he loves it, Black delivers his straightfaced musings with the same sardonic humor that has earned him a rabid cult following. Want to know the pros and cons of Kashi GoLean Crunch or why kindergarten recitals are so boring? Looking for tips for lying to your kids about Santa? Clever, dry, and laugh-out-loud funny, Clappy as a Ham will “blow your mind all over your face” just like My Custom Van.
Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling stories that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling.
These essays from various critical disciplines examine how comic books and graphic narratives move between various media, while merging youth and adult cultures and popular and high art. The articles feature international perspectives on comics and graphic novels published in the U.S., Canada, Great Britain, Portugal, Germany, Turkey, India, and Japan. Topics range from film adaptation, to journalism in comics, to the current manga boom.
Celebrate the 20th anniversary of PAUL POPE's (Battling Boy, Batman: Year 100) Eisner-nominated sci-fi/cyberpunk classic with this new edition. Time Magazine listed HEAVY LIQUID among the 100 most important science fiction graphic novels of the decade when it originally debuted in the 2000s, and its relevance and influence has only increased since it was first published. In a future where New York has evolved into a sci-fi metropolis, a man named S becomes entwined in a mystery that's littered with love and drugs and in particular, an addictive substance called heavy liquid that's both a drug and an art form. In his search for the one artist skilled enough to render heavy liquid into a perfect sculpture, S finds himself battling deadly psychopathic foes as well as the inner demons of addiction. If he can survive these physical and mental trials, S just might discover the shocking secret behind heavy liquid, and a love he thought lost forever. Collects HEAVY LIQUID #1-5