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The war is over, the good guys have triumphed, and, everything is Happily Ever After.... and boring as hell. An assassin, a thief, a sorceress, a dark knight and a druid set forth to ruin everything, in this tongue-in-cheek twist on the traditional fantasy tale.
"Forward offers a fresh and imaginative view of magic and mayhem in this first book of a projected trilogy."--Library Journal Young Alex is a slave. But recognized for his potential as an Animist, he is bought by his college and begins rigorous training. Now, Alex must begin his quest for his Anim-the animal with whom he will bond. Alex hopes it will be an extraordinary creature that will help him earn the money he needs to buy his freedom. Unfortunately, his Anim turns out to be . . . well, not nearly what he had hoped. But as Alex finds himself caught in one misadventure after another, he will learn-and learn to appreciate-that there is more to his Anim than meets the eye. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This volume of essays provides a critical foray into the methods used to construct narratives which foreground antiheroines, a trope which has become increasingly popular within literary media, film, and television. Antiheroine characters engage constructions of motherhood, womanhood, femininity, and selfhood as mediated by the structures that socially prescribe boundaries of gender, sex, and sexuality. Within this collection, scholars of literary, cultural, media, and gender studies address the complications of representing agency, autonomy, and self-determination within narrative texts complicated by age, class, race, sexuality, and a spectrum of privilege that reflects the complexities of scripting women on and off screen, within and beyond the page. This collection offers perspectives on the alternate narratives engendered through the motivations, actions, and agendas of the antiheroine, while engaging with the discourses of how such narratives are employed both as potentially feminist interventions and critiques of access, hierarchy, and power.
English barrister-detective Anthony Maitland attempts to defend a seemingly guilty client, an ex-con caught red-handed in an apparent robbery attempt