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A novel set in England in 790 AD A young Saxon boy and his mother are captured by Viking raiders and taken to a new home. Thanks to an old one armed warrior he finds his true destiny. He wins his freedom and becomes a Viking himself. Forced to sail the seas for a new home they have to fight to establish their own kingdom on the Isle of Man. A tale full of battles set in the early years of the ninth century.
The result of my research was turned into a book published in Swedish in 2012. This present book is a revised translation and extensively extended version of that book.
The definitive history of the Vikings -- from arts and culture to politics and cosmology -- by a distinguished archaeologist with decades of expertise The Viking Age -- from 750 to 1050 -- saw an unprecedented expansion of the Scandinavian peoples into the wider world. As traders and raiders, explorers and colonists, they ranged from eastern North America to the Asian steppe. But for centuries, the Vikings have been seen through the eyes of others, distorted to suit the tastes of medieval clerics and Elizabethan playwrights, Victorian imperialists, Nazis, and more. None of these appropriations capture the real Vikings, or the richness and sophistication of their culture. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology and religion, their material world. Known today for a stereotype of maritime violence, the Vikings exported new ideas, technologies, beliefs, and practices to the lands they discovered and the peoples they encountered, and in the process were themselves changed. From Eirík Bloodaxe, who fought his way to a kingdom, to Gudrid Thorbjarnardóttir, the most traveled woman in the world, Children of Ash and Elm is the definitive history of the Vikings and their time.
That there was an influx of silver dirhams from the Muslim world into eastern and northern Europe in the ninth and tenth centuries is well known, as is the fact that the largest concentration of hoards is on the Baltic island of Gotland. Recent discoveries have shown that dirhams were reaching the British Isles, too. What brought the dirhams to northern Europe in such large numbers? The fur trade has been proposed as one driver for transactions, but the slave trade offers another – complementary – explanation. This volume does not offer a comprehensive delineation of the hoard finds, or a full answer to the question of what brought the silver north. But it highlights the trade in slaves as driving exchanges on a trans-continental scale. By their very nature, the nexuses were complex, mutable and unclear even to contemporaries, and they have eluded modern scholarship. Contributions to this volume shed light on processes and key places: the mints of Central Asia; the chronology of the inflows of dirhams to Rus and northern Europe; the reasons why silver was deposited in the ground and why so much ended up on Gotland; the functioning of networks – perhaps comparable to the twenty-first-century drug trade; slave-trading in the British Isles; and the stimulus and additional networks that the Vikings brought into play. This combination of general surveys, presentations of fresh evidence and regional case studies sets Gotland and the early medieval slave trade in a firmer framework than has been available before.
Nordic slavery is an elusive phenomenon, with few similarities to the systematic exploitation of slaves in households, mines, and amphitheaters in the ancient Mediterranean or the widespread slavery at American plantations during the eighteenth and nineteenth centuries. Scandinavians in the early Middle Ages lived in a society foreign to us, characterized by different and shifting social statuses. A person could be at once socially respected and unfree. It was possible to hand oneself over as a slave to someone else in exchange for protection and food. One could be sentenced temporarily to enslavement for some offense but later purchase his manumission. Young men could enter into a kind of "contract" with a king or chieftain to join his retinue, accepting his authority, patronage, and jurisdiction, while at the same time making a quick social elevation. Slavery was widespread all over Europe during the early Middle Ages and Scandinavians, as Stefan Brink illustrates in this book, became a major player in the northern slave trade. However, the Vikings were not particularly interested in taking slaves to Scandinavia; instead, their "business model" seems to have been to raid, abduct, and then sell captured people at major slave markets. Their goal was not people but silver. Using a wide variety of source materials, including archaeology, runes, Icelandic sagas, early law, place names, personal names, and not least etymological and semantic analyses of the terminology of slaves, Thraldom provides the most thorough survey of slavery in the Viking Age.
He's the son of a chieftain and a princess--yet Halfdan was born a slave. Now he is becoming a man and it is time for him to meet his destiny. Though raised a slave who could only dream of freedom, young Halfdan's fate may be about to change. If freed, he may train as a Viking warrior, and come to know the glories of true brotherhood and the horrors of unspeakable evil. In the world of Vikings, a warrior's destiny is forged in the heat of battle. If the fates decree it, Hafdan may emerge as a new hero . . . a new myth . . . and perhaps a new legend.
Sweden ́s great saga of the Viking Age, The Viking Slave Trilogy, is steeped in Norse myth and pagan ritual recounting the sensual but often cruel demands of the gods Odin, Thor, and Frey.
The final volume in a famed trilogy of historical (Viking) novels by Swedish author Friedegard (1897-1968), originally published in 1949 and translated, with a foreword and notes, by Robert E. Bjork. Annotation copyrighted by Book News, Inc., Portland, OR
Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. LARISSA TRACY is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren