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Honor the Aesir and Vanir with Viking verse from this vast new liturgical collection by an award-winning heathen poet! Inside, you'll find poetry for hallowing space, telling stories from the mythology, inviting the holy powers to your blessings, dialogue for ritual dramas, praise poems for the Gods and others, sumbel toasts, prayers, and more.
The author's Viking Poetry for Heathen Rites is a hefty and imposing book. Now, the best mythological and praise poems from it have been collected in this lighter and friendlier volume for your reading enjoyment. These twenty-seven poems include the following: Yggdrasilsdrápa, A Tale of Wisdom's Well, The Six Treasures, and Valhalla.
A new and complete curriculum of Heathen ceremonial magic. This foundational textbook contains a complete curriculum of occult training, for the serious student of ceremonial magic. The Golden Dawn system has been the most influential of the modern magic schools, inspiring many thousands of spiritual seekers across the world, but its Judeo-Christian religious framework has made it more difficult for modern polytheists. Taking the cue from John Michael Greer's The Celtic Golden Dawn, and with his blessing, this book uses the Golden Dawn magical system in a Heathen context with three tracks for the Anglo-Saxon, Norse and modern Heathen, as well as the formula for additional tracks. The course of study goes through four grades, "Thrall", "Karl", "Jarl" and "Konr", leading the student systematically from the foundations to complex ritual magic, all the while integrating and internalizing traditional lore. By the end of the course, the magician will be competent in rune magic, Heathen herbalism and herbal magic, magical brewing, planetary magic, amulet consecration, the Heathen cabala, in addition to rituals of transformation, invisibility, conjuration and self-initiation.
The Old Norse and Icelandic poets have left us vivid accounts of conflict and peace-making in the Viking Age. Russell G. Poole's editorial and critical analysis reveals much about the texts themselves, the events that they describe, and the culture from which they come. Poole attempts to put right many misunderstandings about the integrity of the texts and their narrative techniques. From a historical perspective, he weighs the poems' authenticity as contemporary documents which provide evidence bearing upon the reconstruction of Viking Age battles, peace negotiations, and other events. He traces the social roles played by violence in medieval Scandinavian society, and explores the many functions of the poet within that society. Arguing that these texts exhibit a mind-style so vastly different from our own present 'individualism, ' Poole suggests that the mind-set of the medieval Scandinavian could be termed 'non-individualist.' The poems discussed are the 'Darradarljód, ' where the speakers are Valkyries; 'Lidsmannaflokkr, ' a rank-and-file warrior's description of Canute the Great's siege of London in 1016; 'Torf-Einarr's Revenge'; 'Egil's Duel with Ljótr, ' five verses from the classic Egils saga Skallagrimssonar; 'A Battle on the Health, ' marking the culmination of a famous feud described in a very early Icelandic saga, the Heidarviga saga; and two extracts from the poem Sexstefia, one describing Haraldr of Norway's great fleet and victory over Sveinn of Denmark, and the other the peace settlement between these two kinds. The texts are presented in association with translations and commentaries as a resource not merely for medieval Scandinavian studies but also for the increasingly interwoven specialisms of literary theory and anthropology.
Eagle's Mead is a poetic and prose record of one initiate's journey in the Runic Tradition through Edred Thorsson's The Nine Doors of Midgard, which went beyond that to encompass not only the Runes, but also the Mead of Poetry and the Grail Mythos. This is a book for initiates, magicians, esotericists, and other travelers of hidden realms.
An essential guide to expand your spiritual practices for followers of Norse Paganism, Heathenry, Asatru, and other Northern Traditions. Northern Tradition for the Solitary Practitioner is a groundbreaking look at devotional work in religions from Theodism to Asatru to Norse Paganism, all of which comprise the umbrella of the Northern Tradition. Although interest in devotional and experiential work within these traditions has been growing rapidly in the past few years, this is the first book to show the diverse scope of such practices as a living, modern-day religion. It features an in-depth exploration of altar work, prayer, prayer beads, ritual work, sacred images, and lore, and a thorough examination of common cosmology that forms the foundation of belief for Northern Tradition communities and related Heathen practices. Northern Tradition for the Solitary Practitioner is not denomination-specific: rather, it seeks to provide an entry into interior practice for anyone involved in a branch of this broad family of traditions of the ancient Norse, Germanic, and Saxon peoples, using material suitable for the solitary, independent practitioner. Those outside of the Northern Tradition who wish to deepen their own devotional practice will find this book helpful in their own work, as well.
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.
The cultural and literary legacy of medieval Iceland, with its roots in Norse heathen religion, heroic literature, and Viking Age history, is the focus of this volume. Its chapters examine the history and reception of a particular text or topic within this remarkable tradition. They treat a number of topics, including the legendary dragon-slayer Sigurd, the many personas of the mysterious god Odin, aspects of the ancient mythology of gods and giants, the early settlement of Iceland, the defiant Viking warriors known as the "Sworn Brothers", the entrepreneurial role of cloth production in medieval Scandinavia, the codicology and book history of key literary works, the many references to medieval Nordic lore in modern fiction and poetry, and the cultural position of islands such as Iceland in relation to the ebb and flow of religions, institutions and empires. Reconsidering these areas of Old Norse-Icelandic literary culture reveals the striking resilience and adaptability of its traditions, through a startling variety of transformations.
The first group of essays in this volume explores the links between early Norse literature, from the 9th to the 13th century, and the learned world of medieval Europe. In the second group the focus is upon the range of theme and style in Norse mythological poetry. Some of the key texts are considered in relation to Anglo-Saxon poetry as well as to the wider and more archaic Indo-European cultural inheritance. The third group offers detailed analyses of early Norse heroic poetry, of the formatic role of verse in the Icelandic sagas and of the final perfecting of prose as the ultimate saga medium. The 16 essays, taken together, are essential reading for all scholars, critics and historians who seek to understand the development of one of the world's most unusual and sophisticated literatures.
Filling a gap in the literature for an academically oriented volume on the Viking period, this unique book is a one-stop authoritative introduction to all the latest research in the field, and the most comprehensive book of its kind ever attempted.