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This book summarizes and briefly analyzes over 400 films about the Vietnam War.
Beginning in 1948 with Paramount's Saigon and Universal's Rogue's Regiment, Hollywood has produced hundreds of features and made-for-television films about Vietnam and the ensuing conflict. With the exception of The Green Berets (1968), few were designed to rally Americans to the cause as earlier war movies had done. Many were not even combat films, instead dealing with such domestic issues as protests, veteran re-entry, MIAs and POWs. Arranged chronologically, this is a critical analysis of Vietnam War films from 1948 through 1993. Recurring themes are stressed along with the ways that movie America reflected the national reality, with essays blending plot synopses and critical commentary. The movies run the gamut of genres: dramas, action, adventure, horror, comedies and even one musical.
With reference to eight classic American movies, this text explores the political ideologies thrumming through the American psyche during the Cold War period.
Part One: Reflections on Teaching the Vietnam War. - Part Two: Methods and Sources. - Part Three: Understanding and Teaching Specific Content.
Vietnam’s Prodigal Heroes examines the critical role of desertion in the international Vietnam War debate. Paul Benedikt Glatz traces American deserters’ odyssey of exile and activism in Europe, Japan, and North America to demonstrate how their speaking out and unprecedented levels of desertion in the US military changed the traditional image of the deserter.
This bibliography is a supplement to the Special Bibliography Series, Number 80, compiled in 1990 to support the 14th Military History Symposium. It is primarily intended as a listing of scholarly works completed since 1990 on the Vietnam War, although some works prior to that date are included. The bibliography is selected from the holdings on that war housed in the McDermott library, United States Air Force Academy, and includes books, journal articles, government publications, and technical reports. Newspaper articles, works of fiction, collections of poetry, and most personal narratives are not included. The Clark Special Collections Branch of the library has extensive primary source materials and artifacts focused on American POW experiences in Southeast Asia. Those items are also excluded from this bibliography since they are limited to in-house use only. Individuals wanting information about that collection should contact the Special Collections Curator and Academy Archivist.
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In Tours of Vietnam, Scott Laderman demonstrates how tourist literature has shaped Americans’ understanding of Vietnam and projections of United States power since the mid-twentieth century. Laderman analyzes portrayals of Vietnam’s land, history, culture, economy, and people in travel narratives, U.S. military guides, and tourist guidebooks, pamphlets, and brochures. Whether implying that Vietnamese women were in need of saving by “manly” American military power or celebrating the neoliberal reforms Vietnam implemented in the 1980s, ostensibly neutral guides have repeatedly represented events, particularly those related to the Vietnam War, in ways that favor the global ambitions of the United States. Tracing a history of ideological assertions embedded in travel discourse, Laderman analyzes the use of tourism in the Republic of Vietnam as a form of Cold War cultural diplomacy by a fledgling state that, according to one pamphlet published by the Vietnamese tourism authorities, was joining the “family of free nations.” He chronicles the evolution of the Defense Department pocket guides to Vietnam, the first of which, published in 1963, promoted military service in Southeast Asia by touting the exciting opportunities offered by Vietnam to sightsee, swim, hunt, and water-ski. Laderman points out that, despite historians’ ongoing and well-documented uncertainty about the facts of the 1968 “Hue Massacre” during the National Liberation Front’s occupation of the former imperial capital, the incident often appears in English-language guidebooks as a settled narrative of revolutionary Vietnamese atrocity. And turning to the War Remnants Museum in Ho Chi Minh City, he notes that, while most contemporary accounts concede that the United States perpetrated gruesome acts of violence in Vietnam, many tourists and travel writers still dismiss the museum’s display of that record as little more than “propaganda.”