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This sound interpretation of Vietnamese cultural attitudes contends that a major reason for American difficulties in Viet-Nam has been the failure to appreciate how wide the gulf is between Viet-Nam and the West. Professor Smith first describes Vietnamese political and social traditions and shows how they were challenged by the West after 1858. He examines Viet-Nam's search for independence and modernization in the first half of this century, contrasts the two governments of the partitioned country during the years 1954-1963, and stresses the critical need to reassess attitudes toward Viet-Nam. His sophisticated, ambitious survey of Viet-Nam history will have a lasting value that sets it apart from the scores of ephemeral books on this country.
The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding. Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese—both our friends and foes, and those who wished to be neither—to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences. By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.
A collection of speeches delivered in 1987 by Senator George McGovern, General C. Westmoreland, Edward Luttwak, and Thomas J. McCormick offer varying opinions on the Vietnam War.
More than forty years have passed since the official end of the Vietnam War, yet the war’s legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war’s psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.
A much-needed behind-the-scenes survey of an emerging Asian power The eyes of the West have recently been trained on China and India, but Vietnam is rising fast among its Asian peers. A breathtaking period of social change has seen foreign investment bringing capitalism flooding into its nominally communist society, booming cities swallowing up smaller villages, and the lure of modern living tugging at the traditional networks of family and community. Yet beneath these sweeping developments lurks an authoritarian political system that complicates the nation’s apparent renaissance. In this engaging work, experienced journalist Bill Hayton looks at the costs of change in Vietnam and questions whether this rising Asian power is really heading toward capitalism and democracy. Based on vivid eyewitness accounts and pertinent case studies, Hayton’s book addresses a broad variety of issues in today’s Vietnam, including important shifts in international relations, the growth of civil society, economic developments and challenges, and the nation’s nascent democracy movement as well as its notorious internal security. His analysis of Vietnam’s “police state,” and its systematic mechanisms of social control, coercion, and surveillance, is fresh and particularly imperative when viewed alongside his portraits of urban and street life, cultural legacies, religion, the media, and the arts. With a firm sense of historical and cultural context, Hayton examines how these issues have emerged and where they will lead Vietnam in the next stage of its development.
A history of the four decades leading up to the Vietnam War offers insights into how the U.S. became involved, identifying commonalities between the campaigns of French and American forces while discussing relevant political factors.
A photographer's unnerving and poetic odyssey through modern-day Vietnam. Mitch Epstein's evocative pictures reveal a complicated Vietnam that few Americans have ever seen. This is not a document about the war, nor is it the pastoral idyll other photographers have portrayed. Vietnam, through Epstein's eyes, is a disturbing and sublime palimpsest. Vietnam: A Book of Changes interprets a culture and landscape largely cut off from the West for the last thirty years, and now open to a market economy and a new relationship to America. The photographs are suffused with the rawness of Vietnamese life lived on the economic and political edge. Under the layer of friendship lies the tension of politics; under beauty lies violence; under the stark faces of remote villagers is the entrepreneurial momentum drawing them to the city; and under the remnants of war is an artistic bohemia grappling with new freedoms and continued censorship. Epstein's groundbreaking art photography addresses our senses and intellect equally. These pictures bring us into the heart of Vietnam.
An overview of the Vietnam War, with an emphasis on its military campaigns and political issues.
'Why The West Has Won' provides a history of the rise to dominance of the West, exploring the links between cultural values and military success.
“A terrific book, lively and brisk . . . a must read for anyone who tries to understand the Vietnam War.” —Thomas E. Ricks Is it possible that the riddle of America’s military failure in Vietnam has a one-word, one-man answer? Until we understand Gen. William Westmoreland, we will never know what went wrong in the Vietnam War. An Eagle Scout at fifteen, First Captain of his West Point class, Westmoreland fought in two wars and became Superintendent at West Point. Then he was chosen to lead the war effort in Vietnam for four crucial years. He proved a disaster. Unable to think creatively about unconventional warfare, Westmoreland chose an unavailing strategy, stuck to it in the face of all opposition, and stood accused of fudging the results when it mattered most. In this definitive portrait, prize-winning military historian Lewis Sorley makes a plausible case that the war could have been won were it not for General Westmoreland. An authoritative study offering tragic lessons crucial for the future of American leadership, Westmoreland is essential reading. “Eye-opening and sometimes maddening, Sorley’s Westmoreland is not to be missed.” —John Prados, author of Vietnam: The History of an Unwinnable War, 1945–1975