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Vienna: Art and Design: Klimt, Schiele, Hoffmann, Loos is a stylish and timeless publication that highlights this extraordinary and provocative period when a unique generation of artistic and intellectual geniuses laid the foundations for life in the twentieth century. Beginning in 1897 artists such as Gustav Klimt, Josef Hoffmann, Koloman Moser, Adolf Loos and Egon Schiele transformed Vienna into a dynamic, vibrant metropolis at the forefront of groundbreaking modernism.
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "
Discusses the origins, growth, and aesthetic values of the Vienna Secession, examining architecture, paintings, and graphics by the association's progressive artists.
Tackling a topic that has particular appeal in the age of digital design, this well-founded introduction to the subject of parquet deformation fills a gap. These subtle, intricate geometric transformations, best known through the "Metamorphosis" series by M. C. Escher, were introduced to design curricula by American professor William S. Huff in the 1960s. The book brings together scholarly articles by the most important authors in the field and material collected in the archives of the Ulm School of Design in Germany, juxtaposed with extensive illustrations of two- and three-dimensional works created at the Vienna University of Technology. Written for anyone interested in the fields of design and geometry, this book aims to inform and inspire.
A landmark of graphic modernism, the Vienna Secession's magazine is brought to life in a complete facsimile reprint with new essays and translations The brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Loffler and others--the leading graphic artists of the Vienna Secession and the Wiener Werkstätte--Die Flache(German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world. This full-size facsimile of all 14 issues of Die Flachelets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance. Die Flacheis the first volume in Letterform Archive's facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights.
Encyclopedic in its coverage, this seminal work focuses on the architecture of Prague from the turn of the century to the end of the Second World War: a rich matrix within which to place the figures who created the powerful, innovative spirits of modern Czech architecture. The book documents the architects, structures, and theoretical underpinnings that helped to shape Prague's cultural heritage and present-day artistic spirit.