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Victoria survives a tragic childhood to find love, but the man who saves her walks into a hell of his own. A realistic story of new age pimping, taking you from the slums of Washington, D.C., to the night clubs of Atlanta, from the gang infested streets of Chicago to Memphis, Tennessee, home of the Playa's Ball.
An unconventional figure in an age that excluded women from government, Victoria was accorded prominence unavailable to any male monarch. Yet as Adrienne Munich argues in this fascinating work, the originality of the solid, dour icon that was Victoria lay, paradoxically, in her very ordinariness. The first book to fully investigate the influence of this icon of British history, Queen Victoria's Secrets demonstrates the firm grasp the queen held on the cultural imagination of her country, exploring how Victoria created and maintained her royal authority. Gracefully weaving together feminist, anthropological, and postcolonial approaches, Munich searches out the myriad, often contradictory incarnations of the queen in the minds of her people. How did Victoria convincingly maintain her power for forty years after Prince Albert's death, never giving up her identity as a grieving widow? How did Victorian society's reverential treatment of their queen conflate with the monarch's plain, middle class public image? These are some of the secrets Munich examines in her richly detailed work. In demonstrating the subtle but powerful ways in which Victoria performed significant cultural work, Queen Victoria's Secrets goes against the grain of Victoria scholarship, which has tended to overlook the queen's political and cultural centrality. This stylish, accessible portrait will be of great interest to those who are fascinated by the myth-making and secrets of the Victorian age.
In December 2011, 21-year-old Victoria’s Secret Runway Angel Kylie Bisutti stunned the fashion industry when she chose faith over fame and fortune and made the switch from supermodel to role model. In I’m No Angel, Kylie shares her story—from her early years as she struggled to make it big in the cutthroat world of modeling, to her “big break” winning the Victoria’s Secret Runway Angel competition, to the disillusionment and spiritual warfare that followed. After finally realizing that she could no longer reconcile her career with her Christian beliefs, she surrendered her life to God and dedicated her life to preaching a message of modesty and inner beauty. Along the way, Kylie talks about her personal struggles with inadequacy, low self-esteem, and her near-constant quest for approval in a world where you can never be thin enough, pretty enough, or sexy enough. She helps readers understand that true beauty lies within and that real fulfillment comes from knowing, loving, and serving Christ.
With A Walk in Victoria’s Secret, Kate Daniels crafts a bold, brassy, yet delicate vision of a woman’s growth. Imbued with a unique poetic voice that is utterly feminist, these poems possess a fiery intensity for those abuses no woman can ever quite recover from, but also reveal the loving, forgiving temperament of the mother no woman can do without. From the title poem’s unapologetic celebration of the breast to a belated apology to the girl who integrated her elementary school, to the awkward juxtaposition of elderly and young women in a gynecologist’s office on September 11, 2001, Daniels provides a rich array of meditations on what it means to be a woman in our time. Buoyant and entertaining, singular in style, and exuberant in language, A Walk in Victoria’s Secret offers an intimate look at women’s experiences.
Drawing upon feminist, anthropological, and postcolonial approaches, Munich searches out the myriad, often contradictory incarnations of Queen Victoria in the minds of her subjects.
This compact book explodes with over ninety images of Victorian debauchery, combined with an elegant, but deliciously dirty text by Dr. Christopher Hart that investigates every nook and cranny of the pulsating underbelly of that proud, upstanding era. A truly Dickensian treat!
The Victoria's Secret Fashion Show is an annual show sponsored by and featuring Victoria's Secret, a brand of lingerie and sleepwear. Victoria's Secret uses the show to promote and market its goods in high-profile settings. The show features some of the world's leading fashion models such as current Victoria's Secret Angels Adriana Lima, Alessandra Ambrosio, Behati Prinsloo, Candice Swanepoel, and Lily Aldridge.American network television broadcasts the show during prime time. The first few shows in the 1990s were held in the days preceding Valentine's Day to promote the brand for this holiday. They were not aired on national television. In 1999 and 2000 the show was webcast. Beginning in 2001, the shows were moved ahead of the Christmas holiday season. Also in 2001, the show made its network television broadcast on ABC, though in all subsequent years, it has been broadcast on CBS. The show has been held at a variety of locations in different cities including Miami, Los Angeles, Cannes, and London. The first four shows were held at the Plaza Hotel in New York City, but since it has become a televised event it has most often been held at the 69th Regiment Armory in New York City.The show is a lavish event with elaborate costumed lingerie, varying music by leading entertainers, and set design according to the different themes running within the show. The show attracts hundreds of celebrities and entertainers, with special performers and acts every year. Each year, twenty to forty of the world's top fashion models are selected to perform in the fashion show. In a typical year, this includes about a half dozen women under contract to the company, known as Victoria's Secret Angels, who help publicize the event. The giant angel wings worn by the models, as well as other wings of various forms and sizes such as butterfly, peacock, or devil wings, have become emblematic of the Victoria's Secret brand.
As both practitioners of personalisation and victims of it, it is the person in personalisation that has been lost. The titans of the personalisation industry have commercially defined what personalisation should be for us all without realising what it takes to make a relationship work – a personal touch. This book explores why. And if it can change. ? We learn about why we need to dismiss the personalisation perpetual hype, stop reducing it down to a single tactic designed purely to make money. ? Instead, we need to rebirth personalisation entirely and engage deeply with what it actually is, what it’s supposed to be, and what it means in the future for brands, great and small. Maybe even yours. This book is not like most marketing books – overly inspirational, redundant with revelation, cold and charmless, focusing on dry practicality with arbitrary models that no one can ironically use practically. This is different. Personalisation, spelled with an s, is full of personality, wonder, drama, heroes, and villains, and that all makes for a damn good story. A fairy-tale even. That’s how it is written. The Person in Personalisation is an adventure that inspires action from promoting critical thinking with irreverent humour, defeating personalisation dragons (no, really!) encouraging you, the reader, to take things back to basics, not from telling you exactly what to do.