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Presents paintings and sketches by the Queen, along with a narrative text drawn in part from her journals.
A Sketchbook by A Victorian Artist of Drawings and Watercolors - In Forty Eight Plates. This rediscovered sketchbook from the 1890s shows an artist of skill and sensitivity observing the world with sketches and watercolors of people, birds, animals and the landscape. It is an interesting view into the time and a useful guide for students of drawing and painting.
Read the follow-up to the action-packed adventure that Dan Santat called "An-edge-of-your-seat thriller!" It's been a peaceful three months since Hannah Morgan and Ever Barnes saved their beloved Oskars, and activated the powers of their city's Megantic. Ever now lives with the Morgan family and the two children watch over and learn more about Oskar (the Megantic) every day. But their conflict-free days come to an abrupt end when Mr. Morgan is captured while on a family trip to nearby Alexios, and the kids get into a spat with a group of street magicians who con Hannah out of her pocket money. Chifa and Tanan were never planning to make friends while performing their tricks, but when Hannah and Ever learn of their connection to Vash, they realize there's much more at stake than a few coins. If Hannah and Ever want to find out what Vash is hiding and save both Oskars and Alexios before time runs out, they'll have to learn to trust Chifa and Tanan, and most importantly, find a way to work together.
Read the graphic novel that Caldecott medal-winning illustrator, Dan Santat, calls, "An edge-of-your-seat thriller!" Ever Barnes is a shy orphan guarding a secret in an amazing puzzle box of a building. Most of the young women who work at the building's Switchboard Operating Facility, which connects the whole city of Oskar, look the other way as Ever roams around in the shadows. But one of them, Lisa, keeps an eye on the boy. So does the head of the Switchboard, Madame Alexander . . . a rather sharp eye. Enter Hannah, the spunky daughter of the building's owner. She thinks Ever needs a friend, even if he doesn't know it yet. Good thing she does! Lisa and Madame Alexander are each clearly up to something. Ever is beset by a menacing band of rogues looking to unlock the secret he holds--at any cost. And whatever is hidden deep in the Switchboard building will determine all of their futures. On a journey that twists and turns as much as the mechanical building Ever Barnes calls home, he and his new friend Hannah have to find out what's really going on in this mysterious city of secrets . . . or else!
Examines the ideology of women's art practice and their position in the art world of Victorian Britain in relation to codes of femininity and feminist movements.
First published in 1979, each volume contains a collection of essays on the novel drawn from periodicals which demonstrates the primary concerns of those discussing the nature and purpose of prose fiction in the period from 1830 to 1900. The essays reflect what was thought and said about the art of fiction and reveal what journalists of these periodicals thought were the most urgent critical concerns facing the working reviewer. Including an introduction which assesses the issues raised by the best periodicals at the time, each anthology is designed to provide students of Victorian fiction and critical theory with a collection of essays on the art of fiction in a convenient and durable form.
A look at Victorian art from the perspective of the middle-class patron.
Take this unique opportunity to explore the people, places, and events that have shaped North Queensland and the Tropics through a stunning selection of the most rare and precious artefacts, including original manuscripts and artworks, drawn from the JCU Library Special Collections. Journey through 150 years of history as you encounter explorers and creators of all kinds and gain insights into life - on the land, in our towns and on the Great Barrier Reef.
US scholars of literature explore how illustrated books became a cultural form of great importance in England and Scotland from the 1830s and 1840s to the end of the century. Some of them consider particular authors or editions, but others look at general themes such as illustrations of time, maps and metaphors, literal illustration, and city scenes. Annotation copyrighted by Book News, Inc., Portland, OR