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A study of religious revival in its broad historical and historiographical context. David Bebbington provides detailed case-studies of religious awakenings that took place between 1841 and 1880 in Britain, North America and Australia, looking at pre-conditions, causes, and trends for the phenomenon.
Explores the revival and impact of evangelicalism within the Church of Scotland after the Disruption of 1843 The Revival of Evangelicalism presents a critical analysis of the evangelical movement in the national Church. It emphasises the manner in which the movement both continued along certain pre-Disruption lines and evolved to represent a broader spectrum of Reformed Presbyterian doctrine and piety during the long reign of Queen Victoria. The author interweaves biographical case studies of influential figures who played key roles in the process of revival and recovery, including William Muir, Norman MacLeod and A. H. Charteris. Based on a diverse range of primary sources, the book places the chronological development of 'established evangelicalism' within the broader context of British imperialism, German biblical criticism, European Romanticism and Victorian print culture. Andrew Michael Jones is Visiting Assistant Professor of European and World History at Morehouse College in Atlanta, Georgia.
Schlossberg (senior research associate, the Ethics and Public Policy Center) argues that by the time Victoria became queen in 1837, Victorian culture was already in place. Focusing on the period between the 1790s and the 1840s, he shows how the religious revival that took hold of England's culture constituted a "silent revolution" that formed the basis of Victorian culture. He describes various manifestations of the religious revival, focusing on the main renewal movements in the Church of England and the spread of evangelicalism to dissenting religious groups. Annotation copyrighted by Book News, Inc., Portland, OR
In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.
During the late 1980s and early 1990s the city of San Francisco waged a war against the homeless. Over 1,000 arrests and citations where handed out by the police to activists for simply distributing free food in public parks. Why would a liberal city arrest activists helping the homeless? In exploring this question, the book treats the conflict between the city and activists as a unique opportunity to examine the contested nature of homelessness and public space while developing an anarchist alternative to liberal urban politics that is rooted in mutual aid, solidarity, and anti-capitalism. In addition to exploring theoretical and political issues related to gentrification, broken-windows policing, and anti-homeless laws, this book provides activists, students and scholars, examples of how anarchist homeless activists in San Francisco resisted these processes.This book is relevant to United Nations Sustainable Development Goal 2, Zero hunger.
This title was first published in 2001. 'An age of faith or an age of doubt?'- the question has dominated study of Christianity in the Victorian era. Reinventing Christianity offers a fresh analysis of the vitality and variety of Christianity in Britain and America in the Victorian era. Part One presents an overview of some of the main varieties of Christianity in the west ranging from the conservative - Protestant evangelicalism and 'fortress' Catholicism - to the radical - Theosophy, Swedenborgianism and Transcendentalism; Part Two reviews negotiations between Christianity and the wider culture. The conclusion reflects on general trends in the period, showing how many of these prefigured later developments in religion. This book highlights the creativity and diversity of 19th century Christianity, showing how developments normally associated with the late 20th century - such as the reassertion of tradition and the rise of feminist theology and alternative spirituality - were already in train a century before.
Evangelical Gothic explores the bitter antagonism that prevailed between two defining institutions of nineteenth-century Britain: Evangelicalism and the popular novel. Christopher Herbert begins by retrieving from near oblivion a rich anti-Evangelical polemical literature in which the great religious revival, often lauded in later scholarship as a "moral revolution," is depicted as an evil conspiracy centered on the attempted dismantling of the humanitarian moral culture of the nation. Examining foundational Evangelical writings by John Wesley and William Wilberforce alongside novels by Charles Dickens, George Eliot, Bram Stoker, and others, Herbert contends that the realistic popular novel of the time was constitutionally alien to Evangelical ideology and even, to some extent, took its opposition to that ideology as its core function. This provocative argument illuminates the frequent linkage of Evangelicalism in nineteenth-century fiction with the characteristic imagery of the Gothic–with black magic, with themes of demonic visitation and vampirism, and with a distinctive mood of hysteria and panic.
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
In The High Church Revival in the Church of England, new insights are opened up into one of the most significant movements of devotional and liturgical revival in the nineteenth and twentieth centuries. Attending closely to the social history of the movement, as well as to its continental connections and its theological complexity, this research re-evaluates its historiographical legacy in the light of recent research and controversy. Traditional interpretations of High Churchmanship have presented it either as a heroic rediscovery of the real essence of Anglicanism, or as an eccentric distortion of it. This volume asserts instead its theological creativity and its popular roots as a permanent enrichment of the Anglican tradition, whilst also analysing and describing the nature and limits of its growth.