Download Free Victorian Religious Discourse Book in PDF and EPUB Free Download. You can read online Victorian Religious Discourse and write the review.

This collection of essays attempts to address the disparate historical and critical ways religion informs the literature and culture of nineteenth century England, showing how a representative group of major Victorians negotiated its impact. The collection attempts to present Victorian religious discourse not as monologic but as dialogic, if not protean. It seeks to make available new understandings of nineteenth-century British literature as well as to elucidate the extent to which religious discourse is vested in Victorian cultural thoughts and practice.
John Maynard's original and provocative study looks at sexuality and religion as creations of language, in the literary and cultural discourses of Victorian England. After a wide-ranging introduction (drawing on myth, anthropology, comparative religion and the history of sexuality) Maynard goes on to articulate and interpret the strikingly complex and varied ways in which the earnest sceptic Arthur Hugh Clough, the Protestant Charles Kingsley, and the Catholic convert Coventry Patmore placed the relation of sexuality and religion at the centre of their work. A final chapter on Jude the Obscure demonstrates Thomas Hardy's deconstruction of the endeavour to make sense of sexuality and religion, fragmenting this inherited discourse into mere words and bodily parts, in a disintegration of the great constructive vision of his predecessors.
With the publication of his ambitious new work Victorian Poets and the Politics of Culture, Antony H. Harrison continues his exploration of poetry as a significant force in the construction of English culture from 1837-1900. In chapters focusing on Victorian medievalist discourse, Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, and Christina Rossetti, Harrison examines a range of Victorian poems in order to show the cultural work they accomplish. He illuminates, for example, such culturally prominent Victorian mythologies as the exaltation of motherhood, the Romanic appropriation of transcendent art, and the idealization of the gypsy as a culturally alien, exotic Other. His investigation of the ways in which the authors intervene in the discourses that articulate such mythologies and thereby accrue cultural power--along with his analysis of what constitutes "cultural power"--are original contributions to the field of Victorian studies. "The power of Victorian poetry by midcentury was enhanced by the institutionalization of particular channels through which it circulated," Harrison writes. "poetry was 'consumed' in more varied forms than was other literature." Victorian Poets and the Politics of Culture has implications for both cultural studies and the study of literature outside the Victorian period.
Same-Sex Desire in Victorian Religious Culture examines the role of Christian history in nineteenth-century definitions of homosexual identity. Roden charts the emergence of the modern homosexual in relation to religious, not exclusively sociological discourses. Positing Catholicism as complementary to classical Greece, he challenges the separatism of sexuality and religion in critical practice. Moving from Newman and Rossetti, to Hopkins, Wilde, and Michael Field amongst others, Same-Sex Desire claims a new literary history, bringing together gay studies and theology in Victorian literature.
"Twenty-Five Village Sermons" by Charles Kingsley Charles Kingsley was a broad church priest of the Church of England, a university professor, social reformer, historian, novelist, and poet. In this book, he compiles 25 of his most important sermons in one place for readers to enjoy. The world, the difference between religion and Godliness, life, death, faith, spirit, the relationship between mind and body, retribution, self-destruction, Hell, Noah, Abraham, and more are all discussed in great detail to help readers on their theological journey.
In the last twenty years, there has been a growing recognition of the centrality of religious beliefs to an understanding of Victorian literature and society. This interdisciplinary collection makes a significant contribution to post-secularist scholarship on Victorian culture, reflecting the great diversity of religious beliefs and doubts in Victorian Britain, with essays on Protestant, Catholic, Jewish, Unitarian, and spiritualist topics. Writing from a variety of disciplinary perspectives for an interdisciplinary audience, the essayists investigate religious belief using diverse historical and literary sources, including journalism, hymns, paintings, travel-writings, scientific papers, novels, and poetry. Essays in the volume examine topics including: â [ The relation between science and religion in the career of evolutionary biologist Alfred Russel Wallace (Thomas Prasch); â [ The continuing significance of the Bible in geopolitical discourse (Eric Reisenauer); â [ The role of children and childrenâ (TM)s hymns in the missionary and temperance movements (Alisa Clapp-Itnyre); â [ The role of women in Christian and Jewish traditions (Julie Melnyk and Lindsay Dearinger); â [ The revival of Catholicism and Catholic culture and practices (Katherine Haldane Grenier and Michelle Meinhart); â [ The occult religious society Golden Dawn (Sharon Cogdill); â [ Faith in the writings of the Brontë sisters (Christine ColÃ3n), Charles Dickens (Jessica Hughes) and George Eliot (Robert Koepp).
Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.
Drawing extensively on primary sources, this pioneer work in modern religious history explores the training of preachers, the construction of sermons, and how Irish evangelicalism and the wider movement in Great Britain and the United States shaped the preaching event. Evangelical preaching and politics, sectarianism, denominations, education, class, social reform, gender, and revival are examined to advance the argument that evangelical sermons and preaching went significantly beyond religious discourse. The result is a book for those with interests in Irish history, culture and belief, popular religion and society, evangelicalism, preaching, and communication.