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The circulation of periodicals and newspapers is thought to have been larger and more influential than that of books in Victorian society. J. Don Vann and Rosemary T. VanArsdel have brought together commissioned bibliographical essays on Victorian periodical literature by some of the world's greatest experts in the field, whose contributions support this view. The essayists guide the reader into avenues for exploring Victorian society and the professions (law, medicine, architecture, the military, science); the arts (music, illustration, theatre, authorship and the book trade); occupations and commerce (transport, finance, trade, advertising, agriculture); popular culture (temperance, sport, comic periodicals); and both lower- and upper-class journals (workers' and university students'). They seek to identify the ways that periodicals informed, instructed, and amused virtually all of the people in the many segments of Victorian life. The periodicals demonstrate the emergence of professionalism in the various areas of human endeavour. Professional societies were formed to regulate each discipline and each had its own journal or journals. The growth of professionalism also dictated a rapid pace of change in Victorian society, and change, in turn, demanded closer and more accurate communication of new ideas through periodical literature.
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Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.
Proposes a new basis for data-rich literary history
Extending the work of The Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, this volume provides a critical introduction and case studies that illustrate cutting-edge approaches to periodicals research, as well as an overview of recent developments in the field. The twelve chapters model diverse approaches and methodologies for research on nineteenth-century periodicals. Each case study is contextualized within one of the following broad areas of research: single periodicals, individual journalists, gender issues, periodical networks, genre, the relationship between periodicals, transnational/transatlantic connections, technologies of printing and illustration, links within a single periodical, topical subjects, science and periodicals, and imperialism and periodicals. Contributors incorporate first-person accounts of how they conducted their research and provide specific examples of how they gained access to primary sources, as well as the methods they used to analyze the materials. The 2018 winner of the Robert and Vineta Colby Scholarly Book Prize. The Committee describes the focus of the book on methodology and case studies as “fresh and original,” and “useful for both experienced scholars and those new to the field.” "Overall. Case Studies suggests new ways of reading canonical authors, new unerstandings of the interprentation of the personal and the public, and an admirable energy in engaging with the structures of national and transnational periodical discourses that are clearly implicated in maintaining soft power within societies" -- Brian Maidment, Liverpool John Moores University
"The Punch Brotherhood takes the reader inside this Victorian institution, bringing to life the tightly-knit community of writers, artists, and proprietors who gathered around the Punch Table, and the tumultuous, uninhibited conversations, spiced with jokes and gossip."--Book flap.
"Significant characteristics of modern scientific journals, including their role in the certification and registration of scientific knowledge, emerged only toward the end of the nineteenth and into the twentieth century. The nineteenth century was a period of rapid expansion and diversification in scientific periodicals, and this collection sets the historical exploration of those periodicals on a new footing, examining their distinctive purposes and character. Specifically, it shows the important role they played in expanding, developing, and organizing communities of scientific practitioners and devotees during a century that witnessed blanket transformations in the scientific enterprise"--