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'Victorian Houses' presents the architectural detailing of the time in the context of the era - providing a comprehensive understanding of its architecture and design. Pattern books played a vital role in the dissemination of taste between architect, builder and client in the nineteenth and early twentieth century. By focusing on the contribution of the pattern book to the architecture of the Victorian and Edwardian eras, the various trends of the time are documented. The types of publications and other sources of taste available at different points over this period reflected social and economic factors, such as the changing demand or changes in organisation of manufacturing and retail. * Gain a comprehensive understanding of Victorian architecture from an experienced author * 160 pages of illustrations and an accessible writing style make this an excellent reference source * Discover invaluable information on the role of architectural pattern books in victorian design
This guide combines historical information with design ideas and advice on how to decorate, renovate and maintain a vintage home.
Floor plans, elevations, and details of 54 residences (villas, cottages, and farm houses) and public buildings (churches, schools, banks, etc.).
For any house-proud owner of a Victorian property this book represents a unique and invaluable resource. Packed with information about Victorian architectural ideas, it includes a wealth of practical advice about the maintenance and conservation of Victorian homes. Part One provides a concise overview of the development of the Victorian house, the wide range of architectural styles that came in and out of fashion over the period, and the lifestyles of the original owners the houses were designed to accommodate. Throughout, the emphasis is on family houses of various sizes rather than the great houses of the aristocracy, which are discussed only in relation to their influence on contemporary builders and architects. Part Two discusses structures and materials, covering brickwork, stone, renders and stuccos, roofs, woodwork, windows and doors, ironwork, and conservatories. In each case there is comprehensive advice on symptoms of trouble, techniques for preservation and restoration, and the correct choice of materials. Part Three covers services—fireplaces and chimneys, lighting, kitchens and bathrooms—all subjects requiring particular sensitivity to achieve a satisfactory compromise between preserving the spirit of the original building and meeting modern standards of comfort and convenience. Part Four examines all aspects of interior decoration, including plasterwork, decorative tiles, paint colors and finishes, wall coverings, curtains and blinds, and floor coverings. The book is completed by lists of further reading, places to visit, and useful addresses, including those of specialist suppliers and contractors, and sources of more detailed information and advice.
Showcases a selection of 143 houses that exemplify Victorian tastes in residential design, revealing the high level of craftsmanship that went into their design and construction along with specific details such as spindlework, elaborate gable ornamentation, and striking dormers.
Twenty-nine meticulously rendered, ready-to-color illustrations portray the many distinctive styles of actual Victorian-era homes, including a seaside cottage in the "stick style"; an Italianate San Francisco residence of the 1880s; the unusual Octagon House in Ottawa, Illinois (1856); a Moorish-styled urban residence in Baltimore (1886), and the elegant "Vinland," a Newport, Rhode Island, residence (1882–1884).
Edmund Gillon has photographed and Clay Lancaster commented on 116 remarkable but lesser-known Victorian American homes. From Nova Scotia to Geneva, New York to Cape May, these rarely appreciated dwellings offer some of the best 19th-century architecture. Includes row houses, cottages, farms, summer homes.
Reprinted from a rare 1878 offering from a leading Northeastern architectural firm: front and side elevations, floor plans and descriptions of 50 "practical designs of low and medium priced houses," ranging from 2- to 11-room dwellings, most in the cottage style. With complete specifications for two, a sample contract, advertisements, and price estimates.
This authentic reproduction of plans drawn up by a noted nineteenth-century architectural firm features both residential and public buildings. Hundreds of illustrations include floor plans, perspective views, and elevations as well as designs for staircases, fireplaces, and other interior details. Other drawings depict windows, doors, balconies, and gables. Photographs offer crisp views of exteriors. Victorian architecture buffs will prize this excellent source of authentic period designs. Its 126 plates comprise 87 images of residences; the remaining 39 structures include a field club building, stables, a library, a school, a railroad station, a dry goods store, and a music hall. Captions describe locations, dimensions, costs, and other particulars.
The English country house reached its apotheosis in the nineteenth century. Designed by the most eminent architects of the age, the houses were bigger, more elaborate and more lavishly furnished than ever before, becoming a byword throughout the world for luxury, technological innovation and convenience of plan. Michael Hall's new survey draws on the Country Life archive to present the most complete visual record yet published of the Victorian country house. Chronologically arranged to span the decades from the 1830s to the 1890s, the houses range from the High Gothic of Tyntesfield to Ferdinand Rothschild's flamboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen. Victorian houses have suffered more from sales and demolitions than houses from any other period. The Country Life images are the only record of great houses such as Wrest Park, Thoresby Hall and Hewell Grange in their heyday. Houses that have survived with their interiors intact but are little known to the public are also featured, such as Flintham Hall and the Earl of Harrowby's Sandon Hall. Here, too, are spectacular colour photographs of some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall to J. D. Crace's astonishing interiors at Longleat. With over 150 superb photographs and a commentary by one of the world's leading authorities on the subject, this book provides an excellent overview of a major period in British architectural history. Michael Hall is an architectural historian and the Editor of Apollo magazine. A former Architectural Editor and Deputy Editor of Country Life, he is a Fellow of the Society of Antiquaries, a trustee of Emery Walker's Arts and Crafts house and Chairman of the Victorian Society's activities committee. His books include The English Country House: From the Archives of Country Life, also published by Aurum.