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Frank investigates an intertextual exchange between nineteenth-century historical disciplines (philology, cosmology, geology archaeology and evolutionary biology) and the detective fictions of Poe, Dickens, and Doyle. In responding to the writings of figures like Lyell, Darwin and E.B. Taylor, detective fiction initiated a transition from scriptural literalism and a prevailing Natural Theology to a naturalistic, secular worldview. In the process, detective fiction sceptically examined both the evidence such disciplines used and their narrative rendering of the world.
Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.
Examines the life and career of Edgar Allan Poe including synopses of many of his works, biographies of family and friends, a discussion of Poe's influence on other writers, and places that influenced his writing.
This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.
An insight into a popular yet complex genre that has developed over the nineteenth and twentieth centuries. The volume explores the contemporary anxieties to which crime fiction responds, along with society's changing conceptions of crime and criminality. The book covers texts, contexts and criticism in an accessible and user-friendly format.
In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William Wordsworth to J. K. Rowling have deployed veterans to explore questions that are simultaneously personal, political, and philosophical: What does a community owe to those who serve it? What can be recovered from the past? Do people stay the same over time? Are there right times of life at which to do certain things? Is there value in experience? How can wisdom be shared? Veteran Poetics features veterans who travel in time, cause havoc with their reappearances, solve murders, refuse to stop talking about the wars they have been in, and refuse to say a word about them. Through this last trait, they also prompt consideration of possible critical responses to silence.
Critical Essays on English and Bengali Detective Fiction brings together three strains of detective fiction: British, American, and Bengal. The import of detective fiction from Britain has influenced generations of writers of Bengali detective fiction. In this anthology of critical essays by scholars on detective fiction, we have divided the contents into three groups. First, there are essays on classic British detective fiction, with essays on Charles Dickens, Wilkie Collins, Arthur Conan Doyle, Agatha Christie, P.D.James, Kate Atkinson, and Margery Allingham. The second section is on American hard-boiled fiction with essays on Dashiell Hammett and Raymond Chandler. The third section is on Bengali detective fiction with essays on Hemendra Kumar Roy, Saradindu Bandyopadhay and Satyajit Ray. Together, these essays bring three strains of detective fiction into conversation to show the gradual postcolonial attempt of Bengali detective fiction to outgrow colonial influences and create an original and organic tradition of regional and vernacular detective fiction.
Situated at the intersection of law and literature, nineteenth-century studies and post-colonialism, Colonial Law in India and the Victorian Imagination draws on original archival research to shed new light on Victorian literature. Each chapter explores the relationship between the shared cultural logic of law and literature, and considers how this inflected colonial sociality. Leila Neti approaches the legal archive in a distinctly literary fashion, attending to nuances of voice, character, diction and narrative, while also tracing elements of fact and procedure, reading the case summaries as literary texts to reveal the common turns of imagination that motivated both fictional and legal narratives. What emerges is an innovative political analytic for understanding the entanglements between judicial and cultural norms in Britain and the colony, bridging the critical gap in how law and literature interact within the colonial arena.
Fairy Tales, Natural History and Victorian Culture examines how literary fairy tales were informed by natural historical knowledge in the Victorian period, as well as how popular science books used fairies to explain natural history at a time when 'nature' became a much debated word.
"I never can resist a touch of the dramatic." The Memoirs of Sherlock Holmes is now best remembered for its concluding story in which the great detective appears to plunge to his death into the waters at the bottom of the Reichenbach Falls, locked in a struggle with his nemesis, Professor Moriarty. However, the collection also brings the reader back to the beginnings of Holmes' career, involving a mutiny at sea and a treasure hunt in a Sussex country house, and a first encounter with Holmes' older brother Mycroft, of whom Holmes says, "If the art of the detective began and ended in reasoning from any armchair, my brother would be the greatest criminal agent that ever lived". This collection includes some of the detective's greatest cases, such as 'Silver Blaze' and 'The Naval Treaty', and even one case which Holmes fails to solve. Edited with an introduction by Jarlath Killeen, this volume examines Holmes as a safeguard against social breakdown and chaos, as well as an agent of justice and goodness against the forces of evil. It also situates the collection in the growth of life writing in the period, and explores the ways in which Holmes became increasingly 'real' to readers as more details about his personality and biography are revealed in the stories. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.