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A new departure in Scottish and Irish migration studiesThe Scottish diasporic communities closest to home-those which are part of what we sometimes term the 'near Diaspora'-are those we know least about. Whilst an interest in the overseas Scottish diaspora has grown in recent years, Scots who chose to settle in other parts of the United Kingdom have been largely neglected. This book addresses this imbalance.Scots travelled freely around the industrial centres of northern Britain throughout the nineteenth and early twentieth centuries and Belfast was one of the most important ports of call for thousands of Scots. The Scots played key roles in shaping Belfast society in the modern period: they were essential to its industrial development; they were at the centre of many cultural, philanthropic and religious initiatives and were welcomed by the host community accordingly.Yet despite their obvious significance, in staunchly Protestant, Unionist, and at times insular and ill at ease Belfast, individual Scots could be viewed with suspicion by their hosts, dismissed as 'strangers' and cast in the role of interfering outsiders.Key FeaturesThe only book-length scholarly study of the Scots in modern Ireland.Brings to light the fundamental importance of Scottish migration to Belfast society during the nineteenth century.Advances our knowledge and understanding of Scotland's 'near diaspora.'Highlights areas of tension in Ulster-Scottish relations during the Home Rule era.Puts forward a new agenda for a better understanding of British in-migration to Ireland in the modern period.
This book traces the nature of change within the country community of England and Wales between 1870 and 1918--a period that was, in many respects, a watershed in British history. Horn reveals the powerful underlying stresses and tensions of rural life: people experienced the anxieties of agricultural recession, the declining influence of the landed classes, the diminishing support for religious institutions, and the disruption of many traditional aspects of rural life.
Historians have suggested that Scottish influences are more pervasive in New Zealand than in any other country outside Scotland, yet curiously New Zealand's Scots migrants have previously attracted only limited attention. A thorough and interdisciplinary work, Unpacking the Kists is the first in-depth study of New Zealand's Scots migrants and their impact on an evolving settler society. The authors establish the dimensions of Scottish migration to New Zealand, the principal source areas, the migrants' demographic characteristics, and where they settled in the new land. Drawing from extended case-studies, they examine how migrants adapted to their new environment and the extent of longevity in diverse areas including the economy, religion, politics, education, and folkways. They also look at the private worlds of family, neighbourhood, community, customs of everyday life and leisure pursuits, and expressions of both high and low forms of transplanted culture. Adding to international scholarship on migrations and cultural adaptations, Unpacking the Kists demonstrates the historic contributions Scots made to New Zealand culture by retaining their ethnic connections and at the same time interacting with other ethnic groups.
This book opens the curtain on the crucial role played by Victorian and Edwardian novelists in changing views of domestic violence. Examining the mechanisms of domestic violence through the historical lenses of the law, crime, and economics, this study illuminates these novelists’ depictions of wife-battering, including scenes in which women witness their children being beaten or children witness their mothers’ beatings. This book also shows how these representations interacted with changing paradigms of masculinity and femininity at the time. Extending from the decades before the 1857 Divorce Act to the Suffrage era, the book details the changing circumstances of conjugal violence and divorce in England. William Makepeace Thackeray’s The Memoirs of Barry Lyndon, Esq. (1844) and Caroline Norton’s Stuart of Dunleath: A Story of Modern Times (1851) expose the impact of class on reactions to domestic violence. Wilkie Collins’s The Law and the Lady (1875) and Ouida’s (Marie Louise de la Ramé) Moths (1880) depict proto-New Women figures who resist domestic violence, while traditional wife figures continue to fall victim. In Mona Caird’s The Wing of Azrael (1889) and Sir Arthur Conan Doyle’s The Hound of the Baskervilles (1902) and “The Adventure of the Abbey Grange” (1904), protagonists exact their own justice on perpetrators of domestic violence. By the Edwardian period, it was clear that legislation alone could not solve the problems of domestic violence. Constance Maud’s No Surrender (1911) adroitly links wife-battering with public violence against suffragettes, exposing the underlying British socio-cultural system that maintained women’s subordination.
Includes entries for maps and atlases.