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Catalog published in conjunction with an exhibition of the same title presented at Andrew Edlin Gallery from March 6-April 25, 2015.
Sex, Rock & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time―the Avalon, the Matrix, and the Fillmoreas well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective―Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time is an intense, vibrant, and revelatory experience. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #424242}
Tracing the roots of rebel style to the music scene, this book explores how fashionable music and "anti-fashion" icons, like David Bowie, the Sex Pistols, and Gwen Stefani, have inspired fashion. Rebel style is all about wearing common or mundane items with a sense of creativity and irony. The classic leather jacket (think Brando or Joan Jett) remains a symbol of "outsider-dom," while jeans have been reimagined as a style centerpiece by every generation. The skirt is constantly being reappraised, whether it’s mini, peasant, or frou-frou, to simultaneously celebrate and subvert images of femininity. Rebel, Rebel is the anti-style bible that will inspire the next generation of designers, fashionistas, and club kids alike.
Contains 120 posters by popular American artists, such as Robert Rauschenberg, Georgia O'Keeffe, Rupert Garcia, Ben Shahn, Will Bradley and Norman Rockwell. Heyman draws conclusions about the position of posters in the overall history of visual communication.
Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances staged by the Diggers and the Cockettes; publications such as Oz Magazine and The Whole Earth Catalog and books by Marshall McLuhan and Buckminster Fuller; and much, much more. While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the experimental graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures including Gerd Stern and Michael Callahan of USCO, Gunther Zamp Kelp of Haus Rucker Co, Ken Isaacs, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, and new scholarly writings, this book explores the hybrid conjunction of the countercultural ethos and the modernist desire to fuse art and life.
"High Art" explores both the creation of psychedelia and the imagery born of the movement. 250 color illustrations. Ties in with the San Francisco and New York auctions of psychedelic poster art.
"Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. With a deft combination of hundreds of unseen images and exclusive interviews and essays, Electrical Banana aims to revise the common persception of psychedelic art, showing it to be more innovative, compelling, and revolutionary than was ever thought before."--P. [4] of cover.
A collection of more than one hundred posters from San Francisco's psychedelic rock music scene includes pieces created by such definitive designers as Wes Wilson, Victor Moscoso, and Rick Griffin, in a volume complemented by a history of psychedelic rock music and the movements that influenced its corresponding poster design. Original.
This lavishly illustrated volume presents in full color more than 300 of the finest posters selected from the rich resources of the graphic design collection of The Museum of Modern Art.