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This work is a collection of letters by the French-American pilot Victor Chapman. Chapman earned many medals during his service and was one of the founding members of the Lafayette Escadrille. He was the first American pilot to die in the First World War after being shot down by German ace Kurt Wintgens. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Victor Chapman'S Letters from France, With Memoir by John Jay Chapman, first published in 1917, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
As the First World War ground into its third year in 1916, America still remained uncommitted to intervention in what some in that nation regarded as a purely European affair. This was not the course pursued by many American men, having enlisted in the British, Canadian, and French ranks since the start of the war. The Lafayette Escadrille, or American Squadron, was formed in 1916 from French and American aviators and would grow in fame and victories throughout its two year existence. Victor Chapman enlisted in the French Foreign legion in 1914, as soon as he possibly could; however, he would transfer after much rough soldiering to the French air arm. As a founding member of the famous squadron, one of the Valiant 38, Victor Chapman flew some of the most dangerous missions of all the French pilots as they sought to establish their reputation. The toll of danger never affected his unflappably high spirits, but his luck ran out in June 1916 over the skies of Verdun. His letters are filled with his and his fellow pilots exploits, written in fine style and with great detail. Highly recommended. Author — Chapman, Victor Emmanuel, 1890-1916. Editor — Chapman, John Jay, 1862-1933. Text taken, whole and complete, from the edition published in New York, The Macmillan company, 1917. Original Page Count – 198 pages. Illustrations – 8 Illustrations.
Excerpt from Victor Chapman's Letters From France: With Memoir Victor Emmanuel Chapman, a member of the Franco-American Aviation Corps, was killed at Verdun on June 23, 1916, and fell within the German lines. He was in his twenty-seventh year; was born in New York, spent two years at the Fay School, went for several years to St. Paul's School, Concord, lived abroad for a year in France and Germany. On his return, he spent a year at the Stone School in Boston and then went to Harvard, where he graduated in 1913; immediately after graduation he went to Paris and studied architecture for one year in the atelier of M. Gromort, in preparation for admission to the Beaux Arts. This made him a Beaux Art student, - for the ateliers are a part of the school, - and thus it came about that in 1914 he joined the Foreign Legion. Victor spent a year in the trenches at a point in the lines where there were no attacks, but where inaction and the continual "sniping" severely tried the nerves. Kohn, an accomplished Polish mathematician was shot, as he and Victor were leaning over the talus. He died in Victor's arms. For over one hundred consecutive days Victor was in the front trenches as aide-chargeur to a mitrail. He was slightly wounded once, and one half of his squadron were either killed or seriously hurt. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This collection of letters written by Victor Chapman while serving as an American volunteer pilot in World War I offers a compelling firsthand account of the war from a unique perspective. Chapman writes with heartfelt emotion and keen insight about the day-to-day struggles and triumphs of himself and his fellow soldiers in the skies above France. His letters also reveal his admiration for the French people and their culture. This book is a must-read for anyone interested in the history of World War I or the experiences of American soldiers in the war. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... considering he neither talked much French nor could understand it beyond the simplest phrases. I have just received your book of Essays. The title smacks of Arnold Bennett and somehow suggests that you are enjoying a ripe old age. But I do enjoy the contents. I just glow in the warmth and luxury of reading it. The Times is all I have as literature else. I have found a fellow who is binding it for me. Our "cossack" Rodger, who kept the cows for us at Frise, calls himself relieur. It was amusing to see the different effects which Rader's articles produced on our little society. Lacasagne cast melancholy despairing smiles--he knew he was a froussard and a fearful shirker; and to add to these a desperate liar, makes him out a pretty bad character. But H, the Dutch Jew, went into ecstasies at the cleverness and "nerve" of the man, and immediately borrowed paper and pencil from me and wrote a most windy description to an Amsterdam paper, as an hors-d'ceuvre of what he could do if they asked him. April 16. We have been having reviews and marches. An intimate inspection by General Castelnau (Commander of the 2nd Army, I think). Your loving Victor. [In the Spring of 1915 Victor's parents and Mrs. William Astor Chanler made a trip to France. They obtained permission to go to Amiens, and Victor, who was in the trenches near by, was on May 8 given twenty-four hours' furlough. It was a picturesque and happy day, and in the course of it the photograph of Victor as Legionnaire was taken. We were to see him once again; for a few weeks later the French Government in honor of the 4th of July, and at the request of Ambassador Sharp, gave the American volunteers in the Legion forty-eight hours' furlough to visit Paris.--Editor.] Cantonment under...
This work is a collection of letters by the French-American pilot Victor Chapman. Chapman earned many medals during his service and was one of the founding members of the Lafayette Escadrille. He was the first American pilot to die in the First World War after being shot down by German ace Kurt Wintgens. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.