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In 2092 the world’s ecology is in ruins, drought and famine are widespread, and survival is a never-ending challenge. Harold Erdman leaves his dying community with one goal: to make his way to Esmeralda, an island paradise run by the Huntworld Corporation, which has turned public murder among willing competitors into a thriving and lucrative business. Can he survive the journey and the many rounds of deadly competition on his way to the Big Payoff? His neighbors’ lives, as well as his own, hang in the balance. Hilarious, savagely funny, and imaginative, this is Sheckley at his best! From the very beginning of his career, Robert Sheckley was recognized by fans, reviewers, and fellow authors as a master storyteller and the wittiest satirist working in the science fiction field. Open Road is proud to republish his acclaimed body of work, with nearly thirty volumes of full-length fiction and short story collections. Rediscover, or discover for the first time, a master of science fiction who, according to the New York Times, was “a precursor to Douglas Adams.”
In 2092, the world's ecology is in ruins, drought and famine are widespread and survival is a never-ending challenge. Harold Erdman leaves his dying community with one goal, to make his way to Esmeralda, an island paradise run by the Huntworld Corporation which has turned public murder, among willing competitors, into a thriving and lucrative business. Can he survive the journey and then the many rounds of deadly competition on his way to the Big Payoff. His neighbours' lives, as well as his own, hang in the balance.
A Colorado native, Shauna Hyde grew up with three brothers, no sisters, and a father who was a pastor of a local community church. She was taught that women married for life and no woman she knew was a pastor. This ‘normal’ crashed around her when her first husband left her with a newborn baby to raise alone. Her second husband confessed his unfaithfulness; again her world hit a bruising reality wall despite her efforts to be the ‘best little wife’. Shauna started studying karate and began to see a correlation between the two disciplines that opened her soul to be empowered by the grace of God. God, in turn, taught her and used her to empower others.”As a United Methodist minister who is also a black belt in Shota Kahn karate I am often asked how I can be both a martial artist and a pastor. There have been a lot of jokes about how I will force people to the altar or smack people who get out of line. Then there is always the joke about no one wanting to disobey me in the church because I know how to hurt them In reality, anyone who is a true martial artist and/or has a deep understanding of the martial arts knows that it is not about violence – it is about mercy, self-discipline, a lot of routine practice, and a whole other host of characteristics that I would like to address in this book].”Shauna shares what she has learned with a solid Biblical foundation through thought-provoking questions that work well individually and with small groups. “Karate is a tool that can help people grow, understand, and become disciplined. Church is a tool that also helps people grow, understand, and become disciplined. The greatest tool of all to be used to empower others is the constant and abundant application of grace.”
"Seconds passed; minutes. She could hear movement now in the waiting room she had just left...it was the metal magazine rack she was sure, that crashed to the tile floor. Then quiet. She strained to hear in the darkness. Nothing more, and then... The air moved in the room and she knew. He was here." As a young psychology student, Hailey Dean's world explodes when Will, her fianc, is murdered just weeks before their wedding. Reeling, she fights back the only way she knows how: In court, prosecuting violent crime . . . putting away the bad guys one rapist, doper, and killer at a time. But dedicating her life to justice takes a toll after years of courtroom battles and the endless tide of victims calling out from crime scene photos and autopsy tables. Just as she grows truly weary, a serial killer unlike any other she's encountered begins to stalk the city of Atlanta, targeting young prostitutes, each horrific murder bearing his own unique mark. This courtroom battle will be her last. Hailey heads for Manhattan to pick up the pieces of the life she had before Will's murder, training as a therapist. In a vibrant new world, she finally leaves her ghosts behind. But then her own clients are brutally murdered one by one by a copycat using the same M.O. as the Atlanta killer she hunted down years before. As the body count rises across Manhattan, Hailey is forced to match wits not only against a killer, but the famed NYPD. Unless she returns to her former life and solves the case, still more innocent people will die at the hands of a killer who plans to get her, before she can get him!
The follow-up to the Presnyakov Brothers' critically acclaimed Terrorism.
The shocking true story of a bizarre kidnapping and the victims' re-victimization by the justice system. In March 2015, Denise Huskins and her boyfriend Aaron Quinn awoke from a sound sleep into a nightmare. Armed men bound and drugged them, then abducted Denise. Warned not to call the police or Denise would be killed. Aaron agonized about what to do. Finally he put his trust in law enforcement and dialed 911. But instead of searching for Denise, the police accused Aaron of her murder. His story, they told him, was just unbelievable. When Denise was released alive, the police turned their fire on her, dubbing her the “real-life ‘Gone Girl’” who had faked her own kidnapping. In Victim F, Aaron and Denise recount the horrific ordeal that almost cost them everything. Like too many victims of sexual violence, they were dismissed, disbelieved, and dragged through the mud. With no one to rely on except each other, they took on the victim blaming, harassment, misogyny, and abuse of power running rife in the criminal justice system. Their story is, in the end, a love story, but one that sheds necessary light on sexual assault and the abuse by law enforcement that all too frequently compounds crime victims’ suffering.
It's sweltering summer in New York City, and Asa Leventhal is alone. His co-workers ignore or condescend to him, his wife is away with her mother, and his estranged brother has run off, abandoning his wife and two sons. One night, Leventhal is confronted by a stranger--'one of those guys who want you to think they can see to the bottom of your soul'--who reveals himself to be a marginal figure from his distant past. Leventhal, accused of ruining the man's life, becomes shocked and dismissive, vehemently denying any part in the man's unhappy lot. But as time passes, he is increasingly unable to separate his own good fortune from the bad luck of this down-and-out stranger, who will not leave him be. A brief, haunting rumination on the vagaries of fate and responsibility, The Victim is, in the words of Norman Rush, Saul Bellow's "purest creation."
Julie Patterson is a former Miss Mississippi with a successful husband, two wonderful children, and the lavish life that many can only dream about. Her life becomes even better when her husband receives a long-awaited promotion and the family moves to a neighborhood near Washington DC. Julie quickly makes friends with neighbors, except for the woman who lives behind her, who simply stares without acknowledgment of Julie. After a while, though, the woman, Lynn, warms up to Julie, and the two form a fast friendship. But this friendship quickly turns strange as Julie learns of Lynn's propensity to lie for attention. She and her family also notice that Lynn has gotten the same car as Julie, has begun to dress like Julie, is getting a pool just like Julie, and is consistently attempting to one-up Julie. At first everyone brushes it off, but when one lie threatens Julie's family, she begins to realize Lynn has some unknown agenda, and Julie is her target. No one else takes it seriously, and many neighbors side with Lynn, even as the situation begins to spiral out of control, until one is found on the stand for attempted murder. Is Lynn a False Victim, or could Julie be guilty? Is there an end to the madness? Will the story end happily? You'll be on the edge of your seat as you await the answers in this gripping, psychological thriller based on a true story.
Following the death of her brother of an apparent suicide, Kali reconnects with her sister. To their dismay, they learn that he was the prime suspect in the double homicide of a wealthy heiress and a college coed. As if that weren't shocking enough, Kali also learns her brother might have ties to a young stripper's murder and the disappearance of a 16-year-old runaway. Kali must dig into the sinister underworld of the sex industry to find her brother's killer before the missing girl, or Kali herself, becomes the next victim.
Lieutenant Lou Boldt, the Seattle cop who stars in Ridley Pearson's deservedly popular series, is a sharp and touching figure--perhaps the most believable police officer in current fiction. Early in this ninth book about his public and private life, Lou has to put on a bullet-resistant vest to lead a raid against some dangerous criminals. "The vest was not physically heavy, but its presence was," Pearson tells us. It meant battle; it meant risk. For Boldt, a vest was a symbol of youth. It had been well over a year since he had worn one. Ironically, as he approached the hangar's north door at a light run behind his own four heavily armored ERT personnel, he caught himself worrying about his hands, not his life. He didn't want to smash up his piano hands in some close quarters skirmish. . . . Boldt plays jazz piano one night a week in a local bar, and despite his concern for his hands, he takes every opportunity he can to get away from his desk and into the streets. But money pressures, caused by his wife's recent illness, also make him think about the possibility of a better-paying job in the private sector. Meanwhile, some extremely ruthless people are murdering illegal Chinese immigrant women and leaving their bodies buried in newly dug graves. An ambitious local TV journalist named Stevie McNeal and the young Chinese woman she thinks of as her "Little Sister" risk their lives to investigate the killings, while Boldt and his team round up a most unusual array of suspects. This combination of hard-edged realism and softer sentiment has become Pearson's trademark, and once again it works smoothly. --Dick Adler