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Winner of the Jane Grigson Trust Award 2017 and the Aragonese Academy of Gastronomy’s 2017 Prize for Research New Art of Cookery, Drawn from the School of Economic Experience, was an influential recipe book published in 1745 by Spanish friary cook Juan Altamiras. In it, he wrote up over 200 recipes for meat, poultry, game, salted and fresh fish, vegetables and sweet things in a chatty style aimed at readers who cooked on a modest budget. He showed that economic cookery could be delicious if flavors and aromas were blended with an appreciation for all sorts of ingredients, however humble, and for diverse food cultures, ranging from that of Aragon, his home region, to those of Iberian court and New World kitchens. This first English translation gives guidelines for today’s cooks alongside the original text, and interweaves a new narrative portraying 18th-century Spain, its everyday life, and food culture. The author traces links between New Art’s dishes and modern Spanish cookery, tells the story of her search to identify the book’s author and understand the popularity of his book for over 150 years, and takes travelers, cooks, historians, and students of Spanish language, culture, and gastronomy on a fascinating journey to the world of Altamiras and, most important of all, his kitchen.
“Iran’s stormy history is the atmospheric backdrop for Ausma Zehanat Khan’s Among the Ruins, the third book in her exceptional series featuring Esa Khattak...The story takes on the air of a James Bond movie, including an explosive finale on the Caspian Sea.”—The Washington Post On leave from Canada’s Community Policing department, Esa Khattak is traveling in Iran, reconnecting with his cultural heritage and seeking peace in the country’s beautiful mosques and gardens. But Khattak’s supposed break from work is cut short when he’s approached by a Canadian government agent in Iran, asking him to look into the death of renowned Canadian-Iranian filmmaker Zahra Sobhani. Zahra was murdered at Iran’s notorious Evin prison, where she’d been seeking the release of a well-known political prisoner. Khattak quickly finds himself embroiled in Iran’s tumultuous politics and under surveillance by the regime, but when the trail leads back to Zahra’s family in Canada, Khattak calls on his partner, Detective Rachel Getty, for help. Rachel uncovers a conspiracy linked to the Shah of Iran and the decades-old murders of a group of Iran’s most famous dissidents. Historic letters, a connection to the Royal Ontario Museum, and a smuggling operation on the Caspian Sea are just some of the threads Rachel and Khattak begin unraveling, while the list of suspects stretches from Tehran to Toronto. But as Khattak gets caught up in the fate of Iran’s political prisoners, Rachel sees through to the heart of the matter: Zahra’s murder may not have been a political crime at all. From Ausma Zehanat Khan, the critically acclaimed author of The Unquiet Dead and The Language of Secrets, comes Among the Ruins, another powerful novel exploring the interplay of politics and religion, and the intensely personal ripple effects of one woman’s murder.
She was fifteen, and had dreams of a vocation and a family. Suddenly the breadth and depth of cancer shattered that dream. But this girl purposed in her heart to face the unknown. Little did she know who all would come to help her become a woman of courage. It didn’t seem possible that this girl could be a champion while the machines gave her life. The first challenge was the side effects of chemotherapy, but the bigger challenge was an infection. Nurses, doctors, chaplains, parents, and many friends took turns keeping this champion alive in PICU. Learning to talk, write, and walk again was a new and bigger challenge. There were the therapists, child life specialists, schoolteachers, and awesome nurses who came to help this young champion. Throwing the stuffed cow at the doctors was not only therapy, it was fun. Then a special gospel singer by the name of Karen Wheaton put a vision into Sassy. If God had called her to this challenge, she would walk worthily of that calling.
With the help of a devoted single mom, dance-talented Jill Cantori bumps her sex-oriented boyfriend, stays in school and gets back to her first love, dance.
The first day of school anywhere is never fun . . . At first glance, Wickford High, seems like a normal Catholic School. But Vicky Phillips soon discovers that there is nothing normal about Wickford High... or its occupants... She is the new kid at a new school, and is having the absolute worst day of her life, until she meets the hot, sexy, wolf shape shifter, Luke Wolfburn. Luke makes the disaster she calls her life bearable. Dark secrets that must be kept hidden . . . It seems that everyone at Wickford High has their secrets. Vicky has her own secret, a secret that her mother died for. She all too soon discovers that you can't run from your past. It will always come back to haunt you...
For Vicky Parker, life has never been better. Despite mom's new boyfriend (ew!), Vicky and best friends Parm and Marjan seem to be shoo-ins for the soccer team and the chance to play in the tournament ? in England! But friendships turn into rivalries as the pressures of tryouts get to be too much, and a charming grade twelve boy takes an interest in Vicky instead of Marjan. How far are the girls willing to go when the competition heats up? And is a trip (and a boy) worth the sacrifice of a teammate and a best friend? [Fry Reading Level - 3.9
After a truck driver nearly hits her and a bigoted judge throws her case out of court, it is no secret Toni Barston is angry. But when both men are murdered and Toni has no alibi, she suddenly finds herself regarded as a main suspect. To complicate matters, Toni finds herself attracted to the F.B.I. agent investigating the case. Toni's girlfriend and their friends try to help, but even they have their doubts when another man is killed shortly after Toni expresses her dislike of him. As Toni and her friends desperately try to clear her name, some of the suspects become allies…and some allies become suspects. Toni will need to dig deep into her past to use all of her skills to solve this case and come out of it alive. Assistant Prosecuting Attorney Toni Barston returns in this sequel to the best-selling Anticipation.
“Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle Acclaimed in her own time for her short story “The Lottery” and her novel The Haunting of Hill House—classics ranking with the work of Edgar Allan Poe—Shirley Jackson blazed a path for contemporary writers with her explorations of evil, madness, and cruelty. Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance. Praise for Shirley Jackson “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle