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In December of 1997, the International Monetary Fund announced the largest bailout package in its history, aimed at stabilizing the South Korean economy in response to a credit and currency crisis of the same year. Vicious Circuits examines what it terms "Korea's IMF Cinema," the decade of cinema following that crisis, in order to think through the transformations of global political economy at the end of the American century. It argues that one of the most dominant traits of the cinema that emerged after the worst economic crisis in the history of South Korea was its preoccupation with economic phenomena. As the quintessentially corporate art form—made as much in the boardroom as in the studio—film in this context became an ideal site for thinking through the global political economy in the transitional moment of American decline and Chinese ascension. With an explicit focus of state economic policy, IMF cinema did not just depict the economy; it also was this economy's material embodiment. That is, it both represented economic developments and was itself an important sector in which the same pressures and changes affecting the economy at large were at work. Joseph Jonghyun Jeon's window on Korea provides a peripheral but crucial perspective on the operations of late US hegemony and the contradictions that ultimately corrode it.
Examining what it terms "Korea's IMF Cinema," the decade of film-making that following that country's worst-ever economic crisis, this book thinks through the transformations of global political economy attending the end of the American century.
1977 was a bad year for Carey. He needs a vacation. You know where there's a killer punk scene? London. Oh, plus the leader of the cult that murdered most of his friends is building an army there. 2013 was a bad year for Kaitlyn, too: she hooked up with her childhood crush, who turned out to be an immortal psychopath trying to devour her soul. Now she must find a way to kill him before he sacrifices her and her friends to his extra-dimensional god.
The concluding volume in the punk-rock fantasy epic that began with THE UNNOTICEABLES and THE EMPTY ONES. Carey and Randall get to LA's Chinatown in the early 1980s just as the punk scene is starting there. But it's not all cheap guitars and back-alley bars: the Empty Ones have set up shop in LA, too. A deceptively young, shockingly brutal Chinese girl with silver hair runs things here, watched by a former lover, Zang, who might be the best ally Carey and Randall have ever had . . . if he doesn't eat the both of them first. Kaitlyn is also back in LA, with powers she barely understands, and something you might call a plan, if you were feeling particularly generous: if she can find one specific angel here and kill it, she might just set off a chain reaction that will bring all the angels down, for good.
"In Racial Things, Racial Forms, Joseph Jonghyun Jeon focuses on a coterie of underexamined contemporary Asian American poets — Theresa Hak Kyung Cha, Myung Mi Kim, Mei-mei Berssenbrugge, and John Yau — who reject many of the characteristics of traditional minority writing. In the poets’ various treatments of things (that is, objects of art), one witnesses a confluence of the avant-garde interest in objecthood and the racial question of objectification."-- Back cover.
Cat is desperate to find a way to stop Cartaxus and the plague in this gripping finale to a series New York Times bestselling author Amie Kaufman says “redefines ‘unputdownable!’” Cat’s hacking skills weren’t enough to keep her from losing everything—her identity, her past, and now her freedom. She’s trapped and alone, but she’s survived this long, and she’s not giving up without a fight. Though the outbreak has been contained, a new threat has emerged—one that’s taken the world to the brink of a devastating war. With genetic technology that promises not just a cure for the plague, but a way to prevent death itself, both sides will stop at nothing to seize control of humanity’s future. Facing her smartest, most devastating enemy yet, Cat must race against the clock to protect her friends and save the lives of millions on the planet’s surface. No matter the outcome, humanity will never be the same. And this time, Cat can’t afford to let anything, or anyone, stand in her way.
In this YA sci-fi, an heiress flees her controlling father to prevent her test-subject sister’s mind from being reprogrammed—but must ally with a smuggler to outwit a monstrous AI, gravity-shifting gladiatorial pits, and bloodthirsty criminal matriarchs to save her sister and their city.
North Korea’s human rights violations are unparalleled in the contemporary world. In Dying for Rights, Sandra Fahy provides the definitive account of the abuses committed by the North Korean state, domestically and internationally, from its founding to the present. Dying for Rights scrutinizes North Korea’s treatment of its own people as well as foreign nationals, how violations committed by the state spread into the international realm, and how North Korea uses its state media and presence at the United Nations. Fahy meticulously documents the extent of arbitrary detention, torture, executions, and the network of prison camps throughout the country. The book details systematic and widespread violations of freedom of speech and of movement, freedom from discrimination, and the rights to food and to life. Fahy weaves together public and private testimonies from North Koreans resettled abroad, as well as NGO reports, the stories and facts brought to light by the United Nations Commission of Inquiry into North Korea, and North Korea’s own state media, to share powerful personal narratives of human rights abuses. A compassionate yet objective investigation into the factors that sustain and perpetuate the flouting of basic rights, Dying for Rights reveals the profound culpability of the North Korean state in the systematic denial of human dignity.