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1977 was a bad year for Carey. He needs a vacation. You know where there's a killer punk scene? London. Oh, plus the leader of the cult that murdered most of his friends is building an army there. 2013 was a bad year for Kaitlyn, too: she hooked up with her childhood crush, who turned out to be an immortal psychopath trying to devour her soul. Now she must find a way to kill him before he sacrifices her and her friends to his extra-dimensional god.
In December of 1997, the International Monetary Fund announced the largest bailout package in its history, aimed at stabilizing the South Korean economy in response to a credit and currency crisis of the same year. Vicious Circuits examines what it terms "Korea's IMF Cinema," the decade of cinema following that crisis, in order to think through the transformations of global political economy at the end of the American century. It argues that one of the most dominant traits of the cinema that emerged after the worst economic crisis in the history of South Korea was its preoccupation with economic phenomena. As the quintessentially corporate art form—made as much in the boardroom as in the studio—film in this context became an ideal site for thinking through the global political economy in the transitional moment of American decline and Chinese ascension. With an explicit focus of state economic policy, IMF cinema did not just depict the economy; it also was this economy's material embodiment. That is, it both represented economic developments and was itself an important sector in which the same pressures and changes affecting the economy at large were at work. Joseph Jonghyun Jeon's window on Korea provides a peripheral but crucial perspective on the operations of late US hegemony and the contradictions that ultimately corrode it.
The concluding volume in the punk-rock fantasy epic that began with THE UNNOTICEABLES and THE EMPTY ONES. Carey and Randall get to LA's Chinatown in the early 1980s just as the punk scene is starting there. But it's not all cheap guitars and back-alley bars: the Empty Ones have set up shop in LA, too. A deceptively young, shockingly brutal Chinese girl with silver hair runs things here, watched by a former lover, Zang, who might be the best ally Carey and Randall have ever had . . . if he doesn't eat the both of them first. Kaitlyn is also back in LA, with powers she barely understands, and something you might call a plan, if you were feeling particularly generous: if she can find one specific angel here and kill it, she might just set off a chain reaction that will bring all the angels down, for good.
Examining what it terms "Korea's IMF Cinema," the decade of film-making that following that country's worst-ever economic crisis, this book thinks through the transformations of global political economy attending the end of the American century.
Just when you thought you’d accepted your own mortality . . . Everything Is Going to Kill Everybody is bringing panic back. Twenty illustrated, hilariously fear-inducing essays reveal the chilling and very real experiments, dangerous emerging technologies, and terrifying natural disasters that soon could—or very nearly already did—bring about the end of humanity. In short, everything in here will kill you and everyone you love. At any moment. And nobody’s told you about it—until now: • Experiments in green energy like the HiPER, which uses massive lasers to create a tiny “contained” sun; it’s an idea that could save the world if it doesn’t consume us all in a fiery fusion reaction first. • Global disasters like the hypercane—a hurricane so large it could cover all of North America and shoot trailer parks into space! • Terrifying new developments in robotics like the EATR, which powers itself on meat—an invention in the running for “Worst Decision Made by Anybody.”
Red is a user, pusher and a drug addict. And that's not a problem. Everybody in the Four Posts is nursing an addiction to something. In fact, their entire economy is based on the 'feed'. An officially sanctioned, omnipresent drug delivery system with terminals in every home. Red's talent for mixing new and interesting narcotic concoctions isn't an issue, but the fact that he accidentally ran while testing an expensive new prototype just might be. Now, Red has to figure out what the strange experimental drug is doing to his mind before the sinister, faceless recovery agents tear him apart.
Humanity listened to the night sky. What we heard shattered the world. Listen. Just once. That's it. As soon as you hear it, it has you. And once it has you, it's over. You may think you're in control. You're not. You want one more listen. You want to look at that strange spot in the sky. The one that's been slowly growing. The one that didn't make sense... until you listened. You want to listen again, and you will do whatever it takes to make everyone else listen. By any means necessary. Even if it kills you. Just one more listen. One more.Listen.
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After the events of the first two books of the Vicious Circuit series, Carey and Randall reached LA during the early '80s punk scene, which was heavily mixed up with Chinatown. A young Chinese girl with silver hair is the Empty One that seems to run things there, and her ex-lover, an Empty One named Zang, has apparently turned against them and may or may not be on Carey's side.