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History -- Works -- Archive -- Model list -- Techniques -- Index of names and companies.
- 1,500 hitherto unpublished design drawings- A broad selection of pieces in the celebrated millefiori technique- An essential reference work for all connoisseurs of Murano glassA creative exchange with artists such as the painter Guido Cadorin or the ceramicist and sculptor Hans Stoltenberg-Lerche brought the second generation Toso Brothers to the forefront of Murano glass manufactories at the beginning of the twentieth century. After the Second World War Ermanno Toso and Pollio Perelda were among the most famous designers and continued the production of lavish series in glass, complemented from the 1950s onwards with high-quality one-offs executed mainly in the celebrated millefiori technique. This decoration consists of a multitude of tiny colored discs, known as murrini, which are produced by melting, cooling and cutting bundled canes of glass to form a cross-section pattern. Together with Caterina Toso, renowned Murano expert Marc Heiremans looks back on and reviews the complex history of the famous glass manufactory. Well-informed texts, hitherto unpublished sketches and archive photos make Fratelli Toso Murano an essential reference work for all connoisseurs of glass.
Tracing Murano glass art through the glass animal collection of Pierre Rosenberg, former Director of the Louvre This publication traces the history of 20th-century Murano glass art through the motif of the glass animal. Taken from the collection of Pierre Rosenberg, art historian and former Director of the Louvre, over 750 glass animals are presented here. Some of the more famous series included are the pulegosi (bubble glass) pieces by Napoleone Martinuzzi, the birds by Tyra Lundgren and Toni Zuccheri, the Zebrati (zebra-striped) series by Barovier & Toso, and the aquariums by Alfredo Barbini. The volume also features a vast sampling of animals made by lesser-known but equally interesting glassworks, focusing on the aspect of technical and design experimentation in 20th-century Murano glass production. The catalog also showcases sculptures by living artists such as Cristiano Bianchin, Isabelle Poilprez, Maria Grazia Rosin and Giorgio Vigna, which demonstrate the inexhaustible source of inspiration offered by the form of the glass animal.
This authoritative reference book on the important Seguso Vetri D Arte glass factory provides collectors, auctioneers and art historians with a wealth of unpublished drawings and photographs.
Overzicht van het glaswerk gemaakt door de Venetiaanse familie.
- Lucio Bubacco's works in glass are unparalleled examples of extraordinary Venetian flame technique - A witty play with the borders of kitsch, and biblical and carnevalesque iconography - Masterful glass art from Murano Most of the subjects of Lucio Bubacco's (b. 1957) glass art are provocative and polarizing; at the same time they are sensual and beguiling. In a kind of erotic 'trance dance' - Mephistophelian and frequently riotous - nightmarish fabulous creatures and mythological phantasms virtually undulate about each other. His technical virtuosity in creative execution is unparalleled, for the Murano-born glass artist has elevated the Venetian flame technique to a new level of skill and complexity. Bubacco has captured human feelings and emotions in the masterly play of gestures and muscles of the glass figures featured in his burlesque installations. Full of wit and irony he thus explores the limits of kitsch without overstepping them. Follow him into a world of carnavalesque orgies, crystalline incubi and erotic fantasies in glass!
Artists include: Giulio Radi, Fratelli Toso, Vetreria Aristi Barovier, Giuseppe Barovier, Vetreria Fratelli Toso, Ferro Toso Barovier, Vittorio Zecchin for MVM Cappellin, MVM Cappellin, Vittorio Zecchin, Napoleone Martinuzzi, Carlo Scarpa, MVM Cappellin e Seguso, Archimede Seguso, Ferro Toso Seguso, Zecchin-Martinuzzi, Salviati & Co., Cristalleria Murano, Vetreria Zecchin Martinuzzi, Vetreria Barovier-Seguso-Ferro, Vetreria Aureliano Toso, Umberto Bellotto, Ercole Barovier, Barovier & Toso, Venini, Alfredo Barbini, V.A.M.S.A., Flavio Poli, Seguso Vetri d'Arte, Seguso e Venini, Cendese, Guido Balsamo Stella for S.A.L.I.R., Ermanno Toso, A.V.E.M., Dino Martens, Tomaso Buzzi, Paolo Venini, Tyra Lundgren, Ludovico de Santillana, Ken Scott, Fulvio Bianconi, Miroslav Hrstka, Ludovico Diaz de Santillana, Toni Zuccheri, Alfredo Barbini, Vetreria Alfredo Barbini, Luciano Gaspari, Peter Pelzel, Vetreria Gino Cenedese, Gino Cendese, Giovanni Patrini, Ettore Sottsass, Tapio Wirkkla, Barbara del Vicario, Laura Diaz de Santillana, Toots Zynsky, Toni Zuccheri, Lino Tagliapietra, Alessandro Mendini, Eos, Yoichi Ohira.
This book presents 290 masterpieces of art glass from the most famous and admired of the Venetian glassmakers working in Murano in the 20th century. The pieces come from the archives of the Murano firms, museums and private collections all over the world. Each piece is fully illustrated in stunning color photographs supplemented with numerous detail shots and original design drawings. Detailed descriptions of each work provide a wealth of information on the diverse glass techniques and technical refinements achieved by the individual artists and manufacturers. Covered in depth are 17 of the most important (both technically and artistically) glass producers in Murano over the 60 year period from 1910-1970, the renaissance of Venetian glass artistry.
Contains superb colour and black & white illustrations of this internationally renowned glass. Another superb book in the comprehensive series detailing the evolution of Murano glass.
Arte Vetraria Muranese (AVEM) emerged from the liquidation of Successori Andrea Rioda in November 1931. The new factory placed a very personal accent on contemporary artistic glass production on Murano: while designs prior to the Second World War were generally still the responsibility of master glassblowers themselves, after the war designers and freelance artists increasingly determined production. Giulio Radi began experimenting in 1940, obtaining the company?s signature chromatic effects by superimposing mouldblown layers of glass, often opaque and transparent in alternation, and inlaying them with gold and silver foil. Over 800 design drawings, numerous archive images and new photos of AVEM masterpieces make this documentation of the company history indispensable for all Murano glass lovers.