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An unforgettable portrait of a marriage tested to its limits. When Dan, a writer with a passion for underground comics, and his wife Bekah, a potter dedicated to traditional Japanese ceramics, met through a mutual friend, they swiftly fell in love. “Of all the women I’ve ever met,” Dan told a friend, “she’s the first one who felt like family.” But at Christmas, as they prepared for the birth of their first child, tragedy struck. Based on Daniel Raeburn’s acclaimed New Yorker essay, Vessels: A Love Story is the story of how he and Bekah clashed and clung to each other through a series of unsuccessful pregnancies before finally, joyfully, becoming parents. In prose as handsomely unadorned as his wife’s pottery, Raeburn recounts a marriage cemented by the same events that nearly broke it. Vessels is an unflinching, enormously moving account of intimacy, endurance, and love.
NOT EVERY SPIRIT SEEKS REDEMPTION. NOT EVERY VESSEL WILL SURVIVE. What if you could help those who've passed on get a second chance--but at the risk of your own life? Four broken strangers volunteer to become the first humans in North America to join the international VESSELS program. Their bodies will host the Spirits who seek to right past wrongs and earn a chance at Elysium. Disguised inside a homeless shelter in Reno, the program is facilitated by a retired Army officer, a former ER Doctor, and a tech-savvy teen who tracks the Spirits merged with their Vessels through an ancient ritual on the Anaho Reservation. The Vessels only have seven days to succeed--and to survive. But when the vengeful spirit of a serial killer enters one of them, they learn not all Spirits are here for redemption.
“A surprising page-turner...Compelling. Highly recommended.”—Library Journal (starred review), Debut of the Month An astronaut returns to Earth after losing her entire crew to an inexplicable disaster, but is her version of what happened in space the truth? Or is there more to the story…A tense, psychological thriller perfect for fans of Dark Matter and The Martian. After Catherine Wells’s ship experiences a deadly incident in deep space and loses contact with NASA, the entire world believes her dead. Miraculously—and mysteriously—she survived, but with little memory of what happened. Her reentry after a decade away is a turbulent one: her husband has moved on with another woman and the young daughter she left behind has grown into a teenager she barely recognizes. Catherine, too, is different. The long years alone changed her, and as she readjusts to being home, sometimes she feels disconnected and even, at times, deep rage toward her family and colleagues. There are periods of time she can’t account for, too, and she begins waking up in increasingly strange and worrisome locations, like restricted areas of NASA. Suddenly she’s questioning everything that happened up in space: how her crewmates died, how she survived, and now, what’s happening to her back on Earth. Smart, gripping, and compelling, this page-turning sci-fi thriller will leave you breathless.
Andre Dubus is celebrated for his ability to depict the subtlest of human emotions in his characters, and when he turns to nonfiction, the resulting insights are no less illuminative. Especially moving are his descriptions of his children, his wrenching account of the 1986 automobile accident that cost him his leg, and of the ensuing struggle for his spiritual and physical survival. Broken Vessels is a book that, in its scope and sympathy, its grace and courage, never fails to startle with the sudden impact of quiet truths, passionately felt and powerfully expressed.
From a broad, historical perspective, the dreadnought represents an archetype, and its history a kind of moral tale. Its awesome size, its formidable presence, and its immense power have gained it tremendous respect, loyalty, and, as Robert O'Connell shows in this myth-shattering book, unwarranted longevity as well. With provocative insight and wit he offers us an irreverent history of the modern battleship and its place in American history, from the sinking of the coal-fueled Maine in 1898 to the deployment of the cruise missile-armed Missouri in the Persian Gulf War of 1991. The modern navies were the first of the armed services faced with fundamental and abrupt technological change. The wooden sailing ships that had fought sea battles for nearly two centuries were, in only a few years, rendered obsolete by a veritable tidal wave of innovation. With the deployment of the revolutionary HMS Dreadnought in 1903, the new technology reached its full fruition: the gigantic sleek, steel-clad, many-gunned vessel that would rule the seas (or at least the minds of Naval commanders) for years to come. O'Connell shows how other nations raced to emulate this new prototype (much in the fashion of the nuclear arms race of later decades), usually at the expense of much more effective forms of naval force. He also demonstrates compellingly the dashed expectations for the battleship occasioned by the outbreak of war in 1914. While many anticipated a massive twentieth-century Trafalgar, in actuality dreadnoughts everywhere avoided battle, and when they did fight, the results were most often inconclusive or even irrelevant. With the Battle of Jutland in 1916--the only real naval showdown of the war--the ineffectiveness of the battleship as the pre-eminent weapon of war was made abundantly clear: the German navy scored on only 120 hits out of 3,597 heavy shells fired while the British had an even more dismal showing--100 out of 4,598, or a hit ratio of 2.17%. Yet, in spite of this display of impotence, the world's great naval yards continued to turn out the huge vessels. O'Connell observes that even after the heart of the American fleet was sunk by the Japanese at Pearl Harbor, the almost superstitious faith in the battleship insured its survival. While they have never played a decisive role in the outcome of any modern war, they have continued to be resurrected and refurbished--even equipped with cruise missles--right up to the present day. Sacred Vessels is more than the unmasking of a false idol of naval history. It is a cautionary tale about the often unacknowledged influence of human faith, culture, and tradition on the exceedingly important, costly, and suppossedly rational process of national defense. Not only is it a gripping tale well-told, it is essential reading for anyone hoping to understand the dynamics involved in the arming of nations.
WINNER OF THE MIDWEST BOOK AWARD The imagination of a girl, the retelling of family stories, and the unfolding of a rich and often painful history: Parneshia Jones’s debut collection explores the intersections of these elements of experience with refreshing candor and metaphorical purpose. A child of the South speaking in the rhythms of Chicago, Jones knits “a human quilt” with herself at the center. She relates everything from the awkward trip to Marshall Fields with her mother to buy her first bra to the late whiskey-infused nights of her father’s world. In the South, “lard sizzles a sermon from the stove”; in Chicago, we feast on an “opera of peppers and pimento.” Jones intertwines the stories of her own family with those of historical black figures, including Marvin Gaye and Josephine Baker. Affectionate, dynamic, and uncommonly observant, these poems mine the richness of history to create a map of identity and influence.