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"Six-year-old Sachiko and her family suffered greatly after the atomic bombing of Nagasaki, and in the years that followed, the miraculous survival of a ceramic bowl became a key part of Sachiko's journey toward peace"--
"The point of the spiritual journey is freedom." So begins a guide that offers profound insight on the human experience and the search for spiritual peace. In a world filled with stress, Vessel of Peace offers an ancient but seldom-followed path toward a peaceful life of deep meaning in the spirit. In this guide, we discover how to empty ourselves of cultural myths that cause us anxiety and to fill ourselves with spiritual truths that enable us to live an authentic and fulfilling life. "Vessel of Peace, more than any other, is a book that asks life's largest questions and then answers them with all the wisdom of which we humans are capable." -M. Scott Peck, M.D., best-selling author of The Road Less Traveled "Simple without being simplistic, Vessel of Peace is a guide-book for pilgrims of the spirit which promises nothing but a probing clarity.... This gracious book is a celebration of life as a gift, reminding us that this is not a rehearsal and that the goal and gift of life is communion in freedom." -Alan Jones, Dean of Grace Cathedral, San Francisco.
Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.