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SOMEONE IS KILLING THE TWELVE MOST IMPORTANT PEOPLE IN THE WORLD. AT LOCH NESS. Ishmael Jones travels to the Scottish Highlands on a mysterious dual mission in this intriguing, genre-blending mystery. The Organisation has despatched Ishmael and his partner Penny to Coronach House on the shores of Loch Ness where the secretive but highly influential Baphamet Group are holding their annual meeting. The Organisation believes an imposter has infiltrated the Group and they have instructed Ishmael to root him—or her—out. It’s not Ishmael’s only mission. The first agent sent by the Organisation has been found dead in her room, murdered in a horribly gruesome manner. Ishmael must also discover who killed his fellow agent, Jennifer Rifkin—and why. Dismissive of rumours that the legendary “Coronach Creature” is behind Jennifer’s death, Ishmael sets out to expose the human killer in their midst. But he must act fast—before any more Very Important People are killed. At the publishers request, this title is sold without DRM (Digital Rights Management). Praise for Simon R. Green: “Simon R. Green is a great favorite of mine. It’s almost impossible to find a writer with a more fertile imagination than Simon. He’s a writer who seems endlessly inventive.” —Charlaine Harris “A macabre and thoroughly entertaining world.” —Jim Butcher on the Nightside series “A splendid riddle wrapped in a mystery inside an enigma, conveyed with trademark wisecracking humor, and carried out with maximum bloodshed and mayhem. In a word, irresistible.” —Kirkus on Night Fall, starred review “[F]or those who want a fantasy-genre mash-up that doesn’t slow down.” —Booklist on From a Drood to a Kill
A “marvelously macabre” (Kirkus Reviews) history of the bizarre afterlives of corpses of the celebrated and notorious dead. For some of the most influential figures in history, death marked the start of a new adventure. The famous deceased have been stolen, burned, sold, pickled, frozen, stuffed, impersonated, and even filed away in a lawyer’s office. Their fingers, teeth, toes, arms, legs, skulls, hearts, lungs, and nether regions have embarked on voyages that crisscross the globe and stretch the imagination. Counterfeiters tried to steal Lincoln’s corpse. Einstein’s brain went on a cross-country road trip. And after Lord Horatio Nelson perished at Trafalgar, his sailors submerged him in brandy—which they drank. From Alexander the Great to Elvis Presley, and from Beethoven to Dorothy Parker, Rest in Pieces connects the lives of the famous dead to the hilarious and horrifying adventures of their corpses, and traces the evolution of cultural attitudes toward death.
“Deliciously macabre and utterly decadent.” —Kerri Maniscalco, #1 New York Times bestselling author of Stalking Jack the Ripper In this dark and twisty feminist historical mystery, a teenage girl starts a new life as a grave robber but quickly becomes entangled in a murderer's plans. Soon after her best friend Kitty mysteriously dies, orphaned seventeen-year-old Molly Green is sent away to live with her "aunt." With no relations that she knows of, Molly assumes she has been sold as a maid for the price of an extra donation in the church orphanage's coffers. Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share—for a price. Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.
In the south of France where hatred simmers in the heat, a man seemingly admired, and certainly feared, drops dead at a dinner party. All of the guests fall under suspicion, including Welsh-Canadian professor Cait Morgan. A criminologist who specializes in profiling victims, Cait sets out to solve the murder—and clear her name. Add to this the disappearance of an ancient Celtic gold collar said to be cursed and there you have the ingredients for a Nicoise salad of death, secrets, and lies. Will Cait find the killer before she too falls victim to a murderer driven by a surprising and disturbing motive? The Corpse with the Silver Tongue is the first in the Cait Morgan mystery series, a classic whodunit series featuring the eccentric Professor Cait Morgan.
A NEW YORK TIMES BOOK CRITICS’ TOP 10 BOOK OF THE YEAR “In its loving, fierce specificity, this book on how to die is also a blessedly saccharine-free guide for how to live” (The New York Times). Former NEA fellow and Pushcart Prize-winning writer Sallie Tisdale offers a lyrical, thought-provoking, yet practical perspective on death and dying in Advice for Future Corpses (and Those Who Love Them). Informed by her many years working as a nurse, with more than a decade in palliative care, Tisdale provides a frank, direct, and compassionate meditation on the inevitable. From the sublime (the faint sound of Mozart as you take your last breath) to the ridiculous (lessons on how to close the sagging jaw of a corpse), Tisdale leads us through the peaks and troughs of death with a calm, wise, and humorous hand. Advice for Future Corpses is more than a how-to manual or a spiritual bible: it is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions, and literature around the world. Tisdale explores all the heartbreaking, beautiful, terrifying, confusing, absurd, and even joyful experiences that accompany the work of dying, including: A Good Death: What does it mean to die “a good death”? Can there be more than one kind of good death? What can I do to make my death, or the deaths of my loved ones, good? Communication: What to say and not to say, what to ask, and when, from the dying, loved ones, doctors, and more. Last Months, Weeks, Days, and Hours: What you might expect, physically and emotionally, including the limitations, freedoms, pain, and joy of this unique time. Bodies: What happens to a body after death? What options are available to me after my death, and how do I choose—and make sure my wishes are followed? Grief: “Grief is the story that must be told over and over...Grief is the breath after the last one.” Beautifully written and compulsively readable, Advice for Future Corpses offers the resources and reassurance that we all need for planning the ends of our lives, and is essential reading for future corpses everywhere. “Sallie Tisdale’s elegantly understated new book pretends to be a user’s guide when in fact it’s a profound meditation” (David Shields, bestselling author of Reality Hunger).
"At the age of twenty, Sheyda Porrouya's life is almost over. She was born in Iran on the day staunchly orthodox mullas declared the birth of the Islamic Republic and set about summarily purging the country of all things Western and un-Islamic. When the Regime shut down universities, Sheyda's father, who had been an ambitious law student, ended up as a load-lifter. To make matters worse, as she matured Sheyda seemed increasingly unable to distinguish between fairy tale and reality. She began to exhibit disturbing behavior. Her pious mother began to believe that her daughter was possessed and so, seeking a divine cure, she visited shrine after shrine. Almost everyone suspects that she is deranged, everyone except her lifelong therapist, Dr. Fereydoon, and a beautiful black-eyed cripple who lives next door. They don't think she's crazy, but they know she's not sane either. When Sheyda is accused of killing her mother, she is immediately jailed and sentenced to death by hanging. The narrative jumps back and forth from Sheyda's childhood to her current life in one of Iran's most notorious prisons, where she awaits either release or execution."--
Taking as its starting point the significant role of the photograph in modern mourning practices—particularly those surrounding public figures—Dead Matter theorizes the connections between the body and the image by looking at the corpse as a special instance of a body that is simultaneously thing and representation. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. To begin interpreting the corpse as a representational object referring to the deceased, Margaret Schwartz examines the association between photography and embalming—both as aesthetics and as mourning practices. She introduces the concept of photographic indexicality, using it as a metric for comprehending the relationship between the body of a dead leader (including Abraham Lincoln, Vladimir Lenin, and Eva Perón) and the “body politic” for which it stands. She considers bodies known as victims of atrocity like Emmett Till and the Syrian boy Hamsa al-Khateeb to better grasp the ways in which the corpse as object may be called on to signify a marginalized body politic, at the expense of the social identity of the deceased. And she contemplates “tabloid bodies” such as Princess Diana’s and Michael Jackson’s, asserting that these corpses must remain invisible in order to maintain the deceased as a source of textual and value production. Ultimately concluding that the evolving cultural understanding of photographic realism structures our relationship to the corpse, Dead Matter outlines the new politics of representation, in which death is exiled in favor of the late capitalist reality of bare life.
A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.
* Indie Next List Pick * Indie Bestseller * Sixteen bloodless bodies. Two teenagers. One impossible explanation. In this edge-of-your-seat mystery from #1 New York Times bestselling author Kendare Blake, the truth is as hard to believe as it is to find. Summer 1958. A gruesome killer plagues the Midwest, leaving behind a trail of bodies completely drained of blood. Michael Jensen, an aspiring journalist whose father happens to be the town sheriff, never imagined that the Bloodless Murders would come to his backyard. Not until the night the Carlson family was found murdered in their home. Marie Catherine Hale, a diminutive fifteen-year-old, was discovered at the scene—covered in blood. She is the sole suspect in custody. Michael didn’t think that he would be part of the investigation, but he is pulled in when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?
Returning to the small town where he crash-landed in 1963, Ishmael Jones is in search of answers. But his investigation is de-railed by a brutal murder. “I think something very bad and very dangerous has come to your little town, Inspector . . .” As long-buried memories from his hidden past begin to resurface, Ishmael Jones and his partner Penny feel compelled to return to the small country town where Ishmael crash-landed in 1963; the place where his memories began. Norton Hedley is no ordinary town. Apparitions, sudden disappearances, sightings of unusual beasts: for centuries, the place has been plagued by a series of inexplicable events. Ishmael’s first task is to track down local author Vincent Smith, the one man he believes may have some answers. Ishmael and Penny aren’t the only ones seeking the mysterious Mr Smith. When their search unearths a newly-dead body in the local mortuary – a body that’s definitely not supposed to be there – Ishmael becomes the prime suspect in the ensuing murder investigation. His only hope of discovering the truth about his origins lies in exposing a ruthless killer.