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This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.
"Digital Vertigo provides an articulate, measured, contrarian voice against a sea of hype about social media. As an avowed technology optimist, I'm grateful for Keen who makes me stop and think before committing myself fully to the social revolution." —Larry Downes, author of The Killer App In Digital Vertigo, Andrew Keen presents today's social media revolution as the most wrenching cultural transformation since the Industrial Revolution. Fusing a fast-paced historical narrative with front-line stories from today's online networking revolution and critiques of "social" companies like Groupon, Zynga and LinkedIn, Keen argues that the social media transformation is weakening, disorienting and dividing us rather than establishing the dawn of a new egalitarian and communal age. The tragic paradox of life in the social media age, Keen says, is the incompatibility between our internet longings for community and friendship and our equally powerful desire for online individual freedom. By exposing the shallow core of social networks, Andrew Keen shows us that the more electronically connected we become, the lonelier and less powerful we seem to be.
A graphic novel in which Sergeant Rock and the men of East Company search for an escaped German officer who killed his fellow prisoners.
Soon to be stepping from the shadows into his own live action movie (starring Keanu Reeves) comes a classic comics character: John Constantine, the enigmatic chain-smoking mystic! Rare Cuts assembles six spellbinding stories that have never before been collected, including the horrifying events of Newcastle, 1978, that ended with Constantine confined to an asylum and, amongst others, a tale of Constantine's rough-and-tumble childhood and the beginnings of his unique skills. Created by some of the most popular and critically-acclaimed writers and artists in comics. Also includes a Constantine timeline and a map of Constantine's London.
Featuring stories by some of comics' top creators, all centering on the world of the chain-smoking magician John Constantine! Plus, this one-shot special also includes a Hellblazer timeline and character profiles!
A digest-sized, black-and-white trade paperback reprinting the 4-issueVertigo miniseries from writer Mike Carey (LUCIFER) and artists Sonny Liew andMarc Hempel, MY FAITH IN FRANKIE tells the story of a girl who discovers thathaving your own personal deity isn't all it's cracked up to be - particularlywhen you're trying to get a boyfriend and your god turns out to be jealous! Butas Frankie moves precariously into adulthood and her god Jeriven tries to winher back, sinister forces are at work that could spell disaster far beyond abroken heart, and Frankie and Jeriven will both have to do some fast growing-upif they're going to survive
"New Deawardians created by Abnett & Culbard"--Title page.
The X-Men comic book franchise is one of the most popular of all time and one of the most intriguing for critical analysis. With storylines that often contain overt social messages within its "mutant metaphor," X-Men is often credited with having more depth than the average superhero property. In this collection, each essay examines a specific era of the X-Men franchise in relationship to contemporary social concerns. The essays are arranged chronologically, from an analysis of popular science at the time of the first X-Men comic book in 1963 to an interpretation of a storyline in light of rhetoric of President Obama's first presidential campaign. Topics ranging from Communism to celebrity culture to school violence are addressed by scholars who provide new insights into one of America's most significant popular culture products.
In this acclaimed, controversial graphic novel, God commands Earth’s mightiest super-hero, Sunstar, to accept Jesus as his roommate and teach him how to use power more forcefully. Jesus, shocked at the way humans have twisted his message over two millennia, vows to straighten them out. The book everyone’s talking about, by award-winning writer Mark Russell (Snagglepuss, The Flintstones) and artist Richard Pace (Pitt, New Warriors)! God commands Earth’s mightiest super-hero, Sunstar, to accept Jesus as his roommate and teach him how to use power more forcefully. Jesus, shocked at the way humans have twisted his message over two millennia, vows to straighten them out.
Can the different pictures of Jesus in the New Testament be reconciled? Or are they simply simulations, the products of a virtual Gospel? 'Simulating Jesus' argues that the gospels do not represent four versions of one Jesus story but rather four distinct narrative simulacra, each of which is named "Jesus". The book explores the theory and evidence justifying this claim and discusses its practical and theological consequences. The simulations of Jesus in each of the gospels are analysed and placed alongside Jesus simulacra elsewhere in the Bible and contemporary popular culture. 'Simulating Jesus' offers a radical understanding of Scripture that will be of interest to students and scholars of biblical studies.