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192 lined pages. 7 1/4" wide x 9" high. Bookbound hardcover. Elastic band place holder. Acid-free, archival paper. Embossed, gold foil, gold gilded edges, ribbon bookmark. The opulent cover of this journal reproduces the gold-tooled binding of a book owned by Antoine Leriche, secretary to King Louis XIV and notable collector of fine objects.
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.
An “eccentric and charming” love letter to Versailles Palace and its storied grounds, by the man who knows them best—for gardening lovers and Francophiles (New York Times) Tour Versailles’ 2,100 acres as its gardener-in-chief describes its fascinating history and his 40 years of living and working in the gardens. In Alain Baraton’s Versailles, every grove tells a story. As the gardener-in-chief, Baraton lives on its grounds, and since 1982 he has devoted his life to the gardens, orchards, and fields that were loved by France’s kings and queens as much as the palace itself. His memoir captures the essence of the connection between gardeners and the earth they tend, no matter how humble or grand. With the charm of a natural storyteller, Baraton weaves his own path as a gardener with the life of the Versailles grounds, and his role overseeing its team of 80 gardeners tending to 350,000 trees and 30 miles of walkways across 2,100 acres. He richly evokes this legendary place and the history it has witnessed but also its quieter side that he feels privileged to know: The same gardens that hosted the lavish lawn parties of Louis XIV and the momentous meeting between Marie Antoinette and the Cardinal de Rohan remain enchanted—private places where visitors try to get themselves locked in at night, lovers go looking for secluded hideaways, and elegant grandmothers secretly make cuttings to take back to their own gardens. A tremendous bestseller in France, The Gardener of Versailles gives an unprecedentedly intimate view of one of the grandest places on earth.
Few buildings carry such a freight of historical symbolism as the Palace of Versailles. First built as a hunting lodge by Louis XIII in the early seventeenth century, then radically repurposed by his absolutist son Louis XIV, Versailles became the focus of that king's centralised power. Drawing on a new wave of research in recent years, particularly on the buildings and material culture of Versailles, Colin Jones, distinguished historian of early modern France, describes the various building campaigns undertaken by Louis XIV and his formal installation of his court at Versailles in 1682; the ritualized rhythms of life at the court of the Sun King; the palace's variegated fortunes under Revolution, First Empire, Restoration and July Monarchy; its return to the political stage in the Franco-Prussian War; its later role as a venue for treaty signings and proclamations; and its continuing legacy as imposing physical embodiment of the ancien régime.
Newbery Honor author Kathryn Lasky's MARIE ANTOINETTE is back in print with a gorgeous new package! To forge an incredibly powerful political alliance, thirteen-year-old Marie Antoinette of Austria is betrothed to Dauphin Louis Auguste, who will one day be the king of France. To prepare the princess for becoming queen, she must be trained to write, read, speak French, dress, act . . . even breathe. Things become more difficult for her when she is separated from her family and sent to the court of Versailles to meet her future husband. Opinionated and headstrong Marie Antoinette must find a way to fit in at the royal court, and get along with her fiance. The future of Austria and France falls upon her shoulders. But as she lives a luxurious life inside the palace gates, out on the streets the people of France face hunger and poverty. Through the pages of her diary, Marie captures the isolation, the lavish parties and gowns, her struggle to find her place, and the years leading up her ascendance of the throne . . . and a revolution.
The grand tour, no longer the exclusive tradition of wealthy young Englishmen, by the early 20th century morphed to include twenty-three year old Helen, and Clara, her recently widowed mother. They sailed from their beloved America on the steamship, S.S. Blucher to Europe and kept two journals. You'll read from their travels, presented in a parallel arrangement, as they record their thoughts and activities day-by-day.You can feel in these writings something of the vibrancy of the cultures that they encountered. If you are interested in history, geography, culture, and women's studies, you are likely to find much to appreciate. Enjoy discovering something of the tenor and rhythum of the times as you follow their ten month itinerary to eight countries. You will be transported as you get to know these curious and open hearted women.
“An illuminating portrait” of the palace―its architecture, its scandals, its politics, and its role in France’s tumultuous history (The New York Times Book Review). The story of Versailles is one of historical drama, under the last three kings of France's old regime, mixed with the high camp and glamour of the European courts, all in an iconic home for the French arts. The palace itself has been radically altered since 1789, and the court was long ago swept away. Versailles sets out to rediscover what is now a vanished world: a great center of power, seat of royal government, and, for thousands, a home both grand and squalid, bound by social codes almost incomprehensible to us today. Using eyewitness testimony as well as the latest historical research, Tony Spawforth offers the first full account of Versailles in English in over thirty years. Blowing away the myths of Versailles, he analyses afresh the politics behind the Sun King’s construction of the palace and shows how Versailles worked as the seat of a royal court. He probes the conventional picture of a “perpetual house party” of courtiers and gives full weight to the darker side: not just the mounting discomfort of the aging buildings but also the intrigue and status anxiety of its aristocrats. The book brings out clearly the fateful consequences for the French monarchy of its relocation to Versailles and also examines the changing place of Versailles in France’s national identity since 1789. Includes photographs “Animates the palace that was home to the most charismatic monarchy in Europe for a century, until the French Revolution . . . well-researched and highly engrossing.” —Publishers Weekly
This book brings vividly to life the courtiers and servants of the imperial court in Vienna and the royal court at Paris-Versailles. Drawing on a wealth of material masterfully set in a comparative context, the book makes a unique contribution to the field of court studies. Staff, numbers, costs and hierarchies; daily routines and ceremonies; court favourites and the nature of rulership; the integrative and centripetal forces of the central courtly establishment: all are seen in a long-term, comparative perspective that highlights both the similarities and the distinctiveness of developments in France and the Habsburg lands. In the process, most conventional views of each court - and of court life in general - are challenged, and an alternative interpretation emerges. Finally, by relocating the household in the heart of the early modern state, Vienna and Versailles forces us to rethink the process of statebuilding and the notion of 'absolutism'.