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The subject cannot fail!' exulted Verdi, when recommending Victor Hugo's play Le Roi s'amuse to his librettist. But the censors made every effort to stop it, and the baritone was not easily convinced that a hunchback role would suit him. Jonathan Keates gives a vivid insight into the composition of a masterpiece. Verdi long afterwards thought it his best work, and Roger Parker explains why. Peter Nichols, author of several bestselling books in Italy, picks out some of the peculiarly Italian attitudes and characters in the opera which make it timeless - and incredibly modern.Contents: Introduction, Jonathan Keates; Musical Commentary, Roger Parker; The Timelessness of 'Rigoletto', Peter Nichols; Rigoletto: Text by Francesco Maria Piave after Victor Hugo's 'Le Roi s'amuse'; Rigoletto: English translation by James Fenton
Discusses the background of the opera, synopsis of the plot, music, survey of performances, chronology and major compositions by Verdi.
A translation of Baldini's acclaimed study of verdi's operatic masterpieces, with new editorial additions.
Based upon a play by Victor Hugo, author of THE HUNCHBACK OF NOTRE-DAME and LES MISERABLES, Giuseppe Verdi's 1851 opera RIGOLETTO is a tragedy of Shakespearean caliber set to music. The time is the Renaissance, the place the Italian city of Mantua. The bitter court jester of a libertine Duke fails tragically to shield his innocent daughter from the Duke's advances. Verdi's great score, composed at the start of his prime, includes three of the most famous numbers in Italian opera: "La donna e mobile," "Caro nome," and the Quartet. Audio and video recordings of RIGOLETTO have involved some of the most celebrated operatic conductors, singers, and stage directors of all time: Solti, Sutherland, Pavarotti, Domingo, Gobbi, Callas, Siepi, Ponnelle, and a great many more. Through detailed reviews of the best of these recordings, VERDI'S "RIGOLETTO" A SELECT DISCOGRAPHY WITH COMMENTARY traces the performance history of this riveting and tuneful opera since the 1940s. Illustrated with photographs and Renaissance-themed paintings.
One of the most significant developments in 19th-century Italian opera was the genesis of the Verdi baritone. The authors argue that the composer's baritone characters embody "a quintessential humanity, expressing needs and temptations, confusions and understandings, griefs and joys that transcend the particulars of time and place." The Verdi Baritone explores seven of the most fascinating roles in the repertory, revealing how they were conceived and executed. This eloquent book opens with a discussion of Verdi's early triumph, Nabucco; proceeds with Ernani, Macbeth, Rigoletto, La Traviata, and Simon Boccanegra; and concludes with his final great tragedy, Otello. Voice students, professional performers, their teachers and coaches, and opera lovers, will gain insight into Verdi's masterful use of text, music, and staging to portray each character's inner self.
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.