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The theme of divine judgement has often been treated, but usually with a concentration on one it its two main aspects: either that which is seen in the present life and in history or that which is believed to occur only after death. This new study seeks to combine the two aspects. It also tries to cover the whole spectrum of the ancient religions. Special attention is given to Israel, Greece, and Egypt. Israel's neighbours are also considered, and there are discussions of Judaism, Christianity, and Zoroastrianism. In several areas, notably in Egypt and Israel, it is shown that punishment in this life is sometimes presented as a fate that man brings upon himself rather than as one imposed by God, though always against a moral background derived from religion. The origins of judgement after death in the Judaeo-Christian tradition are examined in some detail and elements are traced to Egyptian, Zoroastrian, and Judaic sources.
In this gritty and suspenseful family drama from celebrated storyteller Keith Lee Johnson, three brothers find their professional and romantic lives veering out of control and heading toward a shattering conclusion. Brothers Jericho, Sterling, and William Wise may be bonded by blood, but life has dealt them very different hands. Jericho is a drug and munitions dealer, the leader of an elite group of former military personnel. Sterling is an attorney who finds himself fired from his prestigious San Francisco law firm on the same day he's expecting a verdict on a nationally televised case that was supposed to make his career. And William, a widowed psychologist and the youngest Wise brother, has spent the past five years alone but is finally imagining what it might be like to love again. Only trouble is, Terry Moretti, the woman he's dating, is white, and she can't seem to understand the societal and familial taboos that keep William from getting too closely involved. Jericho has a whole other dilemma to deal with—one that could see him ending up in jail for a very long time. Meanwhile, Sterling's luck seems to turn around when he meets a mysterious woman who offers him the world, but in return, he would need to comply with her racial prejudices—is he willing to pay her price? Keith Lee Johnson's twisting, riveting plot and crackling dialogue will captivate the reader from page one, and the extraordinary Wise Brothers’ choices will lead them inexorably toward a stunning and unforgettable climax.
NEW YORK TIMES BESTSELLER The Jedi have struck a blow against tyranny. Can they strike down ultimate evil? Chief of State Natasi Daala has been overthrown, and the Jedi Order has taken control of the Galactic Alliance. But while the new governors dismantle Daala’s draconian regime, forces still loyal to the deposed official are mobilizing a counterstrike. And even the Jedi’s new authority may not be enough to save Tahiri Veila, the former Jedi Knight and onetime Sith apprentice convicted of treason for the killing of Galactic Alliance officer Gilad Pellaeon. Meanwhile, Luke and Ben Skywalker are relentlessly pursuing Abeloth, the powerful dark-side entity bent on ruling the galaxy. But as they corner their monstrous quarry on the planet Nam Chorios, the two lone Jedi must also face the fury of the Sith death squadron bearing down on them. And when Abeloth turns the tables with an insidious ambush, the Skywalkers’ quest threatens to become a suicide mission. Features a bonus section following the novel that includes a primer on the Star Wars expanded universe, and over half a dozen excerpts from some of the most popular Star Wars books of the last thirty years!
Love and revenge on the high seas . . . Five years after a tragic shipwreck, Meghan Windgate finally understands the reason for her terrible nightmares. In her dreams, the ghost of her murdered father is calling her to avenge him and her twin brother. But her father's enemy is powerful, very powerful. What can a young woman like Meg do to win back her legacy and bring peace to her father and brother's restless souls? Hugh Stevens has returned to England after spending twelve years in America to right a terrible wrong and recover two priceless family heirlooms. Meg Windgate was eight years old when he last saw her. Now she's a woman grown. And Hugh finds himself strongly attracted to the daughter of one of the men he was sworn to ruin. When Hugh discovers he and Meg have a common enemy, he suggests pooling their resources. She refuses. Instead, she goes to sea to pirate their enemy's ships and bring down his empire from afar. Hugh, convinced Meg and he are fated to be together, strives to help her in any way he can. But he doesn't know the secret she keeps from him. A secret that could destroy both of their lives . . .
The gorgeous and darkly compelling sequel to The Crown’s Game—perfect for fans of Red Queen and Shadow and Bone.A New York Times bestseller! Magic is growing, shadows are rising, and the throne is at stake… Russia is on the brink of great change. Pasha’s coronation approaches, and Vika is now the Imperial Enchanter, but the role she once coveted may be more difficult—and dangerous—than she ever expected. Pasha is grappling with his own problems—his legitimacy is in doubt, the girl he loves loathes him, and he believes his best friend is dead. When a challenger to the throne emerges—and with the magic in Russia growing rapidly—Pasha must do whatever it takes to keep his position and protect his kingdom. For Nikolai, the ending of the Crown’s Game stung deeply. Although he just managed to escape death, Nikolai remains alone, a shadow hidden in a not-quite-real world of his own creation. But when he’s given a second chance at life—tied to a dark price—Nikolai must decide just how far he’s willing to go to return to the world. With revolution on the rise, dangerous new magic rearing up, and a tsardom up for the taking, Vika, Nikolai, and Pasha must fight—or face the destruction of not only their world but also themselves.
This collection of essays examines the life and thought of Agnes Heller, who rose to international acclaim as a Marxist dissident in Eastern Europe, then went on to develop one of the most comprehensive oeuvres in contemporary philosophy, putting forward a distinctive ethical theory and analyses of a vast range of topics covering most every philosophical area. Here, philosophers, sociologists, journalists, and political scientists contextualize, compare and assess different elements of Heller's work; the collection as a whole highlights relevant shifts within that work as well as its intrinsic consistency. Essays in the collection address the relationship between philosophy, political practice and everyday life, Heller's theory of modernity and her ethical theory, her recent scholarship on comedy and the Biblical book of Genesis, her theories of radical needs and radical politics, her aesthetic theory, and questions about her relationship to feminist theory. The collection includes Heller's reflections on the collected essays, as well as an early essay on her mentor LukOcs that exposes her own steadfast engagement with certain practical and philosophical issues throughout her life's work.
Today, war is considered a last resort for resolving disagreements. But a day of staged slaughter on the battlefield was once seen as a legitimate means of settling political disputes. James Whitman argues that pitched battle was essentially a trial with a lawful verdict. And when this contained form of battle ceased to exist, the law of victory gave way to the rule of unbridled force. The Verdict of Battle explains why the ritualized violence of the past was more effective than modern warfare in bringing carnage to an end, and why humanitarian laws that cling to a notion of war as evil have led to longer, more barbaric conflicts. Belief that sovereigns could, by rights, wage war for profit made the eighteenth century battle’s golden age. A pitched battle was understood as a kind of legal proceeding in which both sides agreed to be bound by the result. To the victor went the spoils, including the fate of kingdoms. But with the nineteenth-century decline of monarchical legitimacy and the rise of republican sentiment, the public no longer accepted the verdict of pitched battles. Ideology rather than politics became war’s just cause. And because modern humanitarian law provided no means for declaring a victor or dispensing spoils at the end of battle, the violence of war dragged on. The most dangerous wars, Whitman asserts in this iconoclastic tour de force, are the lawless wars we wage today to remake the world in the name of higher moral imperatives.
When the Goddess of Light threatens the world with her corruptive influence and power, four heroes who will be chosen by the God of Darkness to become his champions in taking up his dark mantle, will be sent on a long and grueling journey to not only prove themselves worthy but also save the world from the wrath of light.
Krishna, the only son of wealthy parents Gautam Seth and Shantai, secretly marries his classmate Elizabeth, the sole heir of the British royal family. While returning to India after attending the felicitation of Krishna, they meet with a fatal road accident, and Gautam gets killed. Krishna comes to India to meet Shantai and perform his father’s last rites. The family’s affairs are handled by their maternal uncles, Mahadev and Shakuntala, who have a daughter named Mohini. Mohini is in love with an employee from a poor family working in their business group. Shakuntala mami, arrogant and strict, conspires to remove the governor and her baby’s fork from the estate. The estate is worth around £250 million, and the heir has a right to the fort and state-of-the-art cars. When the trustees learn of an heir, they come to India in search of it. The novel explores the relationship between Krishna, Mohini, and their family, as well as the estate’s fate and the narrator’s marriage. The story ends with a happy or sad ending, highlighting the complex relationships and the complexities of family dynamics.