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Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.
Written with exclusive access to the original Verdi family documents, this book explores the facts behind the myths of this extraordinary figure. Previously unknown aspects of Verdi's life are exposed in this biography, which took 30 years to write.
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
"Giuseppe Verdi, the titan of Italian opera, was very much a man of his times, and an understanding of them is essential to a full appreciation of his masterpieces. Both his music and life were part of the Risorgimento, the movement that established Italian unity and independence. He represented his district in assemblies, ran for office, and served in the first parliament of the Italian kingdom. With such operas as Aida, La Traviata and Rigoletto, he ranks as one of the world's most popular composers, yet he hardly fits the world's image of that role. At the age of eighteen, he was rejected by the Conservatory of Milan and throughout his life he was a farmer and an astute business man. He developed his talents over a long life, composing Otello at 73, Falstaff at 79 and his last works in his eighties. If musical genius can be won by hard work, Verdi accomplished it. In his personal life, he was a paradox. He loathed publicity, yet composed for the stage. Almost a recluse in his search for privacy, he spoke with his music to the hearts of men, as he did in the scope of his charities. Tragedy struck early with the deaths of his first wife and two young children. Subsequently, he created a furor in his small home town by bringing his mistress, the renowned soprano Strepponi, back to live there and ten years later he wed her to enjoy one of the most successful marriages in the history of music. But the town never forgot nor forgave. George Martin, an officer and director of the Metropolitan Opera Guild and author of the 'The Opera Companion: A Guide for the Casual Operagoer,' describes the restless years through which Verdi lived and gives a dynamic picture of their impact upon the man and musician. Based upon the latest research, to which the author has himself contributed, and including several of Verdi's letters which are published here for the first time, this definitive biography is a fitting tribute to the one hundred and fiftieth anniversary of the composer's birth. Includes musical illustrations, bibliography, appendices, index." --Dust jacket.
Giuseppe Verdi dominated Italian opera for 50 years, and his operas are performed throughout the world today. Verdi for Kids offers young readers an accessible, behind-the-scenes peek into the exciting world of opera and traces Verdi's path to fame, delving into the great composer's childhood, musical training, family tragedies, and professional setbacks and successes. Kids also learn about the Italians' passion for opera and Italy's tumultuous past, key political figures, and cultural pastimes. Aspiring sopranos, baritones, musicians, conductors, and stage directors will learn about opera jobs and production, what happens at rehearsal, and music terms and vocabulary, gaining an understanding of opera's rich tradition. Offering a time line, glossary, and list of additional resources, Verdi for Kids is an engaging resource for students, parents, and teachers. Fun hands-on activities illuminate both the music concepts introduced and the times in which Verdi lived.
A translation of Baldini's acclaimed study of verdi's operatic masterpieces, with new editorial additions.
Summarises what is currently known about Otello and interprets its significance within Verdi's career.
When she loses a leading role and her leading man to another girl, sixteen-year-old Lucy, a member of the high school drama club, does something completely out of character that has life-altering consequences.
This collection of original essays ranges widely among the composer's interests and achievements: from his religious views to his skill as a cook, from the politics that galvanized him to the poetry that inspired him, from his earliest compositions to his final masterwork, Falstaff, completed at the age of 80. Drawing on original research and scholarship, this book also contains two of Verdi's early works, never before published in this form; a translated collection of his letters, also heretofore unpublished; the text of the Requiem with indications of Verdi's emphases; and a directory of his operas with sources, casts, theatres, and premiere dates.