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A series of projects, investigations and essays that explores the fusion of the artificial and organic, which produces new architectures, new possibilities, and new natures.
“A benchmark collection of essays on the contemporary understanding of human nature. . . . [engaging] biology and anthropology to theology and philosophy.” —Robin W. Lovin, Cary M. Maguire University Professor of Ethics emeritus, Southern Methodist University, author of What Do We Do When No One is Listening: Leading the Church in a Polarized Society The last few decades have seen an unprecedented surge of empirical and philosophical research into the evolutionary history of Homo sapiens, the origins of the mind/brain, and human culture. This research has sparked heated debates about the nature of human beings and how knowledge about humans from the sciences and humanities should be properly understood. The goal of Verbs, Bones, and Brains: Interdisciplinary Perspectives on Human Nature is to engage these themes and present current debates, discussions, and discourse for a range of readers. The contributors bring the discussion to life with key experts outlining major concepts paired with cross-disciplinary commentaries in order to create a novel approach to thinking about, and with, human natures. Throughout, they emphasize the importance of seeking a convergence in our views on human nature, despite metaphysical disagreements. They caution that if convergence eludes us and a common ground cannot be found, this is itself a relevant result: it would reveal to us how deeply our questions about ourselves are connected to our basic metaphysical assumptions. Instead, their focus is on how the interdisciplinary and possibly transdisciplinary conversation can be enhanced in order to identify and develop a common ground on what constitutes human nature. “A landmark volume. . . . It shows the fruitfulness of a mutually respectful and yet rigorous approach to cross-disciplinary engagement.” (William Storrar, Center of Theological Inquiry, Princeton, NJ, editor of A World for All?: Global Civil Society in Political Theory and Trinitarian Theology “Fascinating, well-organized, and well-edited.” —Choice
“Kristine’s book breaks down natural dyeing from both a scientific and creative perspective, making the process feel as approachable as it is beautiful.” —Design*Sponge Thousands of natural materials can produce glorious color—the insect cochineal produces pink, maroon, and purple, and more than 500 species of plants produce indigo blue. In The Modern Natural Dyer expert Kristine Vejar shares the most user-friendly techniques for dyeing yarn, fabric, and finished goods at home with foraged and garden-raised dyestuffs as well as with convenient natural dye extracts. Demystifying the “magic,” Vejar explains in explicit, easy-to-follow detail how to produce consistent, long-lasting color. With stunning photography of the dyes themselves, the dyeing process, and twenty projects for home and wardrobe (some to knit, some to sew, and some just a matter of submerging a finished piece in a prepared bath), The Modern Natural Dyer is a complete resource for aspiring and experienced dye artisans. “A terrific primer for anyone new to the technique. Kristine walks you through the ins and outs of the process, from defining what scouring and mordanting mean to helping you learn how best to achieve desired colors.” —DIY Network “Vejar’s lovely book is very sophisticated and detailed.” —Library Journal (starred review) “Absolutely stunning . . . The projects range from dyeing pre-made items like a slip, silk scarf or tote bag to dyeing yarn to knit a hat, shawl or cardigan . . . exceeded all my high expectations.” —Make Something
The shift from modern to digital systems of design and production opens up a material work to a deeper relationship between author and perceiver. From the classical work to the modern object and from the modern industrial to 'computerised' procedures, the interplay between author and user has become closer, more direct and open. How does this increasing complicity affect architectural practice? How can architecture be conceived as a more fluid informational development? Publishing architectures is much more than displaying a recently finished product in which the architect is the unique author. To make architecture is a real undertaking of numerous authors based on the processing of information before, during and after the materialization of the building. The contemporary relationship between information and authorship in architectural practice, featuring works and texts by Manuel de Landa, Jorge Wagensberg, FOA Architects, Sadar & Vuga, njiric & njiric, Love, Lacaton & Vassal.
An English teacher by trade and an avid birder by inner calling, Peter Cashwell has written a whimsical book about his many obsessions -- birds, birders, language, literature, parenting, pop culture, and the human race.
Gain a deeper understanding of essential research on the semantics of noun phrases and verb phrases. Clear explanations of significant recent research bring complex issues to life, with expert guidance on topics of debate within the field. The book gives readers valuable insights into topics such as definiteness, specificity, genericity aspect, aktionsart and mood. It also discusses directions for future research. Written by a world-class team of authors, these highly cited articles are here in paperback for the first time since their original publication. An essential reference for researchers in the area.
This volume contains twelve chapters on the derivation of and the correlates to verb initial word order. The studies in this volume cover such widely divergent languages as Irish, Welsh, Scots Gaelic, Old Irish, Biblical Hebrew, Jakaltek, Mam, Lummi (Straits Salish), Niuean, Malagasy, Palauan, K'echi', and Zapotec, from a wide variety of theoretical perspectives, including Minimalism, information structure, and sentence processing. The first book to take a cross-linguistic comparative approach to verb initial syntax, this volume provides new data to some old problems and debates and explores some innovative approaches to the derivation of verb initial order.