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"Turn to page 34. A women is unzipping herself. The woman is the artist, Vera Lehndorff, who in the 1960s, made her name internationally as the celebrated fashion model Veruschka. In 1970 she met the artist and photographer Holger Trulzsch and together they began to use her body as a canvas on which to create a new and startling art form. In their work, Vera Lehndorff's body is denied its reality. It mimics another - a glamorous film star, a gun-toting ganster - chameleon-like it disappears into its surroundings, transformed into dead or decaying matter, sculpture, stones, trees. This disturbing yet utterly enthralling work is reproduced here for the first time in full colour."--BOOK JACKET.
Susan Sontag: An Annotated Bibliographycatalogues the works of one of America's most prolific and important 20th century authors. Known for her philosophical writings on American culture, topics left untouched by Sontag's writings are few and far between. This volume is an exhaustive collection that includes her novels, essays, reviews, films and interviews. Each entry is accompanied by an annotated bibliography.
In 'Familiar Territory' we find portrayals of farm animals together with their owners. However, instead of being situated in a stall or field, they are pictured in the midst of peoples' living quarters. The emotional connections that exist between animals and humans find multiple expressions here, and are also effectively questioned. American photographer Jon Naiman invokes the traditions of portrait and documentary photography as a way to investigate culture, habitat, domesticity, family and gender roles, as well as our relationship with animals. Although the photographs are orchestrated and carefully composed, Naiman has managed to capture moments of intimacy.
The golden age of the American Wrestling Association, as documented by a nine-year-old boy in 1960s Omaha Mad Dog Vachon, "Tarzan Tyler," Masao "Rusher" Kimura--the ring names of the wrestlers who grappled for glory in the American Wrestling Association were as evocative as they were hair-raising. In 1969, the Swiss-born photographer Darius Koehli (born 1960), then just nine years old, spent nine months with his father in Omaha, Nebraska, where a neighbor took him to the hottest spot in town, the Civic Auditorium, to see some catch wrestling. With a remarkable eye for slapstick, and using his brand-new Kodak Instamatic, Koehli produced hundreds of snapshots of these formidable hulks, during and after their bouts. In the summer of 2019, Koehli uncovered the photo album he'd assembled 50 years ago in Omaha and decided to revitalize the pictures of this extraordinary time. The selection featured in Why Omaha?provides a glimpse of a bygone era in which professional wrestling was just taking off, enrapturing TV audiences.
Drawing on a wealth of examples, the author addresses a topic that has been largely ignored within cultural studies, despite its ability to shock, titillate or entertain. 'Nudity' is a blend of meaningful minutiae and big philosophical questions about the most unnatural state of nature in the modern West.
Pathé'O, originally from Burkina Faso, is an African fashion icon in every sense of the word. Known for his collections far beyond his chosen home Ivory Coast, the designer's visionary legacy has been influencing the aesthetic standards and experience of fashion on the African continent for over 30 years and has also led to a recent collaboration with the fashion house Dior. His distinct design aesthetics and cutting-edge approach to sustainability alongside a gift for combining cultural commitment with entrepreneurial creativity have inspired designers of all ages. For long it was common for politicians and showbiz celebrities in West African former French colonies to dress in a Western manner. In this context Pathé'O approached his work with the clear intention to raise appreciation amongst Africans for a local fashion style and industry.In the 80s, Pathé'O became friends with Thomas Sankara, president of Upper Volta, later Burkina Faso, and a proponent of Pan-Africanism. Pathé'O was heavily influenced by Sankara's decisiveness to promote local pride and cultural heritage and from this point on he solely relied on using locally produced fabrics. His creations became a contemporary tribute to cultural heritage, history and identity. A further prominent encounter Pathé'O experienced was with Nelson Mandela, who was the first African president to chose his vibrant designs and light cotton fabrics over a Western business suit. And he was soon to be followed by other heads of states, as well as stars of the showbiz and sports, and of course Madame et Monsieur Tout-le-Monde.Pathé'O's fabrics are his trademark and he has a lifelong experience of fusing global fashion trends with a wide range of African textiles and knowledge, hence keeping the local heritage alive and ever evolving. For the first time, this book traces the extraordinary journey of Pathé'O and his brand. The craftmanship and treasures of his creations provide a better understanding of the spectrum of fashion in West Africa, the mergers of a global present with a rich cultural heritage. The book explores topics ranging from the fashion and textile industry to labour migration, cultural heritage, politics and showbiz, and spans an arc from the past to the present. (Verlagshomepage)
Investigative journalist Michael Gross delves into the history of models and takes us into the private studios and hidden villas where models play and are preyed upon, going beyond modeling’s carefully constructed facade of glamour to expose the scandal and untold truths that permeate the seemingly glamorous business. Here for the first time is the complete story of the international model business—and its evil twin: legalized flesh peddling. It’s a tale of vast sums of money, rape both symbolic and of the flesh, sex and drugs, obsession and tragic death. At its heart is the most unholy combination in commerce: beautiful, young women and rich, lascivious men. Fashion insider Michael Gross has interviewed modeling’s pioneers, survivors, and hangers–on, and he tells the story of the greats: Lisa Fonssagrives; Anita Colby, Candy Jones; Dorian Leigh and her sister Suzy Parker; Jean Shrimpton and Twiggy; Veruschka and Lauren Hutton; and today’s supermodel trinity, Christy, Naomi and Linda.