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The final novel in the alchemical thriller series set in an alternate Venice by the World Fantasy Award–winning author of A Bed of Earth. Centuries into the future, the sunken city of Venus has been salvaged from beneath the sea and rebuilt there under a dome, where it is supported by a vast network of computers that regulate weather, noise, and the most precious undersea commodity of all—air. It is here that a macabre experiment takes place. Conducted by geneticists at the university, the test consists of the resurrection of two lost souls, both murdered in their times: Jula, a first-century gladiatrix, and Cloudio del Nero, the eighteenth-century composer who met his fate in Lee’s acclaimed first volume of the Secret Books of Venus series. An unexplained catastrophe occurs, claiming several lives. Was it merely an accident, computer failure, or has the trial unleashed an airborne virus? Or is there an even more sinister danger afoot, a force from beyond that threatens the survival of Venus itself? To answer these questions, a traveler from the surface is forced to confront mysteries in his own past that have remained buried, and to reveal the connection that ties him to the unavenged spirits wreaking havoc on the doomed city. “The last of the four Secret Books of Venus is a tale of suspense and mystery.” —Booklist
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Venus of Milo: Its Discovery, the Theories Concerning It, Its Subsequent History There were also near the spot, ancient tombs that had been hollowed in the rocks of the moun tain side; so that from the sequel we have every reason to suppose that Georges, although a peas ant, had ever ih his mind the expectation of some day finding that which would repay his labor far better than years of toil, as a till-er of the Soil. If it was so his time had at last arrived. He continued his excavations until he reached a wall and opened to view the top of a niche, which he explored for some seven or eight feet below the surface of the earth. There was this statue, in several pieces, and mixed with them three heads, or hermae, one of Bacchus, one of Mercury, and one of Hercules. Although the peasant was ignorant of the value of his discovery, he never theless knew that this was for him a prize worth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Homage to Venus Dione. It was Hesiod who preserved for us the more primitive legend of Venus born from the waves of the sea. This is the Oriental story (lakshmi too is born of the churning of the ocean) and it is also the more pro found, in spite of its crudity or perhaps because of it. The ancient East had many intuitions of the nature of things; and modern science often does no more than clothe in precise language what the symbolism of mythology had already apprehended and expressed. The Heavenly Seed falling into the Sea of Matter is a pregnant allegory that persists even in the minds of materialists. Yet this is but half the story. For Venus is not the Goddess of Life but the Goddess of Love. And love is the conjunction of individual Opposites. Venus arose from the foam at the water's edge, a creature of sea and earth. From the whirl pool of life as it broke upon land, Love was born. Ever since the first dawn of thought gleamed upon the dark landscape of the instincts, man has regarded woman with a mixture of attraction and awe. Woman as the Gate of Life; Woman as the Object of Desire: between these two poles have his emotions swung. She was at once the great Mother and the Universal Mistress; and in both capacities charged with mm. The body of woman has always been heavy with magic, mysterious as life itself. Somehow it was more deeply imbedded in Nature than man's own body, more responsive to its rhythms. And if individual woman, how much more the Great Goddess. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The acclaimed biography of Sarah Baartman, once a slave and later a showgirl 'A significant and timely book ... Holmes has produced a laceratingly powerful story' Frances Wilson, Literary Review 'Impeccable ... In telling her extraordinary story, Holmes's fascinating book illuminates the forces which dominated her age, and resound in our own' Sunday Telegraph In 1810 the slave turned showgirl Sarah Baartman, London's most famous curiosity, became its legal cause célèbre. Famed for her exquisite physique – in particular her shapely bottom – she was stared at, stripped, pinched, painted, worshipped and ridiculed. This talented, tragic young South African woman became a symbol of exploitation, colonialism – and defiance. In this scintillating and vividly written book Rachel Holmes traces the full arc of Baartman's extraordinary life for the first time.