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The author of The September Queen explores Tudor England with the tale of Bess of Hardwick—the formidable four-time widowed Tudor dynast who became one of the most powerful women in the history of England. On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society. When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .
Celebrated picture book biographer Jeanette Winter shares the story of champion tennis players—and sisters—Venus and Serena Williams. Before they were famous tennis stars, Venus and Serena Williams were sisters with big dreams growing up in Compton, California. In the early mornings, they head to the tennis courts, clean up debris, and practice. They compete in their first tournament and they both win. From there, the girls’ trophy collection grows and grows. Despite adversity and health challenges, the sisters become two of the greatest tennis players of all time. This inspiring story of sisterhood, hard work, and determination is perfect for budding athletes or any young reader with a big dream.
The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.
It is Paris, 1815. An extraordinarily shaped South African girl known as the Hottentot Venus, dressed only in feathers and beads, swings from a crystal chandelier in the duchess of Berry’s ballroom. Below her, the audience shouts insults and pornographic obscenities. Among these spectators is Napoleon’s physician and the most famous naturalist in Europe, the Baron George Cuvier, whose encounter with her will inspire a theory of race that will change European science forever. Evoking the grand tradition of such “monster” tales as Frankenstein and The Hunchback of Notre Dame, Barbara Chase Riboud, prize-winning author of the classic Sally Hemings, again gives voice to an “invisible” of history. In this powerful saga, Sarah Baartman, for more than 200 years known only as the mysterious lady in the glass cage, comes vividly and unforgettably to life.
Recently, Black women have taken the world stage in national politics, popular culture, professional sports, and bringing attention to racial injustice in policing and the judicial system. However, rarely are Black women acknowledged and highlighted for their efforts to understand the social problems confronting our generation and those generations that came before us. In the post-civil rights era, research faculty and theoreticians must acknowledge the marginalization of Black women scholars’ voices in contemporary qualitative scholarship and debates. Black Feminism in Qualitative Inquiry: A Mosaic for Writing our Daughter's Body engages qualitative inquiry to center the issues and concerns of Black women as researcher(s) and the researched while simultaneously questioning the ostensible innocence of qualitative inquiry, including methods of data collection, processes of data analysis, and representations of human experiences and identities. The text centers "daughtering" as the onto-epistemological tool for approaches to Black feminist and critical race data analysis in qualitative inquiry. Advanced and novice researchers interested in decolonizing methodologies and liberatory tools of analysis will find the text useful for cultural, education, political, and racial critiques that center the intersectional identities and interpretations of Black women and girls and other people of color. Daughtering as a tool of analysis in Black feminist qualitative inquiry is our own cultural and spiritual way of being, doing, and performing decolonizing work.
Hoping to get over her first love, Mary heads with her socialite friend Kitty to Venice. There she finds herself faced with a terrible dilemma when Kitty's aristocratic fiancé, Arthur Malmesbury, declares his love for her. Should Mary make her way to fame, fortune and financial independence by marrying him, or stay loyal to her friend? Back in London, she hears dark rumours about Arthur and decides to turn him down. But can she warn Kitty about his true nature before it's too late?
NINE YEAR OLD Margot remembers the sun. "[A] yellow crayon or a coin large enough to buy the world with . . . a warmness, like a blushing in the face, in the body, in the arms and legs and trembling hands." In Ray Bradbury's revered short story, "All Summer in a Day," the last time Margot saw the sun was when she was four years old and still living on Earth. After her family moved to Venus a year later, she longed to see the sun again and to feel its warmth on her skin. On the one day every seven years when it stops raining on Venus and the sun breaks through the perpetual cloud cover to brighten the landscape for a brief two hours, Margot is locked away in a dark closet by her jealous classmates. Readers familiar with the graceful and poetic writing of Ray Bradbury - and those new to his literary magic - will find themselves empathetic toward a young girl who is kept from feeling and seeing the sunlight by her mean-spirited peers. Jump forward in time and meet Margot at 16. In the story "When the Rain Stops," Jason Marchi provides one plausible and satisfying answer to the question left in readers' minds at the end of Bradbury's classic tale of aloneness - whatever happened to Margot?? Foreword by William F. Nolan, co-author of Logan's Run, one of the most seminal novels in the annals of science fiction.? Introduction by Dr. Jonathan R. Eller, Director of the Center for Ray Bradbury Studies at Indiana University Purdue University Indianapolis (IUPUI).? Discussions section for creative writing students.? Bonus letter from Bradbury to Marchi in March of 2002.
With this book Immanuel Velikovsky first presented the revolutionary results of his 10-year-long interdisciplinary research to the public, founded modern catastrophism - based on eyewitness reports by our ancestors - shook the doctrine of uniformity of geology as well as Darwin's theory of evolution, put our view of the history of our solar system, of the Earth and of humanity on a completely new basis - and caused an uproar that is still going on today. Worlds in Collision - written in a brilliant, easily understandable and entertaining style and full to the brim with precise information - can be considered one of the most important and most challenging books in the history of science. Not without reason was this book found open on Einstein's desk after his death. For all those who have ever wondered about the evolution of the earth, the history of mankind, traditions, religions, mythology or just the world as it is today, Worlds in Collision is an absolute MUST-READ!
This third fascicle of Babylonian Planetary Omens contains the edition of all cuneiform texts dealing with the planet Venus known to us. Most of these tablets are kept in the British Museum; the large number of unpublished texts were transliterated and the previously published texts were checked and collated from the originals. The texts are accompanied by translations, and each group of texts is commented upon by David Pingree from the point of view of the text history and astronomical significance. A general introduction, also by David Pingree, analyzes the descriptions of Venus that occur in the texts in terms of astronomical phenomena. Indices are included to facilitate the study of this large corpus.
Recipient of a 2022 Most Promising New Textbook Award from the Textbook & Academic Authors Association (TAA) Introduction to Intersectional Qualitative Research, by Jennifer Esposito and Venus Evans-Winters, introduces students and new researchers to the basic aspects of qualitative research including research design, data collection, and analysis, in a way that allows intersectional concerns to be infused throughout the research process. Esposito and Evans-Winters infuse their combined forty years of experience conducting and teaching intersectional qualitative research in this landmark book, the first of its kind to address intersectionality and qualitative research jointly for audiences new to both. The book’s premise is that race and gender matter, and that racism and sexism are institutionalized in all aspects of life, including research. Each chapter opens with a vignette about a struggling researcher emphasizing that reflecting on your mistakes is an important part of learning. Discussion questions at the end of each chapter help instructors generate dialogue in class or in groups. Introduction to Intersectional Qualitative Research makes those identities and structures central to the task of qualitative study.