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At the dawn of the second millennium, Venice began to establish control of the upper Adriatic, gaining power and influence. As a great naval power, and an egalitarian society with no inherited aristocracy, it established itself as the capital of trade, wealth and art for the two high centuries of the Renaissance. In LION CITY, Garry Wills, a twice-yearly visitor to Venice, gives us a definitive guide to the cultural and sociological history of this fascinating city. Successfully interweaving armchair travel and definitive history, he begins his tour in the years of the Renaissance when Venice was a new idea, a commercial, non-hereditary state and views the city through the eyes of the Venetians; the ruling classes, bourgeoisie, workers, Jews and clerics. Venice became City of the Lion, both a sea and land empire; a republic and a centre of art and learning, independent of Papal authority and creator of some of the world's masters and masterpieces - Michaelangelo, Bellini and Titian. To understand the true spirit of this formidable city, Wills addresses the 'myth of Venice', that historical romance the city told about itself to prove to the world that it was set apart from ordinary states. This myth is articulated in Venice's art, and through this art, the author explores the heart of the city's identity. A fitting tribute to the unique social design and artistic culture of this fascinating power, VENICE:LION CITY is an enchanting insight into the Renaissance roots of today's floating city.
Garry Wills's Venice: Lion City is a tour de force -- a rich, colorful, and provocative history of the world's most fascinating city in the fifteenth and sixteenth centuries, when it was at the peak of its glory. This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembled in its combination of art and sea empire. Venice: Lion City presents a new way of relating the history of the city through its art and, in turn, illuminates the art through the city's history. It is illustrated with more than 130 works of art, 30 in full color. Garry Wills gives us a unique view of Venice's rulers, merchants, clerics, laborers, its Jews, and its women as they created a city that is the greatest art museum in the world, a city whose allure remains undiminished after centuries. Like Simon Schama's The Embarrassment of Riches, on the Dutch culture in the Golden Age, Venice: Lion City will take its place as a classic work of history and criticism.
“The rise and fall of Venice’s empire is an irresistible story and [Roger] Crowley, with his rousing descriptive gifts and scholarly attention to detail, is its perfect chronicler.”—The Financial Times The New York Times bestselling author of Empires of the Sea charts Venice’s astounding five-hundred-year voyage to the pinnacle of power in an epic story that stands unrivaled for drama, intrigue, and sheer opulent majesty. City of Fortune traces the full arc of the Venetian imperial saga, from the ill-fated Fourth Crusade, which culminates in the sacking of Constantinople in 1204, to the Ottoman-Venetian War of 1499–1503, which sees the Ottoman Turks supplant the Venetians as the preeminent naval power in the Mediterranean. In between are three centuries of Venetian maritime dominance, during which a tiny city of “lagoon dwellers” grow into the richest place on earth. Drawing on firsthand accounts of pitched sea battles, skillful negotiations, and diplomatic maneuvers, Crowley paints a vivid picture of this avaricious, enterprising people and the bountiful lands that came under their dominion. From the opening of the spice routes to the clash between Christianity and Islam, Venice played a leading role in the defining conflicts of its time—the reverberations of which are still being felt today. “[Crowley] writes with a racy briskness that lifts sea battles and sieges off the page.”—The New York Times “Crowley chronicles the peak of Venice’s past glory with Wordsworthian sympathy, supplemented by impressive learning and infectious enthusiasm.”—The Wall Street Journal
A compelling, illuminating and evocative history of Singapore—the world's most successful city-state. In 1965, Singapore's GDP per capita was on a par with Jordan. Now it has outstripped Japan. After the Second World War and a sudden rupture with newly formed Malaysia, Singapore found itself independent - and facing a crisis. It took the bloody-minded determination and vision of Lee Kuan Yew, its founding premier, to take a small island of diverse ethnic groups with a fragile economy and hostile neighbours and meld it into Asia's first globalised city. Lion City examines the different faces of Singaporean life - from education and health to art, politics and demographic challenges - and reveals how in just half a century, Lee forged a country with a buoyant economy and distinctive identity. It explores the darker side of how this was achieved too; through authoritarian control that led to it being dubbed 'Disneyland with the death penalty'. Jeevan Vasagar, former Singapore correspondent for the Financial Times, masterfully takes us through the intricate history, present and future of this unique diamond-shaped island one degree north of the equator, where new and old have remained connected. Lion City is a personal, insightful and definitive guide to the city, and how its extraordinary rise is shaping East Asia and the rest of the world.
"You might think there is little new to say about Venice, but Cees Nooteboom strolls down many under-explored alleyways in the city, his insights coloured by his knowledge of art and literature as welll as his past experiences . . . Witty and meditative by turns, the overall effect is like being shown around by a wonderfully self-effacing, but impressively erudite guide" The Sunday Times BOOKS OF THE YEAR "Nooteboom has achieved the impossible: to say something new about the ageless city about which everything has been said" ALBERTO MANGUEL "The whole book is the illuminating testimony of a man who cannot look away and so sees things that others, even those with more specialist knowledge, have missed, whether it be the color and consistency of the ropes on the vaporetti, the glistening hues and squirming movements of the fish at the market, or the wondrous effects that Tintoretto could achieve with dabs of white in 'the gleam of armour, the folds in a sleeve, the windings of a turban, the halo of a man of the air who, as in the Last Judgment, is flying through space, in a wide flowing cloak . . .'" GREGORY DOWLING, Wall Street Journal VENICE: "A dream of palaces and churches, of power and money, dominion and decline, a paradise of beauty." By the author of Roads to Santiago and Roads to Berlin With this treasury of his time spent in Venice over a period of fifty-five years, Nooteboom makes himself the indispensable companion for all lovers of "the sailing, amphibious city", and for every new visitor. Because he is a master storyteller with an inexhaustible curiosity, and always with a suitcase of books (to which new discoveries are added), he brings vividly and poetically to life not only the tumultuous history of the Republic but along the way its doges, its villains, its heroes, its magnificent painters, its architects, its scholars, its skies, its canals and piazzas and alleyways, and on his expeditions its "bronze voices of time". Those who know and love this city and its literature will recognise Nooteboom - in Laura Watkinson's fine translation - as the dazzling heir and companion to Montaigne, Thomas Mann, Rilke, Ruskin, Proust, Brodsky, and Donna Leon. His homage to Venice is a generous introduction, learned and enchanting, and worthy of its magnificent subject. "His writing is lyrical and densely textured. He is a poet of time and memory" - COLIN THUBRON Translated from the Dutch by Laura Watkinson
In the tradition of Jane Jacobs’ The Death and Life of Great American Cities comes an urgent plea from internationally renowned art historian Salvatore Settis to preserve Venice’s future. What is Venice worth? To whom does this urban treasure belong? Venetians are increasingly abandoning their hometown — there’s now only one resident for every 140 visitors — and Venice’s fragile fate has become emblematic of the future of historic cities everywhere as it capitulates to tourists and those who profit from them. In If Venice Dies, a fiery blend of history and cultural analysis, internationally renowned art historian Savatore Settis argues that “hit-and-run” visitors are turning landmark urban settings into shopping malls and theme parks. He warns that Western civilization’s prime achievements face impending ruin from mass tourism and global cultural homogenization. This is a passionate plea to secure Venice’s future, written with consummate authority, wide-ranging erudition, and élan.
In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world.
Venice is sinking - six feet over the past 1,000 years. The reasons for this are many. Although there is a natural geologic tendency for some sinking, humans have exacerbated the problem by exploiting on a massive scale underground water resources for industrial purposes. Coupled with these events - and perhaps most significant - are climatic changes all over the globe. The heating of the atmosphere after the last ice age, dramatically speeded up by humans, has led to a steady, continuing rise in sea level. This global warming is likely to persist beyond human control for hundreds, if not thousands, of years. Venetians, other Italians, and many in the world community are locked in debate over Venice's plight. Venice Against the Sea explains how the city and its 177 canals were built and what has led up to this long-foreseen crisis. It explores the various options currently being considered for "solving" this problem and chronicles the ongoing debate among scientists, engineers, and politicians about the pros and cons of each potential solution. Through extensive research and interviews, award-winning journalist John Keahey has written the definitive book on this fascinating problem. No matter what the experts decide to do, one thing is for certain - Venice's art, its buildings, and its history are too important to the planet's cultural identity to let it slip beneath the rising waters of the Adriatic.
An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub. Madden explores all aspects of Venice’s breathtaking achievements: the construction of its unparalleled navy, its role as an economic powerhouse and birthplace of capitalism, its popularization of opera, the stunning architecture of its watery environs, and more. He sets these in the context of the rise and fall of the Byzantine Empire, the endless waves of Crusades to the Holy Land, and the awesome power of Turkish sultans. And perhaps most critically, Madden corrects the stereotype of Shakespeare’s money-lending Shylock that has distorted the Venetian character, uncovering instead a much more complex and fascinating story, peopled by men and women whose ingenuity and deep faith profoundly altered the course of civilization.