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This is the first comprehensive study of the revival and appropriation of the Roman triumph from the 1580s to the 1650s. English versions of the triumph included ceremonial re-enactments, poetic or pictorial representations, and stage performances. As well as many non-canonical writers, Spenser, Marlowe, Shakespeare, Marvell, and Milton all produced versions. The book includes an original survey of ancient literary models and the work of humanist antiquarians, and shows how all its texts are implicated in contemporary political conflicts and discourses.
Many of the wars of the Late Republic were largely civil conflicts. There was, therefore, a tension between the traditional expectation that triumphs should be celebrated for victories over foreign enemies and the need of the great commanders to give full expression to their prestige and charisma, and to legitimize their power. Triumphs in the Age of Civil War rethinks the nature and the character of the phenomenon of civil war during the Late Republic. At the same time it focuses on a key feature of the Roman socio-political order, the triumph, and argues that a commander could in practice expect to triumph after a civil war victory if it could also be represented as being over a foreign enemy, even if the principal opponent was clearly Roman. Significantly, the civil aspect of the war did not have to be denied. Carsten Hjort Lange provides the first study to consider the Roman triumph during the age of civil war, and argues that the idea of civil war as "normal" reflects the way civil war permeated the politics and society of the Late Roman Republic.
Rome, Season One: History Makes Television examines thefirst season of the HBO-BBC collaboration, Rome, in acollection of thought-provoking essays by some of the world’smost influential scholars in the fields of classical antiquity andpopular culture. Examines the first season of the HBO-BBC collaboration,Rome, in a collection of 17 thought-provoking essays by someof the world’s most influential scholars in the fields ofclassical antiquity and popular culture Focuses on the award-winning first season’s historicalframework, visual and narrative style, contemporary thematicovertones, and influence on popular culture Addresses the artistic values, and roles of the script, sets,and actors Reveals how the series Rome ‘makes history’in terms of representing the past on screen and producinginnovative and influential television.
In order to reconstruct ancient rituals we must rely on ancient texts. That is the premise of these eight papers which are taken from a conference held at Stanford University in 2002 which brought together scholars of Roman religion and scholars of Roman literature to debate the `textuality of ritual'. The papers are followed by six brief essays which discuss the themes of the and consider the problems of retrieving ritual from texts written by such complex authors as Virgil, Ovid and Livy. The essays themselves focus on: the theme of sacrificial ritual in Roman poetry; religious communication in Rome; professional poets and the 2nd-century BC temple of Hercules of the muses; Livy; the Aeneid ; Ovid's use of hymns in the Metamorphoses ; Ovid's depiction of a triumph in Tristia ; the secret name of Rome. The numerous extracts are presented in Latin verse and English prose translation.